Sweden: EBU changes in voting system bring changes to the Melodifestivalen 2023 voting system of the fifth semi!

Following the announced changes by EBU regarding the voting format in next year’s Eurovision Song Contest in Liverpool, SVT announces changes to the voting format of the fifth semi-final show, as published at the Melodifestivalen mobile app!

The broadcaster now scraps the group division at the fifth semi-final and all eight contestants will now have to face each other.

Points will be awarded from the viewing groups and the four entries with the highest points will advance to the final!

Expectedly, SVT will announce the complete the artist lineup for Melodifestivalen 2023 during digital press conferences on November 29 and 30.

The dates of Melodifestivalen 2023

  • Heat 1: Gothenburg – Saturday 4 February 2023 (Scandinavium)
  • Heat 2: Linköping – Saturday 11 February 2023 (Saab Arena)
  • Heat 3: Lidköping – Saturday 18 February 2023 (Sparbanken Arena)
  • Heat 4: Malmö – Saturday 25 February 2023 (Malmö Arena)
  • Semi-final: Örnsköldsvik – Saturday 4 March 2023 (Hägglunds Arena)
  • Final: Stockholm – Satuday 11 March 2023 (Friends Arena)

We remind you that Melodifestivalen 2023 is scheduled to take place between February 4th to March 11th and will be hosted by Jesper Rönndahl and Farah Abadi.

Melodifestivalen 2022 was won by Cornelia Jacobs with the song “Hold Me Closer”, representing Sweden in Eurovision 2022 and coming 4th with 438 points.

Source: SVT

Who do you wanna see taking part in Melodifestivalen 2023? Tell us in the comments!

2010-2022: How Different would be the results of the Semi-Finals with only the Public Vote?

A news that shook the waters of the competition took place earlier today. The EBU has announced changes to the voting process for the Eurovision Song Contest.

One of the most important changes are that now only the public will choose the finalists in the two semi-finals, while now global viewers from all around the world that do not participate in the competition will also be able to vote!

You can see all the changes HERE.

The most important question is, What would be the changes to the competition voting in the Semi-Finals if only the public chose the 10 finalists?

We will answer this question through this tribute, seeing which countries would have qualified for the final from 2010 to 2022, if only the public vote counted, and which would have ultimately failed to qualify due to the favour of the juries.

Changes in the Results (2010-2022)


In 2010, the system of 50% juries and 50% public vote, was applied for the first time in the Semi-Finals. There we find the first differences.

In the first Semi-Final we would have the qualification of Finland who finished sixth in the TV audience, against Bosnia and Herzegovina who finished eleventh and were favored by the jury’s fifth place.

In the second Semi-Final, we would have the qualification of Lithuania and Sweden, against Israel and Ireland. In addition, the winner of the Semi-Final would be Azerbaijan and not Turkey.

Which means Sweden would have any disqualification  in their history at the competition.


In the first Semi-Final, we would have the qualification of Armenia, Norway and Turkey, against Switzerland, Lithuania and Serbia. In fact, Lithuania was first by the juries and eleventh in the audience.

That means Turkey would have no elimination in their history in the competition.

In the second Semi-Final, we would only have the qualification of Belarus, against the fan favorite that year, Estonia.


Another year with huge changes in the results of the semi finals. In the first Semi-Final we would have Switzerland qualifying instead of Hungary.

In the second Semi-Final we would have the qualification of Bulgaria and the Netherlands, instead of Malta and Ukraine. Also, Norway was last by the juries and was saved by the public.

With these results, Ukraine would have lost the record as the only country with a non stop qualification!


Moving forward in 2013.

In the first Semi-Final, Croatia and Montenegro would have qualified against Estonia and Moldova. In fact, Moldova was third in the committees, while Montenegro was fourth in the audience.

In the second Semi-Final, Bulgaria and Switzerland would have qualified instead of Armenia and Georgia. While Romania would have been the winner of the semi final, instead of Azerbaijan.


