Romania: Everything that was discussed on the special show about the analysis of the bad results!

As we informed you in our previous article, the Romanian public television (TVR) organized on July 5 in prime time, a special show, where the series of bad results of the country in the contest were discussed, while solutions were also sought.

Wrong choice of artists and lack of direction the two big thorns

The show presented by the journalist and former head of the Romanian mission in the competition, Marina Almăşan, and participated many people from the music industry, but also former eurostars, such as The Humans, Ovi, Paula Seling, but also Mihai Traistariu , focused mainly on this year ‘s failure of Roxen.

Most of the panel members criticized Roxen for her choice, both on TVR and on the record label Global Music, as they mentioned her complete lack of experience, but also her mediocre vocal skills did not help her to stand out and qualify for final.

Almost everyone agreed that it was wrong for TVR to leave the project entirely to the record company, since while both the guy and the fans pointed out the mistakes, the record company did nothing to correct them (I do not know if this reminds you of something…) .

The other big problem that many were left with was the issue of directing. Mihai Traistariu stated that unfortunately TVR does not seem to be able to successfully undertake the staging of the Romanian entries. What has been suggested by many is the collaboration with foreign directors, something that many countries are already doing. In fact, it is worth noting at this point that the names of Sacha Jean Baptiste were mentioned, but also of Fokas Evangelinos.

Romania will be present in 2022

It seems that Romania will be present in Italy next year, at least that is what was said on the show. The most probable scenario is the return to the national final, the well-known Selectia Nationala and the subsequent support of the song that will be selected by TVR, so that at least in the next competition the country will return to the final. The format supported for the Selectia Nationala is 50% audience – 50% juries.

The observations of the Romanians are correct and we are happy because they largely agree with what we proposed and wrote in our relevant editorial. If the respective national public broadcaster is not interested and does not deal, no external partner and no record company can bring a good result. The examples are endless.

See the case of France. From the moment the external partner they had for both the Junior Eurovision and the regular Eurovision contest left, they won and took second place respectively. See the case of Switzerland, which with a stable team in recent years manages to star. On the other hand, see what happened in the United Kingdom, the BBC’s complete indifference, brought BMG to things as a machine god…. The result is one last place with an absolute 0 in the audience and juries! Of course, there is also the example of ERT, which since 2019 has taken the project in its hands and has literally achieved leaps in relation to the recent past.

The secret recipe for success by Christer Bjorkman

This is the solution for Romania and for all the other countries that have bad results. A conscious group, which will aim not just to participate, but the good result and which of course will methodize and organize everything related to the selection of the song, whether it is through a national final or through an assignment, aiming at its 3 minutes May and nothing else. Far from meaningless comments and complaints of the fans, without looking at bets and without being influenced by record and external factors.

In this year’s interview, Christer Bjorkman “revealed” the secret for a successful participation in the competition:

“Three things must have a participation to go well. A good song, a bright and good performer and a careful stage presence. The first is the hardest to find. But if you have the other two, then you can do very well. ”

So the choice of the right artist, as well as the careful stage presence, are two elements that every broadcaster can work and carefully build, so that it has more chances of success in the competition. ERT has understood it very well and the Romanians probably seemed to understand it. What do you say, will they go better next year?

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