Poland: This is how Justyna Steczkowska is planning her performance for Eurovision 2025 to be!

The crowned winner of Poland’s national selection “Wielki Finał Polskich Kwalifikacji 2025” and thus, the Polish representative for Eurovision 2025, Justyna Steczkowska has revealed some of her thoughts and plans regarding her performance in Basel.

The plans for Basel

More particularly, in an interview with Radio Zet, Justyna expressed her intent to change her on-stage outfit for Eurovision. The black attire she wore at the Polish national final is being replaced by a golden one, which is something the artist has mentioned a few times in the past.

Regarding her stage presence as a whole and more specifically, her “flying” above the stage, if this is a trick that will remain intact in the end for Basel, depends entirely on the Swiss production and to what extent such a prop can be supported in a technical aspect. One thing is for certain; Justyna is hoping to present a spectacular show. Moreover, there are conversations underway in order for Tomasz Kukurba Kroke -“Gaja’s” violinist at Wielki Finał Polskich Kwalifikacji 2025- to appear alongside Justyna at the stage of Eurovision.

There are no plans for “Gaja” to undergo a revamp in order to be presented at the Contest in Basel, therefore it will remain the same as it was performed at the Polish national selection.

What is expected in the next few months

The months leading up to May and the Eurovision Song Contest find Justyna with a packed schedule. The singer mentioned that she has already received invitations to perform at a few pre-parties (in London, Amsterdam and Manchester). One of her desires is to come close to the Polish diaspora, hence her intention to organise a few meet-and-greets with them.

Justyna will fly the Polish flag at the second semi-final in May 11th, with her entry “Gaja” aiming to bring her country back to the Grand Final, following last year’s fail to qualify.

You may watch our reaction to the Polish song here!

https://youtu.be/PW7plWa3qTk?si=5UocKM1m5VoSQgdT

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Source: Dziennik Eurowizyjny