This year we can see two big changes. In the first Semi-Final we would have the qualification of Portugal instead of Azerbaijan, while in the second semi the qualification of Ireland, instead of Malta. In fact, Malta was third in the jury and twelfth in the audience.


In the first Semi-Final we would have the qualification of Finland, instead of Hungary, while in the second the Czech Republic instead of Azerbaijan.


Moving on to next year, because in the first Semi-Final we would have seen the qualification of Bosnia-Herzegovina, instead of the Czech Republic and in the second Semi-Final we would have the qualification of North Macedonia and Belarus, instead of Georgia and Israel.

Τhe winner of the second semi final would have been Ukraine with Janala, instead of Australia.


In the first Semi-Final we would have the qualification of Finland instead of Australia, while in the second the qualification of Switzerland and Estonia, instead of Austria and Denmark. In fact, Australia was fifteenth in the audience and second in the juries.


Let’s go to 2018 and see that in the first Semi-Final, we would have the qualification of Greece and Gianna Terzi, instead of Eugent Bushpepa, from Albania. Also, the winner would be Eleni Foureira and not Netta.

In the second Semi-Final, we would have Poland qualifying instead of the Netherlands, while the winner of the Semi-Final would be Denmark and not Norway. In fact, Denmark was twelfth in the juries.


We can see some variations existing also in 2019.

Poland would once again go through to the final instead of Belarus, while the winner of the first Semi-Final would be Iceland rather than Australia.

In the second Semi-Final, Lithuania would have qualified  instead of Denmark, while the winner of the Semi-Final would have been Norway and not the Netherlands.


Eurovision Song Contest came back after one year and in the first Semi-Final, we would have the qualification of Croatia with Albina, against Hooverphonic from Belgium. Finally, the winner of the Semi-Final would be Ukraine and not Malta.

In the second Semi-Final we would have the qualification of Denmark and Fyr og Flamme, against Angela Peristeri from Albania, while the winner of the Semi-Final was Finland, instead of Switzerland.


Last but not least we have this year edition of the contest. In the first Semi-Final, we would have seen the qualification of Ronela from Albania and not Marius Bear from Switzerland.

Finally, in the second Semi-Final, we would have the qualification of Andromachi (last in the committees), against Nadir Rustamli, who had zero points in the televoting.


Which ones are favored by the new changes?

Based on the above, we notice that the removal of the juries from the Semi-Finals, can change a lot in the Semi-Final score, with obvious results in the Final as well.

The countries that we would say are favored by this change are Lithuania and Poland, countries with a large dispersion across Europe. Also, this change could make it easier for Turkey to return to the Competition.

The Balkan countries Bulgaria, Croatia, Montenegro, as well as Armenia, which has a strong diaspora, also benefit from the changes.

What are the implications?

Jury favourites, Azerbaijan, Australia and Malta seem to be finding the changes difficult in the competition as their qualification in recent years has been largely down to the juries.

Ranking changes

Changes are also observed in the ranking. In particular, audiences seem to prefer funny  presentations and ethnic and dance songs instead of ballads or vocally challenged entries in general that usually are more appreciated by the juries.

General Conclusion

With all the above, we can say that in 2023 the TV viewers seems to have the main responsibility with the results of the contest. Although, on the Grand Final we see the casual jurors deciding half of the results, things will changes dramatically since from this year the goal for a lot of countries will be to first reach the final by having a song that the public will support. This also means that EBU seems to want to attract more and more of the public attention, but what would happen if a lot of good entries stay out of the final and more and more “funny” songs qualify but the juries still ignore on their final voting?

What a country will have to do to win both is find the entry that can surprise both the viewers and the jurors on the final night.

Stay tuned to EurovisionFun for all developments regarding the 67th Eurovision Song Contest.





Australia: The first country to use Online Voting for Eurovision!

Australia will become the first country in the Eurovision Song Contest to use online voting to determine the outcome of the televoting! This automatically means that Australian fans will not vote for their favorite entry in the traditional way of using phone or SMS.

