Eurovision 2025: The Boycott that never happened and Europe’s dynamic return to the musical stage

The Eurovision Song Contest 2025 is already shaping up to be one of the most dynamic editions in recent decades. Early official announcements confirm that at least 38 countries have expressed their intention to participate, surpassing the number of entries in Malmö last year, as Montenegro joins the list of returning nations. However, what truly stands out is the complete collapse of the anticipated boycott that many had predicted following the events of 2024.

The Boycott: A Story That Remained in Theory

Following last year’s contest in Sweden, several voices — including politicians, artists, and fans from various countries — called for a boycott of the competition. The protests mainly focused on Israel’s continued participation due to geopolitical tensions, along with claims that Eurovision was straying from its original purpose as a cultural and musical platform of unity.

Despite these calls, predictions of mass withdrawals fell flat. Not only did no country exit the competition, but Montenegro’s return adds to the participant count, making the 2025 contest even larger than in 2024. This highlights Eurovision’s enduring resilience as a cultural institution, capable of withstanding political controversies and challenges.

The Growing Momentum of Eurovision 2025

The announcement of 38 confirmed participants sends a clear message: the contest is not only intact but continues to unite nations and people through music. Discussions of a boycott now seem irrelevant, as the number of participating countries has increased. Furthermore, the official list from the European Broadcasting Union (EBU) may hold even more surprises, potentially welcoming additional returning nations.

The fact that predictions of Eurovision’s disintegration proved baseless underscores the deep-rooted significance of the event. Eurovision is more than just a music competition — it is a platform for cultural diplomacy. Even in the face of challenging geopolitical circumstances, music remains the prevailing force.

Basel Prepares for a Historic Event

With 38 countries already confirmed, Basel, Switzerland, is gearing up to host a contest that already carries the hallmarks of success. Montenegro’s return, along with the potential for additional nations to join, not only reinforces Eurovision’s significance but also disproves exaggerated claims about the contest’s decline.

Eurovision 2025 promises to be much more than a competition: it will serve as a symbol of unity and resilience in the face of challenges. It will leave behind the political disputes and reaffirm that music is a universal bridge.

The voices of a vocal minority predicting the contest’s collapse and the mass withdrawal of nations due to last year’s controversies — including Israel’s continued participation — have been proven to be mere wishful thinking. Public broadcasters, as EBU members, ultimately had a very different perspective, choosing to uphold the spirit of the contest.

With May just around the corner, all indications point to Eurovision 2025 being the most dazzling answer to those who doubted the strength and importance of this beloved event for Europe.

Stay tuned to Eurovisionfun for all the latest updates!

Eurovision 2025: TikTok is no longer among the contest sponsors

The Eurovision Song Contest 2025, set to take place in Basel, Switzerland, recently announced changes to its sponsor lineup, removing TikTok and adding pharmaceutical company Novartis as an official partner. This shift may reflect strategic decisions to align the contest’s image with new sponsors like Novartis, a company focused on medicine and innovation, thereby enhancing Eurovision’s social image and raising awareness around health issues.

Novartis now appears among the official partners listed on Eurovision’s website, while TikTok, which previously promoted the contest through exclusive backstage and rehearsal content, is no longer included. Though there has been no official statement explaining TikTok’s removal, this decision might aim to diversify Eurovision’s partnerships or respond to broader concerns over data policies and the social impact of digital platforms.

In recent years, TikTok had exclusive backstage access and posted early rehearsal footage, a move that sparked mixed reactions from Eurovision fans.

So far, neither the European Broadcasting Union (EBU) nor TikTok has released a formal comment on the matter.

Stay tuned to Eurovisionfun for all the latest updates!

Eurovision 2025: Novartis is the official sponsor for the competition in Basel!

A few hours ago the EBU announced its official sponsor for the Eurovision 2025 contest that will take place in Basel next May. The pharmaceutical company Novartis will be the “official partner” of the competition!

