Montenegro: Montesong Final to take place tonight!
/0 Comments/in Eurovision, Eurovision 2025, Montenegro/by Spyros KoronakisThe national final season officially begins today! Tonight, Montenegro is set to select the artist who will represent the country in its return to Eurovision 2025 in Basel, Switzerland!
RTCG, Montenegro’s public broadcaster, has decided to hold a national final to celebrate its return to Eurovision after a two-year absence. Sixteen artists have been selected to compete in tonight’s Grand Final of Montesong 2024!
The final of Montesong 2024 will take place tonight at 20:00 CET. The national final will be broadcast on RTCG’s channel and the official Montesong YouTube channel. You can watch it by clicking HERE.
The participants of Montesong 2024:
Here is the list of the 16 artists, in the running order in which they will compete in Montesong 2024:
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- Anastasija Koprolčec – “Kraj”
- Tina Džankić – “Nova”
- Nemanja Petrović – “Među Zvijezdama”
- Bend “9” – “Stop War”
- Tamara Živković – “Poguban let”
- Luka Radović – “Kada Dođe Maj”
- Đurđa – “To Ljubav Je”
- Kejt – “Obala Raja”
- Nina Žižić – “Dobro Došli”
- Neonoen – “Clickbait”
- Isak Šabanović – “Ljeto, Ljeto, Ljeto”
- GlumciBend – “San”
- Dolce Hera – “Repeat”
- Baryak – “Dva Srca”
- Verica Čuljković – “Čuješ li”
- Milena Vučić – “Škorpija”
How will Montesong 2024 be conducted:
Montesong 2024 will be held live from Podgorica and will mark the first national selection of the season, selecting the first song for Eurovision 2025. Sixteen songs will compete, with the winner being chosen through public and jury vote, at a ratio of 50% each.
Until we discover who will represent Montenegro at Eurovision 2025, let’s take a moment to recall the country’s last entry. Montenegro last participated in Eurovision 2022, with Vladana performing the song “Breathe”
Stay tuned on Eurovisionfun for all the news regarding the Montenegrin participation at the Eurovision Song Contest 2025, in Basel!
Israel: All the highlights from the seventh episode of HaKokhav Haba!
/1 Comment/in Eurovision, Eurovision 2025, Israel/by Fotios NtinosThe seventh episode of the highly anticipated Israeli selection process for Eurovision 2025, HaKokhav Haba, aired tonight. This competition, known in English as “The Next Star”, is the format used by Israel to choose its representative for the Eurovision Song Contest.
Since its debut in 2015, HaKokhav Haba has been the main selection method for Israel, excluding the years 2022 and 2023. The show has achieved significant success, notably securing Israel’s Eurovision victory with Netta in 2018.
Though filming for this season began on October 10 at Neve Ilan Studios, on November 10 the official broadcast commenced on Israeli television.
Hosts and Judging Panel
Returning to host the show are Rotem Sela and Assi Azar. Azar has been involved with HaKokhav Haba since its inaugural edition in 2013 and previously hosted the 2019 Eurovision Song Contest. Sela joined as a host in the second season and has been a presenter ever since.
The judging panel for this season includes a diverse group of music industry veterans:
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- Assaf Amdursky
- Keren Peles
- Shiri Maimon
- Eden Hason
- Ran Danker
- Itay Levi
With their combined experience, the panel ensures a high level of competition, which promises to be even more intense than last season’s edition.
Contestants and Their Performances
In tonight’s episode, five contestants took the stage, and four of them advanced to the next stage of the competition. Here’s a look at some of the standout performances:
- Debbie James (36): Debbie, the daughter of a famous 80’s movie actor, brings experience to the stage, having previously provided backing vocals for Enrique Iglesias. For her audition, Debbie performed “Ain’t Nobody” by Chaka Khan, showcasing her charisma. Despite her strong performance, Assaf Amdursky and Itay Levi did not vote for her, leaving Debbie with a score of 70%.
- Udi Schneider (21): Udi made a bold impression with his performance of “Bad Romance” by Lady Gaga, capturing the attention of the judges with his energy. His performance was so powerful that all the judges voted for him, resulting in a score of 88%.
