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Eurovision: The contest is heading to Latin America!

After the completion of the inaugural American Song Contest and the announcement that Eurovision Canada is in the making (here), the EBU posted on the Eurovision official Instagram account that the Song Contest is going to Latin America!

At the moment the format of the upcoming contest is unknown, while information regarding hosting and the participants is expected later this year.

What do you think about the new version of the Eurovision Song Contest? Will it take place or will it have the fait of the Asian version? Let us now your thought in the comments.

Stay tuned on EurovisionFun for all the updates regarding Eurovision Latin America!

“BoJo Goodbye” and Eurovision: The new scenarios for the Host City Bid Race

Political upheaval emerges in the United Kingdom after the resignation of the Prime Minister of United Kingdom, Boris Johnson, from the leadership of the ruling Conservative Party. The latter, succumbing to the pressures caused by the resignations of leading government officials in the previous days, declared that despite his resignation from the leadership of the party, he will remain in the prime minister’s position, until the upcoming elections within the Conservative Party.

Could this new development affect the host city bid race for the 67th Eurovision Song Contest? Could it also possibly affect the UK and Ukraine cooperation in co-hosting the Competition?

The history of a predetermined course

As it was previously reported, according to an announcement issued by the EBU, the latter is in negotiations with the BBC, so that the Competition can be (co)organised (jointly with Ukraine) within the UK. Despite the disapproval that have been officially expressed by the Ukrainian Minister of Culture, the decision appears to be final, with the debate now turning to the choice of the city, within the UK, which will host the event.

As we noted in our previous article, so far at least 15 cities have expressed their interest in hosting the Competition (in alphabetical order):

  • Aberdeen
  • Belfast
  • Birmingham
  • Brighton
  • Cardiff
  • Edinburgh
  • Glasgow
  • Leeds
  • Liverpool
  • London
  • Manchester
  • Prudhoe
  • Sheffield
  • Sunderland
  • Wolverhampton

A lot of digital ink has been spilled in relation to which of them is the most suitable to undertake this great challenge, always in view of the requirements established (!) by the EBU, which include inter alia:

  • a suitable (closed) space that can accommodate at least 10,000 spectators,
  • a suitable space for over 1,500 journalists and delegates,
  • suitable accommodation located in close proximity to the venue where the Competition is to be hosted,
  • international airport nearby or within the city.

The video below, in which Jon Ola Sand, Executive Supervisor of ESC until 2020, breaks down the process and the factors that are considered in the host city bid.

Glasgow as the preferred choice

Out of the cities that have expressed interest, several of them meet the aforementioned criteria, with the participation of Glasgow, however, being rumoured, as the prevalent choice. Glasgow, the most populous city in Scotland and the third most populous in the entire United Kingdom, seems like an ideal choice. The 14,300-capacity OVO Hydro Arena (which the Scottish First Minister seems to suggest as the best choice in her tweet) is in a great location, being just an eight-minute walk from BBC Scotland (the BBC’s Scottish branch). In addition, a conference center is located just near the OVO Hydro Arena, which could be utilised as a press center. More information on the scenario of Glasgow’s selection as a host city can be found here.

Right to Left: the OVO Hydro Arena, and the SEC Armadillo (auditorium). A third venue known as SEC Centre (not shown on the picture), together with OVO Hydro Arena and SEC Armadillo make up the Scottish Event Campus.

The resounding message of the Welsh Parliament

In a recent development, beyond Scotland, Wales (with Cardiff being the leading candidate host city), appears to also be a strong competitor. Specifically, on July 29, the Plenary Session of the Welsh Assembly (Senedd), after expressing its regret for Ukraine’s inability to organise the Competition, officially called on the Welsh Government to take the matter of the organisation of ESC on Welsh soil more seriously, and to engage EBU and BBC in discussions towards this direction.

During the session, the minutes of which can be found here, it was pointed out that Wales has never hosted the Contest, and the possibility of Eurovision being held in Wales would bring a large amount of tourism to boost the country’s economy. Surprisingly, another matter that was raised during the session, is the Conservative party’s 2021 call for Wales to participate in the contest separate from the UK, which cannot happen as long as the BBC holds broadcasting rights or Wales remains as part of the UK.

Although the prospect of hosting the ESC at the 74,500-seat Cardiff Principality Venue sounds extremely interesting, as this would result in the largest on-site audience to date, significant concerns have also been expressed as to whether Cardiff (or any other city in the Wales) could meet the conditions set by the EBU, and more specifically whether it could accommodate such a number of visitors, given the insufficient availability of accommodation within the city.