Martin Österdahl, head of the organisation of the 2025 contest, said specifically:

‘We are thrilled to announce Novartis as an official partner of the Eurovision Song Contest 2025! With their headquarters in next year’s Host City, it’s great to have Novartis, a global leader in healthcare, supporting the Contest in Basel. This partnership marks an exciting collaboration between two iconic brands known for their commitment to innovation and excellence. Together, we stand for a vision of unity, hope, and the belief that through collaboration, we can achieve extraordinary things.’

The choice of Novartis was made in the unifying spirit promoted by Eurovision and is closely linked to the company’s identity, which is based in the city that will host the contest. Novartis actively promotes diversity and a sense of belonging as an employer of people from all countries of the world. Through this commitment, it fosters cultural diversity and creates an environment where all employees feel accepted and respected.

Rob Kowalski, Chief People & Organization Officer at Novartis, said:

‘Novartis is honoured to be an official partner of the 2025 Eurovision Song Contest in Basel – our home city. Both our organisations were born in Switzerland and believe deeply in the power of collaboration and bringing people together.’

 

Reto Peritz and Moritz Stadler, executive producers of SRG, said of the partnership:

‘We are delighted to welcome Novartis on board and are excited about their commitment and engagement. Their support will play a key role in helping us reach our goals and make a meaningful impact.’

The city of Basel will host the 69th Eurovision Song Contest in May 2025 after Nemo’s victory with The Code.

Source: Eurovision.Tv

For all the news about the competition, stay tuned to Eurovision Fun!

EBU: Code of Conduct for Participants with Mandatory Political Neutrality

During the Eurovision Song Contest, set to take place in Basel, artists are expected to have a specially designated space where they can retreat and relax without being filmed or recorded, as stated by the head of the competition, Bakel Walden, to the newspaper Sonntagsblick. Additionally, the EBU is expected to implement a code of conduct for participants, requiring political neutrality while they are on stage.

These actions are part of a broader effort to protect the well-being of participants and maintain calm among the delegations during the competition.

Walden emphasized that the organization has a duty to ensure the mental and physical health of the artists, something that will be taken seriously in the future.

Referring to the 2024 contest in Malmö, Walden noted that although the event was successful, certain issues must not be repeated, particularly regarding communication before, during, and after the competition. He also stressed the need to keep Eurovision as neutral as possible from political matters, stating that Eurovision cannot solve global conflicts and wars.

In Malmö, the contest was overshadowed by protests and calls for a boycott against Israel, due to the war in Gaza following the Hamas attacks on October 7, 2023. Israeli artist Eden Golan mostly stayed in her hotel room for safety reasons and faced exclusion by other artists.

Finally, Walden addressed the importance of adhering to a code of conduct for participants, stressing mutual understanding and respect among the contestants. While he asked participants to maintain a neutral stance on stage, outside of performances, they are free to express their views.

Stay tuned to Eurovisionfun for all the updates!

Source: zeit.news

EBU Director General Praises ERT During Official Visit to Athens

The Deputy Minister to the Prime Minister and Government Spokesperson, Pavlos Marinakis, met with the Director General of the European Broadcasting Union (EBU), Noel Curran. Mr. Curran was accompanied by ERT’s CEO, Katerina Kaskanioti, and the company’s President, Yiannis Papadopoulos. During his first official visit to Athens, the EBU’s Director General spoke highly of the Greek public broadcaster.

Deputy Minister Pavlos Marinakis highlighted the significant upgrades that Greek Public Television has undergone over the past five years, as well as its innovations, such as the launch of ErtFlix and its investment in continuous and objective news coverage through ERTNews.

The Director General of the EBU congratulated ERT for its programming, stating that it ranks among the top in Europe in terms of viewership among younger audiences and within the top ten among older viewers. He also expressed the EBU’s satisfaction with Greece’s improvement in the areas of the rule of law and media transparency, referring to the recent European Commission Rule of Law report, which noted progress from the Greek side.