The country’s broadcaster, SBS, reports:

Digame, the official voting partner of Eurovision in Germany, has created a new online platform exclusively for the Australian public to vote. This means that there will be no phone calls and SMS during live shows. All votes will be taken by the new online system.

Australians will be able to vote through the page created by Digame. Votes will be limited to 20 per person and will cost 0.55 cents per vote.

You will be able to choose which countries you want to vote for and how many votes per country (up to 20 votes in total). The way you distribute these votes will be up to you: you could give 20 votes to one country, divide your votes among many countries or just give one vote to your favorite.

Payment options are Google Pay, Apple Pay and credit card. Once the payment is received, no more votes can be received from this user. Full voting terms and conditions will be available on the voting platform.

This year Australia will be represented by Sheldon Riley. The country competes tonight in the Second Semifinal with the song “Not the Same”.

Follow us on all social media, so you do not miss a moment of what will happen in Turin:

Stay tuned to Eurovision Fun for daily updates of Eurovision 2022!

Sweden: SVT announces radical changes in the voting system, at Melodifestivalen 2022!

In less than two weeks from now, we will have the first Semi-Final of Melodifestivalen 2022 and the Swedish broadcaster SVT, literally, changes everything! Up to now, the most complicated voting system was the one of Sanremo. But not anymore! Melodifestivalen dethrones Sanremo, in terms of voting system complexity.

Anette Brattström came up with the idea of how the system could change and she reveals at Aftonbladet how the whole procedure will be from now on. The changes will entirely affect all the four semi-finals, the fifth second chance semi-final and the final show.

You can see below, in the simplest way possible, all the changes that will be implemented by SVT in the next shows of Melodifestivalen:

At the Semi-Finals

  • All seven contestants of each semi-final will perform their songs. The viewers can then vote by phone but also through the dedicated Melodifestivalen app for smart phones. Each viewer is able to give each song five hearts (votes) at the most or none.
  • After all seven performances, SVT will announce the artist that received the most votes (through the app and by phone), in total, irrespective of the viewer age-bands.
  • The remaining six contestants, move on to the second voting round. The voters can then give each of the remaining songs five hearts at the most, same way like the first voting round. At the second voting round, the votes received during the first voting round also count against the total of votes received.
  • The results of the second voting round are determined by the system of the eight age-bands: 3–9 years old, 10–15years old, 16–29years old, 30–44years old, 45–59years old, 60–74years old, 75 and above, as well as the televotes.
  • For the first time in the history of Melodifestivalen, we will know exactly how many votes each song has received (within the second voting round only) and SVT will display the results per age-band on screen, keeping the viewers engaged and thrilled throughout the show.
  • This practically means that the viewers will be able to see in realtime, the distribution of the votes and know who will come third, fourth and will advance to the second chance (fifth) semi-final and who will place fifth, sixth and seventh in the semi finals and will get disqualified.
  • The finalists are therefore determined with two ways: The one that will get most votes in total at the first voting round and the one that will get most votes within the different age-bands at the second voting round.
  • This means that nobody but SVT will know what were the actual results of the age-bands within the first voting round, because as we’ve mentioned above, at the first voting round the absolute number of votes counts and determines the winner and not how these votes are distributed within the different age-bands.
  • This means that now the winning performance of the two finalists will get deprecated, as the TV time now fills up with the announcement of the results.

Second Chance Semi-Final

  • The duels that took place the previous years also get deprecated.
  • On the 1st of March, an allocation draw will be broadcast, determining the two groups of four artists each (eight artists in total) that will compete at the second chance semi-final.
  • The two songs of each of the two groups that will receive the highest number of votes (based on the viewer age-bands) will advance to the finals.
  • In order to save up time, there will be no announcement of the voting results, during the second chance semi-final, but just an announcement of the artists that will advance to the finals.