Political factors that will potentially influence the choice

It can be assumed that the 67th ESC will not be hosted on English soil, and the political instability that has emerged in the country, in light of the resignation of Boris Johnson, plays a certain role in this outcome (although impossible to assess the exact degree). Despite the fact that the resignation of the Prime Minister of the United Kingdom inevitably affects all the constituent countries of the United Kingdom (England, Scotland, Wales, Northern Ireland), the local governments in the latter three tend de facto to significantly facilitate the absorption of any political shocks caused therein.

Furthermore, with Northern Ireland currently being a hot potato for United Kingdom, the Scottish and Welsh bids seem to be the most likely host cities. Of course, one should not fail to take into account another factor, which rather tilts the tide towards Glasgow’s bid, namely the pro-European approach adopted by the Scottish Government in recent years. The latter’s outlook, coupled with its repeated attempts to differentiate itself from the government of Boris Johnson, especially in everything that has to do with Brexit and the relevant agreement signed between the European Union and the United Kingdom, has led Scotland to be portrayed in very good light within Europe.

UK-Ukraine relationship with a view to a joint event

A final parameter worth talking about is the close relationship between the United Kingdom and Ukraine. Admittedly, UK is one of the most important allies of Ukraine today, with Boris Johnson having, in fact, expressed a few weeks ago his opinion that EBU should reconsider organising the Competition in Ukraine, despite EBU’s relevant decision. Obviously, such a thing is not possible given the current circumstances.

What seems to be the most plausible scenario, according to a Downing Street representative, is for the ESC to be held in UK, in an event which will highlight the rich culture, tradition and creativity of Ukraine and in which, at the same time, emphasis will be given to the strong ties between the two countries.

It therefore follows that some degree of co-operation between Ukrainian and UK broadcasters will be required. In this context, Boris Johnson’s approach would certainly have ensured the two broadcasters’ harmonious cooperation (in the run-up to the event). Besides, in a poll conducted in Ukraine, Boris Johnson was found to be by far the most popular among foreign leaders, being only three percentage points below the Prime Minister of Ukraine, Volodymyr Zelensky. Nevertheless, and despite the removal of the Ukrainians’ second favourite out of the picture, it doesn’t look like the parties will have to go back to the drawing board.

And this is because the change in the leadership of the Conservatives, with the consequent change in prime ministership, does not seem to affect the relations between the United Kingdom and Ukraine, nor the support of the former for the latter. As a recent poll has shown, the pro-Ukraine mandate is not a peculiar characteristic of Boris Johnson, but a commonplace in UK politics, spanning throughout the full spectrum of the British politics.

Australia: Confident of staying in Eurovision

Next year is the last in which Australia is guaranteed a place in the Eurovision Song Contest.

The largest country on the continent of Oceania was invited to participate for the first time in 2015 through SBS, which is an associated member of the European Broadcasting Union (EBU), and in 2019 their participation was extended until 2023.

But Paul Clarke, Creative Director of Eurovision: Australia Decides and Director of Blink TV is convinced Australia has proven it belongs on the stage.

A week ago in Turin, Paul Clarke said:

“Another part (of being here) is doing a little bit of lobbying. Working around the soft political power. The embers are always burning at Eurovision. I’m really confident that will be extended. I think they like our sense of a irreverence and we’ll have a crack with some wild prop. The Kate Miller-Heidke performance is remembered as one of the absolute greatest moments of props they’ve ever seen!”

Would you like Australia to participate in the Competition indefinitely? What do you think will be the fate of the country? Tell us your opinion in the comments.

Stay tuned to EurovisionFun for all developments around Australia’s participation in the contest.

Source: TVTonight

Greece: Amanda is the Greek with the most monthly listeners on Spotify!

A few days after the Eurovision Song Contest, Amanda, the Greek representative, reached 1,000,000 monthly listeners on Spotify, the Greek with the most monthly listeners on Spotify at the moment!

Die Together also reaches the one milestone after another on Spotify, as it reached 4,000,000 streams, applying for one of the most popular Greek entries on Spotify. At the same time, it appears in # 37 of the Global Viral 50 on Spotify, while it is in number 2 of the Greek Viral 50 and in # 28 of the Greek Top 50.

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Eurovision 2022: Check the detailed results of the two semi-finals!