- Roy Elbaz (20): A detective with the Israeli police, Roy Elbaz has a strong passion for music. For his audition, he performed a song by Bar Tzabary, delivering a confident and original interpretation. His performance impressed the judges, who praised his uniqueness. However, Assaf Amdursky did not vote for him and Roy received a score of 76%.
- Natali Zafar (19): At just 19 years old, Natali Zafar is already a songwriter and composer. For her audition, she performed her original song “Hayti Lech,” which speaks about overcoming anxiety. Her heartfelt performance captivated all the judges, who voted in her favor. With an impressive score of 94%, Natali has proven herself to be one of the standout contestants of the season.
The next episode of HaKokhav Haba will be broadcast on Saturday evening.
The winner of HaKokhav Haba and therefore Israel’s representative in Eurovision 2024 was Eden Golan. Eden Golan performed her song “Hurricane“, finishing fifth overall.
Stay tuned to EurovisionFun for all the latest updates on the Israeli selection process!
Source: euromix
The truth about the Greek Orthodox Rum Valerie Hamaty’s heritage, who aims to represent Israel at Eurovision 2025
/1 Comment/in Eurovision 2025, Israel/by Giannis ArgyriouIn our previous article, we introduced Valerie Hamaty, the Arabic-speaking Christian Orthodox singer who made a strong impression on the latest episode of HaKokhav Haba. As one of the frontrunners, she’s vying to represent Israel at Eurovision 2025. In this article, we delve deeper into her heritage and explore what it means to be an Arabic-speaking Greek Orthodox in the Middle East.
The Inspiration Behind This Article
This article was inspired by a recent feature on the same topic by Tribune.gr. In our earlier coverage, we hesitated to delve into this aspect of the story (perhaps wrongly), as the topic of Israel remains a sensitive issue. Many react negatively to anything related to Israel without taking the time to read and understand the context.
The History of Arabic-Speaking Romioi
To understand what it means to be an Arabic-speaking Greek Orthodox in the Middle East and why they self-identify as “Rum” (Romioi), we must take a journey back through history.
After the 6th century A.D., when the region of today’s Middle East fell under Arab rule, the Greek language gradually disappeared. However, many inhabitants retained their Orthodox Christian faith and continued to identify as “Romans,” acknowledging the Eastern Roman Empire (today called the Byzantine Empire) as their homeland.
Ecclesiastically, these populations belong to the Patriarchate of Antioch, which was originally based in Antioch but is now headquartered in Damascus. Until the late 19th century, the Patriarchate of Antioch, like the Patriarchate of Jerusalem, was led by Greek Patriarchs. However, Russian intervention aimed at diminishing Greek influence led to the election of Arabic-speaking Patriarchs starting in 1899. Despite this shift, the Patriarchate retains its title as the “Greek Orthodox Patriarchate of Antioch,” and the Greek flag still flies at its headquarters in Damascus.
The Romioi of the Middle East
The spotlight on the Romioi community reignited after a recent devastating earthquake in Antioch, Turkey, which brought attention to their centuries-old presence in the region. Although they speak Arabic, they identify as Romioi, and many have migrated to Istanbul in recent decades. Their children attend Greek schools in the city, helping to sustain the minority tradition. Today, the number of Arabic-speaking students in these schools is nearly equal to that of Greek-speaking students.
Arabic-speaking Orthodox Christians primarily live in Lebanon, Syria, Israel, and Antioch, with smaller populations in the Palestinian Territories and Jordan. However, wars and emigration have significantly reduced their numbers.
Valerie Hamaty: A Romia for Eurovision 2025?
Valerie Hamaty, 25, an Arabic-speaking Christian Orthodox artist, recently captivated audiences on HaKokhav Haba, the talent show that determines Israel’s Eurovision representative. This is her second attempt at the show; in 2022, she finished as the runner-up. Besides her singing talent, she has also made a name for herself as an actress.
