Spain: National final with two songs for Blas Canto!

Spanish public television recently announced that the selection of the song with which Blas Canto will represent the country at Eurovision 2021, will take place in February between two songs!

In this national final, Blas Canto will perform the two songs live, while famous guests will be present, performing a duet with him. The final choice of the song will be made exclusively by the public and even for free!

The two candidate songs will be announced soon. They were chosen by Spanish public television, Warner Music and Blas Canto himself. The goal was to see the two sides of Blas Canto on stage through these two songs that are completely different from each other.

We will present two completely different songs. […] These are two things I’m on stage for that I can defend perfectly!

Blas Canto

Blas Canto would represent Spain at Eurovision 2020 with the song Universo:

Stay tuned to Eurovisionfun for all the news regarding the Spanish entry in the contest!

Source: RTVE

Spain: Blas Canto will sing “Estrellita Fugaz” at Eurovision 2021!

Spanish public broadcaster recently revealed the title of the song, with which Blas Canto will represent the country at Eurovision 2021. The song is entitled, Estrellita Fugaz, and is signed by the well-known Swedish composer, Thomas G: Son . Read more

Editorial: How fair will the “live on tape video” be for Eurovision 2021?

The announcement of the EBU and the Dutch organizers for the live on tape video that will be made by the 41 participants of Eurovision 2021, although it ensures that the contest will take place even in the worst case scenario regarding the course of the pandemic, but leaves many questions in the part of justice and equal conditions that should govern the competition.

What exactly is live on tape video?

According to what was announced, all participating broadcasters were asked to record a live performance of their entry in their country. This recording will be delivered before the contest and will take place in a studio. The recording will take place in real time (as it would in the Contest) without making changes to the vocals or any part of the show itself after the recording.

There will be freedom in the delegations, to present as they consider their entries better, but instructions will be given which will ensure the fairness and integrity of the competition. There will be no audience and the recording should be unique and not be published before the event in May.

Delegations are allowed to use similar technical capabilities and dimensions that would be available on stage in Rotterdam, but are also free to choose a more limited production facility. Video recordings must not contain augmented or virtual reality, overlays, confetti, drone shots, water, color use or green screen.

How to ensure meritocracy and fairness in the contest?

In addition to the above, the EBU also announced a series of safety valves, which will ensure that the 41 live video tapes will have been made under the same conditions. Indicatively, we mention that those present in the video recording will be a representative of the Dutch public broadcaster, while the shooting will be watched by the executive supervisor of the contest, as well as a representative from an independent voting observer (E&Y). The duration of the shooting will be one hour and at this time the participants will be able to videotape up to three times their appearance. The selection of the shot will be made by the Head of Delegation and another authorized representative.

Our doubts about live on tape video

First of all, let’s say that even under normal conditions, not everyone competes on equal terms. What do we mean by that? We see in recent years on the eurovision stage, impressive appearances, with the help of the use of technology. Technology that not all broadcasters can use. Fro example Serbian public broadcaster cannot spend the money that Swedish public broadcaster spends. Albanian television cannot spend the money spent by Russian or Azerbaijani television and so on.

So, many times the countries participating in the contest can start from different points of view, but what mitigates the above a bit is that they share the same stage and it is ensured that everyone sings live. With the advancement of technology, and given that each country can use any studio it wants, even that is in question.

We read that Russia uses virtual reality in its appearance for Junior Eurovision 2020, where the contest will take place via live on tape video. An effect that other countries probably will not have at their disposal, for economic and technical reasons.

Of course for the live on tape videos of Eurovision 2021 the EBU has banned such special effects. However, LEDs are not prohibited and it is possible for different sized scenes, something that, as you understand, will differentiate the final result.

What we all hope is that everything you read remains on a theoretical level only. The situation with the pandemic to improve and to have a Eurovision as close to normal as possible, with the 41 artists performing their songs on the stage of the Ahoy Arena!

What is your opinion about the live on tape video? Are equal conditions guaranteed for all?

Eurovision 2021: Participants will record their songs “live-on-tape” to ensure Contest will happen!

The EBU recently revealed how to ensure that Eurovision 2021 will happen, even in the worst case scenario with the course of the coronary pandemic.

Eurovision 2021 will take place in every way

After yesterday’s announcement that the distribution of countries in the two semifinals remains the same as that of Eurovision 2020, but also the presentation of the four possible scenarios for the conduct of Eurovision 2021, now another detail is given, concerning scenario D. In the new announcement of the EBU, concern the case in which in May the situation with the pandemic will be such that it will not allow air travel and reconnaissance, having a contest as Junior Eurovision 2020 will happen in a few days . With video appearances of the participants!

What is the process

All participating broadcasters were asked to record a live performance of their entries in their country. This recording will be delivered before the contest and will take place in a studio. The recording will take place in real time (as it would in the contest) without making changes to the vocals or any part of the show itself after the recording.

