Bosnia and Herzegovina: Court orders sale of BHRT real estate to repay debts to EBU

A Sarajevo court orders Bosnia and Herzegovina Public Television (BHRT) to sell its real estate to pay off a debt to the EBU.

The divestment of BHRT’s large real estate is ordered by a court decision in Bosnia and Herzegovina. BHRT owes the EBU just over 8 million Euros. Because of this debt, the country’s public television has not had access to the EBU’s services since 2018 and, of course, cannot take part in the Eurovision song contest either.

BHRT owns nine properties, worth 82 million Euros. The sale of the property ordered by the court order is set for September 24. The decision has been appealed.

If BHRT repays its debt to the EBU, it opens the way for its return to the Eurovision Song Contest.

Bosnia and Herzegovina debuted in the contest in 1993 and since then has participated 19 times, with their last appearance being in 2016. Their best finish is third, at Eurovision 2006 in Athens, when they came third with Lejla .

Stay tuned to Eurovisionfun for all the updates!

Source: Eurovoix

Edward af Sillen: What does the Turkish plalyer’s suspension in EURO remind me…?

Through a post in his personal account in X, Edward af Sillen, the scriptwriter for the previous three contests in Sweden (2013, 2016 & 2024), parallels the two cases of a contestant’s suspension, in Eurovision 2024 and in Euro, wanting to make clear, that non-compliance with the regulations, causes punishments.

Wanting to comment on the Turkish football player’s, Merih Demiral, suspension from the two following games, he made the following post:

In Türkiye’s last game against Austria in the phase of 16, Merih Demiral, celebrated their win by making the sign of the Gray Wolves, a far-right fascist organisation. The punishment from UEFA, was immediate. The Turkish player was suspended from the following two games, which means that he won’t lose the rest of the EURO 2024.

The case of Merih Demiral’s suspension is indirectly but clearly paralleled by Edward af Sillen with that of Joost Klein’s disqualification from the Eurovision 2024 final, after his violation of EBU regulations. We remind you that Joost Klein was excluded from the final of the Contest after the complaints, by a production worker, for violence against her.

The EBU stated in its recent statement on everything that happened during Eurovision 2024, that the simplification of the rules and everyone keeping up with the regulations (members of delegations, artists, fans) is of crucial importance for the smooth running of the contest in the future.

Stay tuned on Eurovisionfun for all the news regarding the Eurovision Song Contest 2025, in Switzerland!

The 92nd General Assembly of the EBU in Limassol

Limassol hosts an important event in the field of broadcasting, the 92nd General Assembly of the European Broadcasting Union (EBU).

The major event takes place on July 4 and 5, and public broadcasters from 56 countries participate.

Official members representing both active and associate members of the EBU have been invited to attend the convention to meet their colleagues and network. They will meet to discuss and define the organization’s strategy and financial frameworks.

The General Assembly is the highest governing body of the EBU and continues to represent and manage the objectives of the Union.

Limassol is honored to host the summer session of the General Assembly, which is open to all EBU members and partners. The event is organized in collaboration with the Cypriot national broadcaster, RIK, offering a unique framework for the exchange of ideas and experiences.

Of course, the Eurovision Song Contest, its challenges and its future development could not be missing from the discussion menu.

Photo source: Andreas Anastasiou

Martin Österdahl: Those who needed an outlet from their frustrations and disapproved of me, it was ok!

In an interview with the Swedish newspaper Göteborgs-Posten, Martin Österdahl, executive supervisor of Eurovision, answers about the changes announced by the EBU, the limitation of his duties, the difficult situations due to the political developments in the Middle East that had an impact on the contest in  Malmö, but also for the boos he received during the final of this year’s competition.

Initially, Martin Österdahl is very positive about the changes announced by the EBU, but also about the fact that his responsibilities are being limited, since he will now have more control over what has been assigned to him.

The Eurovision Song Contest has grown explosively over the last four years and the organization has in many cases gotten away from us. If we compare ourselves to a bigger sporting event that has the same media pressure, we were probably a bit naive and didn’t really have the resources we needed.