The 66th Eurovision Song Contest belongs to the past with the big winner being Kalush Orchestra from Ukraine! EBU has released the detailed results of the semi-finals as well as the grand-final and this is how the semi-final qualifiers were selected:

First Semi-Final’s Full Results:

  1. Ukraine – 337 Points
  2. The Netherlands – 221 Points
  3. Greece – 211 Points
  4. Portugal – 208 Points
  5. Armenia – 187 Points
  6. Norway – 177 Points
  7. Lithuania – 159 Points
  8. Moldova – 154 Points
  9. Switzerland – 118 Points
  10. Iceland – 103 Points
  11. Croatia – 75 Points
  12. Albania – 58 Points
  13. Denmark – 55 Points
  14. Latvia – 55 Points
  15. Austria – 42 Points
  16. Bulgaria – 29 Points
  17. Slovenia – 15 Points

First Semi-Final’s Jury Results:

  1. Greece – 151 Points
  2. Netherlands – 141 Points
  3. Ukraine – 135 Points
  4. Portugal – 121 Points
  5. Switzerland – 107 Points
  6. Armenia – 82 Points
  7. Norway – 73 Points
  8. Iceland – 64 Points
  9. Lithuania – 56 Points
  10. Croatia – 42 Points
  11. Latvia – 39 Points
  12. Denmark – 35 Points
  13. Moldova – 19 Points
  14. Albania – 12 Points
  15. Bulgaria – 11 Points
  16. Slovenia – 7 Points
  17. Austria – 6 Points

First Semi-Final’s Televoting Results:

  1. Ukraine – 202 Points
  2. Moldova – 135 Points
  3. Armenia – 105 Points
  4. Norway – 104 Points
  5. Lithuania – 103 Points
  6. Portugal – 87 Points
  7. The Netherlands – 79 Points
  8. Greece – 60 Points
  9. Albania – 46 Points
  10. Iceland – 39 Points
  11. Austria – 36 Points
  12. Croatia – 33 Points
  13. Denmark – 20 Points
  14. Bulgaria – 18 Points
  15. Latvia – 16 Points
  16. Switzerland – 11 Points
  17. Slovenia – 8 Points

Second Semi-Final’s Full Results:

  1. Sweden – 396 Points
  2. Australia – 243 Points
  3. Serbia – 237 Points
  4. Czech Republic – 227 Points
  5. Estonia – 209 Points
  6. Poland – 198 Points
  7. Finland – 162 Points
  8. Belgium – 151 Points
  9. Romania – 118 Points
  10. Azerbaijan – 96 Points
  11. North Macedonia – 76 Points
  12. Cyprus – 63 Points
  13. Israel – 61 Points
  14. San Marino – 50 Points
  15. Ireland – 47 Points
  16. Malta – 47 Points
  17. Montenegro – 33 Points
  18. Georgia – 22 Points

Second Semi-Final’s Jury Results:

  1. Sweden – 222 Points
  2. Australia – 169 Points
  3. Estonia – 113 Points
  4. Belgium – 105 Points
  5. Czech Republic – 102 Points
  6. Azerbaijan – 96 Points
  7. Poland – 84 Points
  8. Finland – 63 Points
  9. Serbia – 63 Points
  10. North Macedonia – 56 Points
  11. Israel – 34 Points
  12. Malta – 27 Points
  13. San Marino – 21 Points
  14. Romania – 18 Points
  15. Georgia – 13 Points
  16. Ireland – 12 Points
  17. Montenegro – 11 Points
  18. Cyprus – 9 Points

Second Semi-Final’s Televoting Results:

  1. Serbia – 174 Points
  2. Sweden – 174 Points
  3. Czech Republic – 125 Points
  4. Poland – 114 Points
  5. Romania – 100 Points
  6. Finland – 99 Points
  7. Estonia – 96 Points
  8. Australia – 74 Points
  9. Cyprus – 54 Points
  10. Belgium – 46 Points
  11. Ireland – 35 Points
  12. San Marino – 29 Points
  13. Israel – 27 Points
  14. Montenegro – 22 Points
  15. North Macedonia – 20 Points
  16. Malta – 20 Points
  17. Georgia – 9 Points
  18. Azerbaijan – 0 Points

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Spain: RTVE is ready to host Eurovision 2023!

María Eizaguirre, a spokesperson of Spain’s national broadcaster, RTVE, confirmed that the Kingdom of the Iberian Peninsula is willing to help Ukraine in hosting the Eurovision Song Contest 2023.

This means that Spain joins Sweden (read more here) in the rally of hosting the contest next year, should the Eurovision is impossible to take place on Ukrainian soil.

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Source: Eurovoix

Eurovision 2022: The Dress Rehearsal of the Grand Final!