The possibility of Valerie representing Israel at Eurovision 2025 is highly symbolic. It highlights the multicultural fabric of Israeli society and serves as a powerful message of unity in a region fraught with political and religious divisions.
https://www.youtube.com/watch?v=qDwedQnSWfc
Her Main Rival
Yuval Raphael, a survivor of the October 7 Hamas attack, is seen as Valerie’s main competitor. Yuval survived the massacre at the Nova Festival by pretending to be dead for hours.
Local media and Eurovision fans in Israel suggest that these two talented artists will likely compete head-to-head for the ticket to Basel. Both carry significant symbolic weight, making the final decision highly anticipated.
A Competition Beyond Music
The developments in HaKokhav Haba promise to be exciting, as this selection process once again proves that Eurovision is more than just a music contest.
Stay tuned to Eurovisionfun for all the latest updates!
Sweden: The First Bets for Melodifestivalen 2025 | Måns Zelmerlöw Leads the Odds!
/0 Comments/in Eurovision 2025, Sweden/by Ανδρέας ΚορυπάςJust a few hours after the announcement of the contestants for Melodifestivalen 2025, the first bets on the winner have already started to emerge, even though we are still two months away from hearing the songs of the first semi-final!
The favorite to win is Måns Zelmerlöw, who is aiming for his second victory at Melodifestivalen. This will be his fourth participation in the festival.
His entry, “Revolution”, is co-written by David Lindgren Zacharias, Måns Zelmerlöw, Ola Svensson, and Sebastian Atas.
In second place is John Lundvik, who previously won Melodifestivalen in 2019.
Third place is currently held by SCARLET, with fan-favorite Klara Hammarström in fourth. The top five is rounded out by Malou Prytz and Saga Ludvigsson.
It’s worth noting that the current betting odds are based solely on the names of the artists. Looking at previous years, the odds have only been accurate at this stage in 2014, 2015, 2023, and 2024.
Melodifestivalen 2025 Schedule:
- First Semi-Final: Saturday, February 1, 2025, Coop Norrbotten Arena, Luleå
- Second Semi-Final: Saturday, February 8, 2025, Scandinavium, Gothenburg
- Third Semi-Final: Saturday, February 15, 2025, ABB Arena Syd, Västerås
- Fourth Semi-Final: Saturday, February 22, 2025, Malmö Arena, Malmö
- Fifth Semi-Final: Saturday, March 1, 2025, Husqvarna Garden, Jönköping
- Grand Final: Saturday, March 8, 2025, Strawberry Arena, Stockholm
The winners of Melodifestivalen 2024, who represented Sweden in Eurovision, were Marcus & Martinus with their song “Unforgettable”, achieving ninth place in the Eurovision Grand Final.
Stay tuned to Eurovision Fun for all updates on Sweden’s journey to Eurovision 2025!
Source: eurovisionworld
Sweden: These are the contestants of Melodifestivalen 2025!
/0 Comments/in Eurovision, Eurovision 2025, Sweden/by Spyros KoronakisThe names of the artists selected to compete in Melodifestivalen 2025, the national final through which Sweden’s entry for the 69th Eurovision Song Contest in Basel, Switzerland, will be selected, have just been announced. Read more
Montenegro: Montesong 2024 Rehearsals Kick Off as Voting System is Unveiled
/0 Comments/in Eurovision 2025, Montenegro/by Giannis ApladenakisThe rehearsals for Montenegro’s selection for the Eurovision Song Contest 2025 have begun in Podgorica. With two days to go until the final of Montesong 2024, rehearsals are in full swing in the Montenegrin capital. The sixteen competing artists arrived in Podgorica yesterday for their first rehearsals, with today marking the first full day of rehearsals, including their stage outfits.
Danijel Alibabić from the Association of Entertainers spoke to RTCG, saying:
The performers have become familiar with the large stage and the sound. We are trying to use modern technology to make it easier for the performers to sing and perform. We will have 16 real Eurovision performances.
Whoever wins from the 16, they will win deservedly. We should all stand by the winner and see them off to Basel so they can do as well as possible at Eurovision.