Martin Österdahl is proud that Eurovision 2024 had high ratings. He points out that Eurovision has lived with “geopolitical tensions” over the years, but that it was particularly difficult in Malmö.

The Middle East issue is complex. They are fighting it out in the White House and in 10 Downing Street, so it is clear that it is also difficult for an organization like the EBU. I don’t have concrete answers as to how we are going to solve this in the future, but that decisions need to be made clearer and that communication is improved, that is what we will focus on.

Regarding the boos he received from the public, Martin Österdahl says that his only concern was that everyone was safe and that he has no problem with boos if they came from people who found an outlet for their frustration this way their.

My concern was that we would overcome these situations and that everyone would leave (Malmo) safe and sound. If they needed an outlet for their frustration, then boos are fine with me. The main thing was that no one was injured.

Stay tuned to Eurovisionfun for all the updates!

Source: Göteborgs-Posten

The core production team for Eurovision 2025 has been announced

The core production team for the 69th Eurovision Song Contest in Switzerland in 2025 was announced a little earlier.

Swiss public broadcaster SSG SSR has announced several key players who will serve as the main production team behind next year’s competition. These include the positions of Head of Show, Head of Contest, Head of Production etc.

First, Reto Peritz and Moritz Stadler will be the Executive Producers for Eurovision 2025. Together, they will take overall responsibility for the production of the contest.

Under them, the head of show for Eurovision 2025 will be Yves Schifferle, who was the head of the delegation for Switzerland. His role will be to produce the result for the three telecasts – two semi-finals and the final – and functions such as the parade of flags, postcards and the voting series.

Schifferle’s new role means he will not be head of the Swiss delegation this year, with Daniel Meister taking over for 2025.

The usual suspect Christer Björkman, who has headed the contest six times in the past, will be doing his seventh Eurovision as Head of Contest in 2025. He will be in charge of both the performance line-up and the acts on the stage.

He will be joined by Tobias Åberg, who will be the Head of Production responsible for technical production, stage construction and IT infrastructure.

Bernhard Spahni joins the team as project manager. Nadja Burkhardt-Tracol will be the head of the event, making her the main contact with the city chosen to host the competition.

Manfred Winz (Head of Finance), Aurore Chatard (Head of Security), Kevin Stuber (Head of Legal), Thomas Pittino (Head of Marketing & Funding), Vassilis Donikian (Head of HR), Nicole Beutler (Head of Public Affairs), Henriette Engbersen (in her capacity as Head of the Public Value team at SRG) and Till Jendly (Assistant) round out the rest of the team.

The core team will now start working to make next May Eurovision 2025. Of course, it still remains unknown which of the four cities, Geneva, Zurich, Basel or Bern will host the contest. The decision will be announced in August.


EBU: The new updated rules do not change anything with the participation of Israel

Jean Philip De Tender, Deputy Director General of the EBU, spoke on Swedish Public Radio about all the changes to the Eurovision Song Contest and the conclusion of the independent investigation carried out by the EBU after the end of this year’s Eurovision and everything that happened in Malmö. De Tender made it clear that nothing changes with Israel’s participation in 2025 as well.

Simplification of regulations

Speaking to Carolina Norén on Swedish radio station P4, Jean Philip De Tender explained several details following the independent expert investigation carried out after the 2024 competition.

He explained that Martin Österdahl will remain as executive supervisor, but some of his responsibilities will be transferred to the new Eurovision director.

De Tender also clarified that the EBU wants to simplify the rules on contracts so that everyone involved understands what they are signing up for. He cited the example that 70 years ago the regulations were all one page and now we are talking about hundreds of pages.