The Deputy Minister, the EBU’s Director General, and ERT’s President and CEO committed to further collaboration between the organizations, with the aim of improving the services provided by Public Broadcasting and modernizing production through Artificial Intelligence.

Stay tuned to Eurovisionfun for all the latest updates!

The First Deadline for Eurovision 2025 Participation Approaches: Which Countries are Still Undecided?

The first deadline set by the EBU for its member broadcasters to submit their preliminary participation in Eurovision 2025 expires on September 15. Following this, and for the next month until October 11, those who have declared participation can withdraw without a penalty. After this date, any withdrawal will incur a penalty. So far, 28 countries have confirmed their participation in one way or another, while some others have not yet clarified their intentions. Let’s take a detailed look at the countries that participated in Eurovision 2024 and have not yet announced whether they will attend Basel or not.

Ireland, Poland, Estonia, Armenia, Croatia: Likely to Participate

Ireland, Poland, Estonia, Armenia, and Croatia are expected to participate in Eurovision 2025, barring any unexpected events. Although the national broadcasters of these countries have remained silent, the presence of their Heads of Delegation a few days ago in Dubrovnik, Croatia, where the Eurovision Workshop took place under the auspices of the EBU, suggests that they will all compete in Basel next May.

Croatia, which achieved its best-ever result in the contest this year, hosted the Eurovision Workshop, making it highly unlikely for the country to withdraw from the next contest. The same is true, more or less, for Ireland, which achieved its best result in 20 years. Despite the issues caused by Bambie Thug in this year’s competition, the Irish delegation did not publicly express any objections.

Armenia usually announces its plans for Eurovision after the Junior Eurovision ends, so their current stance is not surprising.

The public broadcasters of Poland and Estonia are currently undergoing budget cuts, which is why they have not yet announced anything regarding their participation. However, a withdrawal seems unlikely, especially after the participation of their Heads of Delegation in the Eurovision Workshop in Dubrovnik.

What About the Remaining Countries?

Five other countries that participated in Eurovision 2024 have not revealed their intentions for the next contest. Here are the countries:

  • Netherlands
  • Slovenia
  • Iceland
  • Moldova
  • Australia

The Netherlands announced that, following the dramatic events this year with Joost Klein’s elimination from the final, it would wait to discuss matters with the EBU regarding backstage issues. This discussion has begun, and the Dutch broadcaster has received an extension until November 1 to confirm or decline their participation. The atmosphere seems positive between the two parties, and we hope that these discussions will have a happy ending, with the Netherlands participating in Basel.

Slovenia has announced that its public broadcaster will decide in October whether to participate in Eurovision 2025. This aligns with the EBU’s deadline for public broadcasters to withdraw from the contest without penalty, which is October 11. Slovenia’s broadcaster sent several queries to the EBU immediately after the end of this year’s contest, which included questions about the televote.

Iceland was expected to announce its decision regarding Eurovision 2025 in the past few days but postponed it until next week, after the preliminary participation deadline of September 15 has passed.

Moldova is another country that typically delays announcing its plans. However, barring any surprises, Moldova is expected to be present in Basel.

Australia, as always, is a special case. Its contract with the EBU has expired, and each year it requires a special invitation to SBS for the “land of kangaroos” to participate.

Is There a Chance for Another Return?

Luxembourg’s return this year and Montenegro’s announcement of their return for Eurovision 2025 have brought joy and hope to fans for the return of other countries that mainly abstain for economic reasons.

The only countries in this category that have not ruled out a potential return are Romania, Bulgaria, and North Macedonia. All three have participated in the contest until recently but withdrew due to financial constraints. None of these countries have publicly ruled out returning for Eurovision 2025, leaving room to hope for at least one more return in the next contest, apart from Montenegro.

How many countries do you think will participate in Eurovision 2025? Let us know in the comments below!