The winner of Montesong 2024 will be determined by a 50% jury vote and a 50% public televote. The jury will consist of seven members, who will award points (1 to 7, 8, 10, and 12) to their ten favorite songs. These points will then be combined to give an overall jury result, which will again be converted into points from 1 to 7, 8, 10, and 12.
For the public vote, voters will be able to submit only one vote per phone number. Voting will be done via SMS and will cost 1 Euro. Voting will be open for 20 minutes, and the total votes will then be converted into points from 1 to 7, 8, 10, and 12.
In the event of a tie for first place, the tie will be broken by looking at which of the two songs received the most 12 points from the individual jurors. If this does not resolve the tie, the counting will continue with the 10 to 1 points. If the tie still remains, the jury President will determine the winner.
The order of performances is as follows:
- Anastasija Koprolčec – “Kraj” (The end)
- Tina Džankić – “Nova” (New)
- Nemanja Petrović – “Među zvijezdama” (Among the stars)
- Bend 9 – “Stop war”
- Tamara Živković – “Poguban let” (Fatal flight)
- Luka Radović – “Kada dođe maj” (When May comes)
- Đurđa – “To ljubav je” (That’s love)
- Kejt – “Obala raja” (Coast of paradise)
- Nina Žižić – “Dobro došli” (Welcome)
- Neonoen – “Clickbait”
- Isak Šabanović- “Ljeto, ljeto, ljeto” (Summer, summer, summer)
- Glumci Bend – “San” (Dream)
- Dolce Hera – “Repeat”
- Baryak – “Dva srca” (Two hearts)
- Vercia Čuljković – “Čuješ li” (Do you hear?)
- Milena Vučić – “Škorpija” (Scorpio)
Montesong 2024 will take place on November 27 at the Voco Sports Hall in Podgorica.
Stay tuned to EurovisionFun for all the news!
Source: RTCG
Albania: The dates of Festivali i Këngës 63 revealed!
/0 Comments/in Albania, Eurovision, Eurovision 2025/by Fotios NtinosWith less than two weeks remaining until the official announcement of the competing songs, the dates for the highly anticipated Festivali i Këngës 63 were revealed.
The dates of Festivali I Këngës 2024
Taking a close look at an Instagram story shared by Elhaida Dani, we can see that the annual music festival, which will determine Albania’s representative for Eurovision 2025, will take place across four shows from December 19 to 22.
We remind you that the renowned singer and Albania’s former Eurovision representative, Elhaida Dani, will serve as the festival’s artistic director this year.
The festival will kick off with the first shows on December 19, and will continue over the following days, culminating in the Grand Final on December 22. During the final night, the winner of Festivali i Këngës 63 will be revealed, and Albania’s entry for Eurovision 2025 will be officially chosen.
Festivali i Këngës 63 participants’ list
These are the thirty participants of Festivali i Këngës 63:
- Algert Sala – “Bosh”
- Alis Kallacej – “Mjegull”
- Ardit Çuni – “Amane”
- Devis Xherahu – “Ka momente”
- Djemtë e Detit – “Larg”
- Elvana Gjata – “Karnaval”
- Endrik Beba – “Ishe ti”
- Epos – “Kurajo dhe Zjarr”
- Erma Mici – “Mbaje”
- Frensi Revania – “Rreziko”
- Gjergj Kaçinari – “Larg jetës pa ty”
- Gresa Gjocera – “E vërteta”
- Jet – “Gjallë”
- Kejsi Jazxhi – “Kur bota hesht”
- Klea Dina – “Dashuri ndiej“
- Kleansa Susaj – “Ta dija”
- Laurjan Ejlli & Adelina Corraj – “A thu”
- Lorenc Hasrama – “Frymë”
- Luna Çausholli – “Qiell apo ferr”
- Mal Retkoceri – “Antihero”
- Martina Serreqi – “Nese qaj”
- Mihallaq Andrea – “Porositë e babait”
- Nita Latifi – “Zemrës”
- Orgesa Zaimi – “I parë”
- Rea Nuhu – “Sot”
- Ronaldo Mesuli – “N’zemër”
- Santino De Bartolo – “Kur nata vjen si bora”
- Shkodra Elektronike – “Zjerm”
- Stine – “E kishim nis”
- Vesa Smolica – “Lutem”
A combination of jury and public vote will decide
This year, according to Euromix.il, Albania’s representative for Eurovision 2024 will be chosen through a combination of public and jury voting. The selection process will follow a 60/40 model, combining jury and audience input to determine the country’s next entry.