Israel will take part in Eurovision 2025

Regarding the controversy surrounding Israel’s participation in this year’s contest, De Tender said that as a member of the EBU, KAN, Israel’s public broadcaster, is eligible to participate. He stated that the Eurovision Song Contest is a non-political event and that the decision to allow Israel to participate is in line with other non-political organizations such as sports federations. However, he added that he believes the EBU needs to clarify its decision-making better:

“I think we need to maybe clarify the decision-making with all the stakeholders better so that people fully understand what the event stands for and what the goal is.”

The Netherlands and Joost Klein in Switzerland?

Regarding the fear of countries withdrawing from the next Eurovision, De Tender clarifies that no country has so far declared its withdrawal and that he believes that the Netherlands will also participate normally in Switzerland.

In the possibility of Joost Klein’s return to the competition, he simply states that this is a matter of the Dutch public broadcaster and since his participation is not contrary to any regulation, he does not see the reason why the artist could be excluded from Eurovision 2025.

Stay tuned to Eurovisionfun for all the updates!

Source: sverigesradio

EBU: Tighter rules and creation of new roles for Eurovision 2025!

The highly anticipated result of the independent research, regarding all the matters that took place in Malmö, and filled the Contest’s name with a lot of negativity, were given away by the EBU. Read more

Within the coming week the conclusion of the EBU investigation into what happened in Malmö!

The Swiss newspaper Blick reports in today’s publication that next week the EBU will publish the result of the investigation it requested, from an independent researcher.

The conclusion of the investigation into the “Shame of Malmö”, as described in Blick, is to be published in the coming days. The EBU proceeded to conduct an independent investigation into everything that happened inside and outside the Malmo Arena and tarnished the image of this year’s contest.

Blick mentions in its article, on the one hand, that during the week of the final there were several anti-Semitic incidents, while on the other hand several delegations complained about the behavior of members of the Israeli delegation. The highlight of all the negative publicity received by Eurovision 2024 was the moment when a large part of the audience inside the stadium loudly booed the contest’s executive supervisor Martin Österdahl.

We await with interest the outcome of the investigation, which may lead to further developments.

Stay tuned to Eurovisionfun for all the updates

Source: Blick

Breaking News: Steering Group’s meeting takes place in Madrid without the presence of Martin Österdahl!

The Steering Group for the Junior Eurovision Song Contest 2024 visited Madrid to supervise the competition’s preparations, which will be held in the Spanish capital, as seen in pictures posted on social media by Alexandra Redde-Amiel, the head of France’s delegation in both Eurovision and Junior Eurovision. The notable thing, though, is that Martin Österdahl—who serves as Junior Eurovision’s Executive Supervisor to this day—is conspicuously absent from the pictures.

The aforementioned development supports the rumor that the European Broadcasting Union (EBU) is seeking to remove Martin Österdahl from his position due to his poor handling of this year’s Eurovision and crisis that emerged, which brought about an abundance of negative publicity to the competition. This was also evident during the live broadcast of the Final, when he was the target of numerous and strong criticism as well as booing from the audience.

The 22nd Junior Eurovision Song Contest will take place in Caja Mágica, Madrid on November 16, following France’s refusal to host the contest for the third time in four years.

Stay tuned to EurovisionFun for all the news!

Israel: Everything ΚΑΝ said in the EBU’s independent investigation for Eurovision 2024

Israel Public Television confirms that an independent investigation has been carried out, on behalf of the EBU, in relation to everything that happened during Eurovision 2024.

The EBU’s external partner conducting the said investigation has already contacted a senior executive of the Israeli public television. According to what KAN reported to Euromix, it is pointed out:

A conversation took place between the management of the Israeli Public Broadcasting Corporation and an external examiner appointed by the EBU. The discussion was conducted in a very positive spirit, with the corporation’s team expressing and presenting their experiences and feelings about the Eurovision 2024 contest in Malmö in a full and transparent manner. During the conversation, the Israeli team also addressed the behavior of certain delegation members towards the Israeli delegation.

The EBU will use the results of this investigation to identify what mistakes happened that brought so much negative publicity, but also to learn lessons for the future.

Stay tuned to Eurovisionfun for all the updates!

Source: Euromix