Stay tuned to Eurovisionfun for all the latest updates!

Basel Announced as Host City for Eurovision 2025!

Basel has been officially selected as the host city for the 69th Eurovision Song Contest, as announced just moments ago by the European Broadcasting Union (EBU) and Swiss public broadcaster SRG-SSR.

Selection Process

Forty days ago, Basel and Geneva emerged as the two finalist cities in SRG-SSR’s selection process to determine the host for the 69th Eurovision Song Contest, set to take place in Switzerland next May. After weeks of anticipation, the mystery has been solved, and Basel will welcome the biggest televised event in Europe next spring.

Dates

The 69th Eurovision Song Contest is scheduled for the second/third week of May. The first semi-final will be held on Tuesday, 13th May, the second semi-final on Thursday, 15th May, and the grand final will take place on Saturday, 17th May.

Venue

The contest will be hosted at St. Jakobshalle, an arena located in Münchenstein, near Basel. Primarily used for indoor sports and concert events, St. Jakobshalle originally opened in September 1976 with a capacity of 9,000 people. Following renovations, the venue can now accommodate up to 12,400 spectators and has hosted numerous concerts and sports events, including the Swiss Indoors men’s tennis tournament.

Statements

Martin Österdahl, Executive Supervisor of the Eurovision Song Contest said:

”The EBU is thrilled that Basel has been selected as the Host City for the Eurovision Song Contest 2025. The Contest was born in Switzerland in Lugano back in 1956 and it’s great to be bringing it back to its birthplace almost 70 years later.’

Basel’s strategic location at the crossroads of Europe makes it the ideal setting for an event that celebrates the power of music to connect people across borders.

With its unique blend of tradition and innovation, Basel reflects the spirit of the Eurovision Song Contest. The city’s exceptional St.Jakobshalle venue and outstanding hospitality will ensure a memorable experience for delegations, artists and fans alike.

Following Contests in the Italian and French speaking parts of the country in 1956 and 1989 we’re also excited to bring the Eurovision Song Contest to German Switzerland for the very first time.

Together with Host Broadcaster SRG SSR and the city of Basel we will create a spectacular celebration of music on the banks of the River Rhine that resonates far beyond the stage.’

Conradin Cramer, President of the Government of Basel said:

‘It is a great honour for Basel to be able to host the world’s biggest live music event! We are looking forward to this fantastic opportunity to present Basel to the world as a cosmopolitan city of culture in the heart of Europe. As an open city in the border triangle of Germany, France and Switzerland, we overcome borders of all kinds every day. This fits in perfectly with the Eurovision Song Contest. We are already looking forward to welcoming our guests from all over Europe: welcome to Basel!’

Reto Peritz and Moritz Stadler, SRG SSR’s Joint Executive Producers of the 2025 Eurovision Song Contest, added:

‘We were impressed by the quality of the cities’ applications! All 4 cities, and especially Geneva and Basel in the final round, fought for the title of “Host City” with creative approaches and a very constructive approach. Such commitment is by no means a matter of course. Our thanks therefore go to all the cities that applied. We look forward to working with you to make the ESC an unforgettable experience for the whole population.’

https://www.youtube.com/watch?v=l6ff8tNCY2M

What Do You Think?

How do you feel about Basel being chosen as the host city for the 69th Eurovision Song Contest? Share your thoughts in the comments!

Source: Eurovision.tv

Joost Klein and the camerawoman answer to the decision of the Swedish police!

With yesterday’s announcement made by the Swedish police, one of the issues that marked Eurovision 2024 negatively for many fans, has officially come to an end. Of course, we are talking about the disqualification of Joost Klein from the final of Eurovision 2024.

After the police investigations, yesterday’s announcement stated that Joost Klein will not be prosecuted for the incident at this year’s Eurovision due to a lack of evidence.