  • In the final show, the voting will be determined by the distribution of the votes in the viewer age-band system once more.
  • Each voter will have an allowance of five votes per song.
  • After the announcement of the results of the international jury votes, each viewer will be able to vote once more and again will be allocated with five votes per song.
  • The announcement of the viewers’ votes will be the same as the previous years and will be revealed in total, in all the viewer age-bands.
  • Following the show, the results will be announced by the Swedish broadcaster, in detail.

The Show

Oscar Zia will host Melodifestivalen 2022 and as previously reported, all the shows for the national selection procedure of the Swedish representative for this year’s contest in Turin will take place exclusively in Stockholm.

About a month ago, the contestants and running order of your favourite Swedish music festival were revealed by SVT. Despite the cancellation of the tour in five cities of the Scandinavian country this year, due to the rapidly spreading coronavirus, the schedule of all the shows (semi-finals and final) remains unchanged.

1st Semi-Final – February 5

  1. Malou Prytz – Bananas
  2. THEOZ – Som du vill
  3. Shirley Clamp – Let There Be Angels
  4. Omar Rudberg – Moving Like That
  5. Danne Stråhed – Hallaballoo
  6. Cornelia Jacobs – Hold Me Closer
  7. Robin Bengtsson – Innocent Love

2nd Semi-Final – February 12

  1. LIAMOO – Bluffin
  2. Niello & Lisa Ajax – Tror du att jag bryr mig
  3. Samira Manners – I Want To Be Loved
  4. Alvaro Estrella – Suave
  5. Browsing Collection – Face In The Crowd
  6. John Lundvik – Änglavakt
  7. Tone Sekelius – My Way

3rd Semi-Final – February 19 

  1. Cazzi Opeia – I Can’t Get Enough
  2. Lancelot – Lyckligt slut
  3. Lisa Miskovsky – Best To come
  4. Tribe Friday – Shut Me Up
  5. Faith Kakembo – Freedom
  6. Linda Bengtzing – Fyrfaldigt hurra!
  7. Anders Bagge – Bigger Than The Universe

4th Semi-Final – February 26

  1. Anna Bergendahl – Higher Power
  2. Lillasyster – Till Our Days Are Over
  3. Malin Christin – Synd om dig
  4. Tenori – La Stella
  5. MEDINA – In i dimman
  6. Angelino – The End
  7. Klara Hammarström – Run To The Hills

Τhe detailed program of Melodifestivalen 2022 is:

  • 1st Semi-Final – February 5
  • 2nd Semi-Final – February 12
  • 3rd Semi-Final – February 19
  • 4th Semi-Final – February 26
  • 5th Semi-Final – March 5
  • Final – March 12

What do you think of the new changes that SVT will implement, from this year and on, at Melodifestivalen? Let us know in the comments below!

Source: Aftonbladet

EBU:”EBU discusses change of vote” as TVE’s entertainment director reveals

Toñi Prieto, director of entertainment programs on Spanish public broadcaster, TVE, reveals in an interview today that EBU is conducting a survey among its members – public service broadcasters, on changingthe voting system at the Eurovision Song Contest.

Will the 50-50 system change?

Since 2009, when the jury returned to the contest, having 50% of the final result, there have been few times that the voting system has been criticised.

On the one hand, it is those who believe that five people from every country, even if they are music professionals, cannot have the same say in the outcome, as the rest of the public, who vote by tele-voting. On the contrary, those who claim that the level of songs have gone up since 2009, so-called joke entries (see Ireland 2008, Iceland 2006 etc) have disappeared, with all countries making sure to send good voices, hoping this will be appreciated. from the jury.

What has been active since 2009 with some minor variations is that public and jury have 50% of the final results, both in the final and in the two semifinals.

Toñi Prieto: “The EBU is discussing the change of vote in Eurovision!”
In an interview with Vertele, TVE’s entertainment director Toñi Prieto, among others, says that EBU is in discussions with public television stations to find out what the best voting system is.

The EBU is thinking of turning a vote. They think and discuss with the delegations to find out how we see it. If there is to be a jury, only a jury or only the television audience.

Toñi Prieto, TVE’s entertainment director