There will be freedom in the delegations, to present as they consider their participations better, but instructions will be given which will ensure the fairness and integrity of the competition. There will be no audience and the recording should be unique and not be published before the event in May.

Delegations are allowed to use similar technical capabilities and dimensions that would be available on stage in Rotterdam, but are also free to choose a more limited production facility. Video recordings must not contain augmented or virtual reality, overlays, confetti, drone shots, water, color use or green screen.

How will it be fair?

Normally in the Eurovision Song Contest all the artists would appear on the same stage under the same conditions giving everyone the same opportunity to shine. For the live recordings, the Reference Group of the Eurovision Song Contest approved additional measures to guarantee the fairness of the contest.

Prior to the recording, each participating broadcaster will meet with a representative from Host Broadcasters and submit a recording session schedule, studio setup and camera schedule.

The Head of Delegation will be on site during the registration period of 60 minutes and up to three authorized expirations, either alone or with an appropriate mandate, to make the final decision on the selection of the final receipt (from three).

A live link will be created during the recording to allow the Eurovision Executive Supervisor and a representative from an independent voting observer (E&Y) and Host Broadcaster to monitor the recording, provide assistance and support, and ensure the integrity and fairness of the contest.

No videos of the appearances from the national finals can be submitted, but each country can record on the same stage. The “live-on-tape” recordings must be delivered by the end of March.

Of course, as we mentioned at the beginning of the article, all of the above will apply in the case of contestants who will not be able to attend Rotterdam in May. The 65th Eurovision Song Contest will take place anyway!

Source: Eurovision.tv

Eurovision 2021: Allocation draw in semi-finals remains the same as in 2020!

A little while ago through the official social networks of the contest, it was announced that the draw of the semi-finals of this year’s contest will also apply to Eurovision 2021. Read more

Eurovision 2021: 41 countries to participate!!

A few moments ago, the EBU revealed the list of the participating countries at the upcoming contest of Eurovision 2021, on 18th, 20th and 22nd of May in Rotterdam the Netherlands. Actually they are the same 41 nations that were about to take part in the 2020 contest that was canceled due to the COVID19 pandemic.

EBU and the Dutch host broadcasters NPO, NOS and AVROTROS have already revealed the 4 scenarios which their are focused on, and they abide by the restrictions and the facts of the pandemic and according to which the Eurovision 2021 will take place. The scenario, which will be chosen, will be announced in due time.

Martin Österdahl, Executive Supervisor of the Eurovision Song Contest, said:

“We are grateful for the commitment of the 41 participating broadcasters in helping us bring the Eurovision Song Contest back in 2021.”

“We have the exact same line up of countries that would have competed in 2020 and we are thrilled that they will all return next year. Together with our host broadcasters we are continuing to develop the 4 different scenarios and maintaining a dialogue with all participants. The team from NPO, NOS and AVROTROS are working hard on ensuring the Eurovision Song Contest will provide the excitement and innovation expected by over 180 million viewers, despite the challenging circumstances.”

 

Of the 41 nations taking part, 35 will compete in two Semi-Finals with 10 successful acts from each Semi-Final joining the Big 5 (France, Germany, Italy, Spain, United Kingdom) and hosts the Netherlands in the Grand Final.

Sietse Bakker, Executive Producer of the Eurovision Song Contest 2021, said:

“It is fantastic that the same 41 countries that would have taken part this year still want to come to the Netherlands in May 2021. This demonstrates their confidence in our country still being able to organize a successful Eurovision Song Contest in Rotterdam next year, after the cancellation of the 2020 edition.”

“We have set the bar high to create 3 amazing live shows for an audience of 180 million people, even in these challenging times. To achieve this, we are working on an extensive protocol that guarantees the health of employees, participants, the press and visitors as much as possible.”

 

Participating broadcasters
The following countries (and EBU Member broadcasters) will participate in the Eurovision Song Contest 2021 in Rotterdam:

Albania (RTSH)

Armenia (AMPTV)

Australia (SBS)*

Austria (ORF)

Azerbaijan (Ictimai TV)

Belarus (BTRC)

Belgium (VRT)

Bulgaria (BNT)

Croatia (HRT)

Cyprus (CyBC)

Czech Republic (CT)

Denmark (DR)

Estonia (ERR)

Finland (YLE)

France (FT)

Germany (ARD/NDR)

Georgia (GPB)

Greece (ERT)

Iceland (RUV)

Ireland (RTE)

Israel (KAN)

Italy (RAI)

Latvia (LTV)

Lithuania (LRT)

Malta (PBS)

Moldova (TRM)

The Netherlands (AVROTROS)

North Macedonia (MKRTV)

Norway (NRK)

Poland (TVP)

Portugal (RTP)

Romania (TVR)

Russia (Channel One)

San Marino (RTV)

Serbia (RTS)

Slovenia (RTVSLO)

Spain (TVE)

Sweden (SVT)

Switzerland (SRG SSR)

Ukraine (UA:PBC)

United Kingdom (BBC)

*EBU Associate

 

It is worth to be mentioned this is the first time since 1990 that we have the same amount of participating countries in two consecutive years.