A few hours ago Joost Klein himself, spoke about the whole issue for the first time, with an Instagram post:

 

View this post on Instagram

 

A post shared by Joost Klein (@joostklein)

“The last couple of months were terrible. Even though I love to perform anywhere around the world, something didn’t feel right. Why did we have to wait so long for an answer? Everyday I felt insecure whilst I knew the truth. There is no case against me, because there never was a case.

We should all take care for each other, we should all support each other and we should ALL come together. Companies just want to protect their money and they tried to use me as a shield. A village against the city…

Guess what? LOVE ALWAYS WINS. TRUST THE PROCESS!!!!! EVEN THOUGH I LOST ALL HOPE WE BACK NOW BABY!!! ALBUM MODE!!!!!!!”

At the same time, the camerwoman spoke through her lawyer, Kristoffer Ståhl, about the decision of the police, and indicated that she is thinking of taking further legal actions, in order to be vindicated:

“My client is very saddened by the decision and is considering whether she wants to challenge the decision. She came to Malmö to do her work in a special place where music, inclusion and diversity are central. What happened to her was unexpected and very traumatic. She now has to deal with the consequences of that incident, unfortunately.” 

Lawyer Ståhl adds in his statement that there was no agreement that “the Dutch artist” would not be filmed after his appearance. “My client wants to state clearly that she did not pay more or less attention to the Dutch artist than to other candidates of the festival,” she says.

However, the woman praised the EBU for the way the organization “put the mental and physical safety of its workers first”.

We now await with great interest the reaction of the Dutch public broadcaster, and whether it will participate or not in Eurovision 2025 next May in Switzerland.

Source : Joost Kleinrtl.nl

Eurovision 2025: Host City announcement to take place on August 30!

We are now officially a few weeks away from knowing the first major detail about the upcoming Eurovision Song Contest. We are of course talking about the announcement of the host city of the next Contest, which seems to be really close!

In particular, SRG SSR, the public broadcaster of Switzerland, announced through a post on their social media accounts, the exact date of this announcement. In one month from now, this long-awaited announcement is going to take place, namely, on August 30:

The two cities left in the race are Basel and Geneva. Whichever of the two cities chosen in the end, for yet another year, the capital of the hosting country, will not host the Contest.

Which city would you like to see host Eurovision 2025? Write us in the comments!

Stay tuned to Eurovisionfun for all developments regarding Eurovision 2025, in Geneva or Basel!

Eurovision 2025: Outside the capital, the contest for the sixth year in a row!

An important tradition is built as to the city chosen by the EBU and the respective public broadcaster to host the Eurovision Song Contest. For the last six years the city called to host the annual music competition has not been the capital or the largest city of the country, effectively indicating the EBU’s intentions in this matter, for smaller, easier and more manageable cities.

How is the Eurovision host city chosen?

With the country that has won the contest – barring a shocking contingency (see Ukraine in 2022), taking on the honorable and at the same time demanding task of organizing and hosting the next Eurovision, the processes for choosing the most suitable city begin almost immediately.

The public broadcaster of the winning country sends to the cities concerned, a list of the required specifications that must be present, for the smooth implementation of the contest. It then sets a deadline for the cities that wish to claim the event to send their candidacy file. Afterwards, a shortlist is usually announced, with the best nominations.

These cities are visited by a team from the EBU, as well as from the winning public broadcaster, so that they can see the proposed facilities and discuss with the officials of each city, their plans and vision for the next Eurovision, in their city.

The final announcement date of the host city for the next competition varies. It may be in July, but it has also happened in October. Usually this is done in the last month of summer, August.

Decentralization in the last 6 years

What we notice with interest is that the last time the contest was hosted in the country’s capital was in 2018, when, as expected, Portugal chose Lisbon to host the Eurovision, after its first and only victory in the institution. Since then only countries that have already won have won and the capital or even the largest city of the country has never been chosen again.

