Greece: The First Jury Members for the National Final Are Revealed!
Excitement is soaring as Greece’s National Final for Eurovision 2025 approaches! This eagerly awaited event, marking the country’s return to a live selection process after an entire decade, will take place on Thursday, January 30, 2025.
In today’s episode of “Super Katerina”, journalist Giannis Poulopoulos shared an exclusive reveal, announcing three out of the five members of the national jury.
According to the announcement, the confirmed members are:
As for the remaining two members, final confirmation is pending, though sources suggest they will most likely be women.
With less than a week to go, the 12 finalists are fine-tuning their performances to captivate audiences and win over the jury. The official performance order, announced earlier this week, is as follows:
Two iconic stars of Eurovision, Sakis Rouvas and Helena Paparizou, will host the night, bringing their unique charisma and star power to the stage. Behind the scenes, the legendary Fokas Evangelinos, one of Eurovision’s most acclaimed artistic directors, will deliver a stunning production.
The grand event will take place at the Christmas Theater in Athens, starting at 9:00 PM (CET). Fans in Greece—and abroad—are eagerly anticipating this milestone evening.
The 69th Eurovision Song Contest is set to be hosted in Basel, Switzerland, from May 13 to 17, 2025. As anticipation grows, Eurovision enthusiasts are already buzzing about what Greece will bring to the global stage this year.
Stay tuned to Eurovisionfun for breaking news, exclusive artist interviews, and everything Eurovision 2025!
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It is deeply concerning that Stefania Liberakaki, who is publicly known to have professional relationships with two (2!) of the contestants advancing to Greece’s Eurovision national final, seems to have been involved in the selection process. This constitutes a clear conflict of interest and undermines the credibility of both the process and the committee overseeing it.
No wonder her name has yet to be officially announced. It appears there is an attempt to avoid public scrutiny over this obvious issue.
Eurovision is a competition built on fairness and transparency, and allowing such conflicts to persist damages not only the reputation of the national selection but also public trust in ERT’s commitment to an impartial process.
This matter cannot be ignored. For the integrity of the competition, I urge the committee to take immediate action to either address or rectify this situation transparently. Failing to do so would cast serious doubt on the legitimacy of the final outcome.