This change reflects Festivali i Këngës’ gradual shift toward incorporating more public input, especially in the context of Eurovision. For many years, the festival faced criticism regarding transparency and its failure to align with modern Eurovision standards.
The Albanian public’s pick for Eurovision 2024 was Besa with her song “Zemrën n’dorë“. Besa released a revamped version in English titled “Titan” for Eurovision, where she did not make it to the Grand Final, finishing fourteenth in the second semi-final.
Stay tuned to EurovisionFun for all the news!
Source: Elhaida Dani
Israel: The public service status of KAN and the country’s participation in Eurovision at risk
/0 Comments/in Eurovision 2025, Israel/by Giannis ArgyriouThe bill introduced by Communications Minister Shlomo Karai and Member of Knesset Tali Gottlieb aims to cut funding for Israel’s Public Broadcasting Corporation (KAN) from the state budget and transfer the management of television and radio to private hands. If the bill is approved, KAN will be sold to private entities and could be shut down by 2025, which could have serious consequences for Israel’s participation in the Eurovision Song Contest.
Reactions and Risks to Press Freedom
This proposal has sparked strong reactions from various groups, including legal institutions and human rights activists. Israeli Attorney General Gali Baharav-Miara has expressed concerns about the implications of this legislation, warning that it is a step that threatens press freedom and journalistic independence. She stated, “The proposal sends a serious message – broadcasts that do not align with the government’s agenda may lead to malicious actions against the media.”
The government, on the other hand, argues that transitioning the telecommunications and media sector to private hands will foster competition and reduce the waste of public funds. Shlomo Karai, the Communications Minister, claims that KAN has become an organization with controversial content and lacking the necessary oversight, which justifies its transfer to private ownership.
Implications for Israel’s Participation in Eurovision
If the proposed bill is passed and KAN is privatized, Israel may lose its right to participate in the Eurovision Song Contest from 2025 onwards. KAN is a member of the European Broadcasting Union (EBU), which is responsible for organizing the contest. According to EBU regulations, a member must have an independent public broadcaster that meets strict criteria for providing quality, independent content, such as news and cultural programming. With the closure of KAN, Israel may no longer meet the EBU’s requirements and could be excluded from the competition.
While a privately managed channel can join the EBU, the requirements for television services from private companies are stricter, demanding the adherence to high ethical standards and the provision of a variety of programming for the public. These requirements may be difficult to meet by existing private channels in Israel.
Support for and Reactions to KAN
On the other hand, KAN has been an important pillar for democracy in Israel, with many of its media outlets offering independent and objective content. The debate over transferring its management to private hands has raised concerns about journalistic independence and the impact such changes could have on the quality of information in Israeli society.
The government and its supporters argue that this change will enhance competitiveness and media freedom, while opponents warn of the risk of media manipulation and the weakening of democratic values in Israel.
EBU’s Response
The European Broadcasting Union (EBU) has expressed deep concern about the Israeli government’s push to pass legislation that could result in the closure of its Israeli member, KAN, and the shutdown of the country’s public service broadcasting. The bill aims to privatize the Israeli Public Broadcasting Institute by ending public funding and seeking a private buyer. If no buyer is found for its TV and radio networks, the public broadcaster could be shut down within two years.
EBU Director General Noel Curran said: “Public service broadcasting in Israel is under sustained political attack, facing threats that not only jeopardize its independence but also its very existence in the future.” Curran noted that the EBU shares the concerns of the Israeli Attorney General’s office, considering this political response from the government might be linked to KAN’s content. He said that the government either wants to take full control or shut down the broadcaster altogether.