Source: Eurovision.tv

Spain: Ruth Lorenzo gives a concert from her balcony, during the quarantine in Madrid

The Spanish government is taking stricter measures every day, even imposing a ban on the movement of citizens. Ruth Lorenzo, who represented Spain in 2014 with “Dancing In The Rain”, reaching tenth place in the final, gave a concert … from her balcony, wanting to have as much fun as her incarcerated neighbors. The scenes you see are touching and impressive and they really deserve congratulations.

Music makes people come together ❤️ps: @conchitawurst here is the purple rain that I owed you

Posted by Ruth Lorenzo on Wednesday, March 18, 2020

Source:ESCXtra

Spain: With Blas Canto at Eurovision 2021

Announcement continuation for Eurovision 2021 Delegations!

“The changing conditions occurring both in the Netherlands and in the other 41 participating countries have made it impossible to ensure the protection of all persons involved in this celebration.

RTVE thanks our representative, Blas Cantó, for his commitment and for the work done to represent Spain at Eurovision 2020 and invites him to become a Spanish candidate in 2021.

RTVE will, as always, return to the competition, the largest music television show that annually attracts 200 million viewers from around the world when the situation is resolved”.

Blas,however, responded to RTVE’s proposal, saying that he would gladly continue the cooperation by taking part in 2021.

“I’m so sorry for that. A great job behind an incredible team for many months of work, not only in my candidacy, but globally, but I think it’s right … There are countries that are now starting the epidemic and it is not known when it will be able to stop.

There is a commitment on my part to continue working for our candidacy in 2021 and I am very pleased to have the opportunity to do so next year. There are things we need to do. We are going to get Eurovision in style, it will be my flag and we have time to do it so that we have a good performance in 2021.

All I want is for people to be together and stay home so that the pandemic can stop as soon as possible. Health comes first. We need to give priority to us. Because without us there is no festival. Doing it without the public was not crazy, because Eurovision is the world. Without them there is nothing. It was important to do it right because Eurovision is worth giving it its importance.

Spain: Spain: Coronavirus puts PrePartyES20 in jeopardy

The Spanish government today announced emergency measures to curb the spread of the Covid-19 in the country, including a suspension of more than a thousand events in Madrid in a month.

This measure is likely to affect the PrePartyES20, which returns for a fourth year this year, as it will take place in Madrid on April 10 and 11, at Sala La Riviera, Madrid.

According to the site, Eurovision-Spain.com, which is the host of PrePartyES20, is announced that it is trying to confirm the banned dates and take further action.

It also announced that their priority is to carry out the event as planned, but to guarantee the safety of the fans themselves, following the official instructions and recommendations coming from the Government of Spain, the Community of Madrid and the health authorities.

The organizers have announced that if PrePartyEs20 is postponed, they will return all tickets. In addition, EurovisionSpain’s board of directors has already announced last weekend to all delegations and invited artists that it is ready to take action at all levels, in addition to the decisions that the EBU can take.

Source: Eurofestivales

EBU: The Catalan broadcaster application to enter EBU was rejected

TV3’s request to become a member of EBU was rejected. The local broadcaster had applied for membership in order to be able to participate in the European Song Contest as an independent broadcaster.

In a letter from the CCMA (Catalonian Corporation of Visual Media) to EBU Vice President Núria Llorach i Boladeras, was declared:

“As you know, the Board of Directors of May 2018 (as decided by the EBU General Assembly in June 2018) concluded that the CCMA does not meet the requirements to become a member of the EBU, since it is not neither a member of the International Telecommunication Union nor a member of the Council of Europe as defined in Article 3.3 of the EBU. The CCMA is a local Spanish broadcaster, failing to comply with Article 3.4, in relation to the “national character and importance” of the EBU Statute “

In its request, the Catalan broadcaster cites several reasons to be taken into account, including references to other broadcasters, such as RTBF (the Belgian-speaking broadcaster) and S4C (the UK-based broadcaster), in which the EBU replied:

“When a country has two or more linguistic areas, the EBU Regulation on detailed eligibility criteria refers to each region separately. The ARD in Germany, the SRG SSR in Switzerland, the VRT and RTBF in Belgium and the S4C in Wales support the territorial characteristics of their respective countries and all comply with the principles stated by the EBU “

EBU also added a number of arguments for each of the members mentioned and provided additional information on the political structure of Spain. In essence, Spain’s administrative division, which is not structured as federations / confederations, blocks the entry of the CCMA into the EBU.