More specifically, immediately after Netta’s victory for Israel, even though she herself, at the time of her crowning as the winner, was inviting the whole world to come to Jerusalem the following year for Eurovision, the EBU made it clear from the beginning that it was not going to be to accept the competition to be held in the Israeli capital. The reasons were many and mostly political. Jerusalem, which is also claimed by the Palestinians as their capital, but also as an extremely conservative city, was not the right choice for an event like Eurovision. In the end, Tel Aviv was chosen, having never hosted the competition before, despite Israel’s previous three victories.

In 2020, nine cities expressed their interest to host the competition, after the victory of Duncan Laurence, among them the capital Amsterdam. A little later, however, Amsterdam withdrew, since it had no space available to host the competition. Finally, the announced shortlist included Rotterdam and Maastricht, with the former winning the event. The 2020 contest was canceled due to the pandemic and Rotterdam eventually hosted Eurovision 2021.

Maneskin’s win in 2021 brought Eurovision to Italy. For the third time RAI was invited to organize the competition. More than 15 cities expressed their interest. In the end, only five were announced on the shortlist with the capital Rome, even though it had applied not to be included in them (Turin, Milan, Bologna, Rimini, Pesaro). The local press reported that the intense traffic problem of Rome and the difficulty in moving around, made the EBU and RAI not even choose it among the top five. Finally, Turin, which was the favorite from the beginning, hosted Eurovision 2022.

The victory of Ukraine and the ongoing war there, after the invasion of Russia, made it impossible to hold the next Eurovision there. Many countries were interested in organizing Eurovision 2023 on behalf of Ukraine (United Kingdom, Spain, Poland, Germany, Italy). Finally the EBU announced very early on that the UK and the BBC would co-organize with Ukrainian public television, the next competition. 20 cities from all over the country applied, including the capital London. Seven cities were then announced as the first shortlist and given a new deadline to present their nominations in more detail. Among these cities was not London, since according to the BBC and the government, their intention was to give this possibility and opportunity, to a regional city and not to the capital. In the end, the two most dominant cities were Liverpool and Glasgow, with the former being the surprise, since Glasgow was the favorite to host Eurovision 2023.

Loreen’s win brought the competition to Sweden for the seventh time. While all the fans were fervently supporting Stockholm, once again a smaller city was chosen rather than the capital. Four cities submitted official nominations, with two of them subsequently withdrawing. Malmö and Stockholm were the two final choices, with Malmö being chosen as essentially a one-way street, since Stockholm did not have an arena available and proposed in its bid to build a rough arena to hold the competition, which both the EBU and Swedish public television considered unsafe.

We come to this year. After Nemo’s victory, Switzerland is invited to host the competition for the third time in its history, with Lugano and Lausanne being the Swiss cities that have already hosted it in the past. Four cities have officially applied, including the capital Bern, but also the country’s largest city, Zurich. But neither was included in the final shortlist, which included Geneva and Basel. Within August we are now expecting the city to which we will travel next May in 2024. In the event that Basel is finally chosen, a city of only 170,000 inhabitants, it will be the second smallest city after Millstreet in 1993, to have hosted the competition for many decades.

 

Δείτε αυτή τη δημοσίευση στο Instagram.

 

Η δημοσίευση κοινοποιήθηκε από το χρήστη SRG SSR (@srg.ssr)

Conclusions

It is reasonable to conclude that the EBU and the respective public broadcaster are now choosing smaller cities and not the capitals, since everything is easier and more economical. Hotels, transportation, security, etc. Of course, it always has to do with whether it is the country’s first victory in the competition, since then the choice of the capital, and for symbolic reasons, is more obvious.

However, a six-year tradition continues, which essentially shows the intentions and policy of the organizers in this matter, at a time when the competition is becoming more and more expensive, and security issues are also more pressing.

The selection of smaller and smaller cities and arenas is perhaps the future of Eurovision and indicative of the cities that will probably be chosen in the following years.

Stay tuned to Eurovisionfun for all the updates!