Israel’s public broadcaster has been a member of the EBU since 1957, and as a member, it has access to news, sports, and music content from the broad network of European public service broadcasters.
Conclusion
The new privatization law for the Israeli Public Broadcasting Institute brings with it significant political, social, and cultural consequences for Israel. Reactions are strong, with concerns about maintaining journalistic freedom and the country’s participation in important international events like Eurovision. Particularly concerning is the potential risk to Israel’s future participation in the Eurovision contest if the public broadcaster is privatized, which could threaten the country’s position in the competition after 2025.
Israel has officially registered for Eurovision 2025, with its representative to be selected through the talent show HaKokhav Haba.
Stay tuned to Eurovisionfun for all updates!
Source: Euromix, EBU
Israel: All the highlights from the sixth episode of HaKokhav Haba!
/1 Comment/in Eurovision, Eurovision 2025, Israel/by Fotios NtinosThe sixth episode of the highly anticipated Israeli selection process for Eurovision 2025, HaKokhav Haba, aired tonight. This competition, known in English as “The Next Star”, is the format used by Israel to choose its representative for the Eurovision Song Contest.
Since its debut in 2015, HaKokhav Haba has been the main selection method for Israel, excluding the years 2022 and 2023. The show has achieved significant success, notably securing Israel’s Eurovision victory with Netta in 2018.
Though filming for this season began on October 10 at Neve Ilan Studios, on November 10 the official broadcast commenced on Israeli television.
Hosts and Judging Panel
Returning to host the show are Rotem Sela and Assi Azar. Azar has been involved with HaKokhav Haba since its inaugural edition in 2013 and previously hosted the 2019 Eurovision Song Contest. Sela joined as a host in the second season and has been a presenter ever since.
The judging panel for this season includes a diverse group of music industry veterans:
- Assaf Amdursky
- Keren Peles
- Shiri Maimon
- Eden Hason
- Ran Danker
- Itay Levi
With their combined experience, the panel ensures a high level of competition, which promises to be even more intense than last season’s edition.
Contestants and Their Performances
In tonight’s episode, six contestants took the stage, and five of them advanced to the next stage of the competition. Here’s a look at some of the standout performances:
- Noam Chen (16): At just 16 years old, Noam Chen is already showing a lot of promise with his musical talents. He plays both the ukulele and the guitar and has a strong passion for rock music. Noam performed “Don’t Look Back in Anger” by Oasis, and his natural charisma and confidence on stage really impressed the judges. With unanimous votes from all of them, he scored an impressive 88%.
- Niv Dagan (17): Coming from a musical family, Niv Dagan gave a heartfelt performance of “When I Was Your Man” by Bruno Mars. Her vocals were spot-on, and although she earned praise from most of the judges, Assaf Amdursky had some doubts, mentioning he wasn’t sure if she was ready for the Eurovision stage just yet. Despite this, Niv still earned a solid 86%, with everyone except Assaf voting for her.
- Noa Lesri (20): Noa Lesri performed “Chomot Chimar” by Margalit Tzanani, bringing a natural and sensual energy to the stage. While the studio audience wasn’t totally sold on her performance, the judges were fully on board, and they all gave her their support, resulting in a score of 84%.
- Esther Avka (30): A news anchor and popular TikTok content creator, Esther Avka took the stage to show she’s not just about her online presence, but also a serious artist. Despite receiving a solid 84%, Esther didn’t win over Assaf Amdursky, who chose not to vote for her.
- Yuval Gold (25): Yuval Gold, a singer, music producer, and guitarist, wowed the judges with an original song titled “Be Nice.” His performance stood out for its unique style, and the judges didn’t hesitate to give him the highest score of the night, 96%. Yuval’s originality and musical talent are definitely setting him apart as a strong contender in the competition.
The next episode of HaKokhav Haba will be broadcast on Tuesday evening.
The winner of HaKokhav Haba and therefore Israel’s representative in Eurovision 2024 was Eden Golan. Eden Golan performed her song “Hurricane“, finishing fifth overall.
Stay tuned to EurovisionFun for all the latest updates on the Israeli selection process!