Today took place the first of the two rehearsals of the Grand Final of Eurovision Song Contest 2022. The show begins with John Lennon’s  song Give Peace a Chance, conveying an antiwar message.

At the Opening Act of the Grand Final Laura Pausini performs a medley including “La solitudine” and “Scatola”

Afterwards we see the parade of nations that made it to the final, in the running order that they are going to perform.

Now it’s time to welcome the three presenters on stage! Before the competing part begins, the hosts of the show describe the voting process and show the number where the viewers in each country will have to phone or text, in order to cast their vote.

The 25 Finalists

Czech Republic: We Are Domi – “Lights Off”

The staging is the same as in the previous performances. The lead singer looks cool and relaxed, probably saving energy for the Jury show tonight and for the televised show tomorrow. Vocally she was very good.

Romania: WRS – “Llámame”

WRS gives another catchy performances in this rehearsal. He is very confident, vocally stable and full of energy.

Portugal: Maro – “Saudade, saudade”

Next on stage is Maro from Portugal. She and her back – up singers stand in again in circle, creating the usual atmospheric performance that made them stand out and advance to the final.

Finland: The Rasmus – “Jezebel”

It’s one of the most famous Finnish bands in the world to take the stage. The staging someone could say that is inspired by the famous Stephen King’s novel and move “IT”. Another good rehearsal for Finland.

Switzerland: Marius Bear – “Boys Do Cry”

The fifth performer of the Final. Once again Marius and his ballad create a nostalgic atmosphere that explains why he deserved to be in the final.

France: Alvan and Ahez – “Fulenn”

It’s time for the last year’s runner -up. In a full contrast to what we were used to from France, the staging is full of magical and paganistic/celtic symbols, while the song is performed in Breton and not in the French language, as some of you might think.

Norway: Subwoolfer – “Give That Wolf a Banana” 

Norway preserves the mystical atmosphere, as no one knows who are behind the masks. A good rehearsal for the Nordic nation.

Armenia: Rosa Linn – “Snap”

Probably the most wandering song of the contest. Rosa and her song make you reminiscing emotions and feelings.

After Armenia there is a small break, with a video showing snaps of the two Semi -Finals

Italy: Mahmood and Blanco – “Brividi”

Time for the host nation of this year’s contest. Vocally their performance was better than ever.

Spain: Chanel – “SloMo”

The most explosive performance of the final now on stage.  Despite the fact that it’s a dress rehearsal, Chanel gave it all again, and vocally was very stable during this demanding choreography. A potential televoting winner.

The Netherlands: S10 – “De diepte”

Stien, which is the real name of S10, gives another excellent performance. No changes here as well.

Ukraine: Kalush Orchestra – “Stefania” (Стефанія)

12th on stage is the bookmakers favourite for the trophy. The band gives another good performance. Will they bring the trophy for the third time back to Ukraine? We will find out tomorrow.

Germany: Malik Harris – “Rockstars”

With Germany, begins the ballad streak of this Final. On stage we see different musical instruments and carpets. Malik was very good and stable. No one knows though the luck of of this entry.

Lithuania: Monika Liu – “Sentimentai”

Time for one of the surprises of the Semi – Finals. Monika doesn’t have in this rehearsal her usual hair style, but maintains the early 80s vibes.

Azerbaijan: Nadir Rustamli – “Fade to Black”

Nadir gives another emotional performance. A slightly different hair – style, but in overall, no changes as well.

Belgium: Jérémie Makiese – “Miss You”

Jérémie and his Jamesbondish entry are next. A good rehearsal for Belgium, and a well deserved finalist.

The second brake of the show.

Greece: Amanda Georgiadi Tenfjord – “Die Together”

One of the show’s favourites gets on stage. Amanda is ready to convey all the emotions and to captivate the audience, and probably to win the jury show tonight. Her performance was once again exceptional.

Iceland: Systur – “Með hækkandi sól”

Next on stage is the biggest surprise of the Semi – Finals. The Systur band creates a western atmosphere on stage, but will this be enough to finish higher than last year?

Moldova: Zdob și Zdub and Advahov Brothers – “Trenulețul”

Moldova breaks the aforementioned ballad-streak. For the third time the Zdob și Zdub band are loyal to their randez-vous at the Eurovision final. No one knows the luck of their entry among the juries though.

Sweden: Cornelia Jakobs – “Hold Me Closer”

Another favourite on stage. The Swedish delegation faces again problems, in this rehearsal.  After a few minutes, Cornelia begins her performance.  Vocally was good but at some point a little unstable. Possible jury winner.

Australia: Sheldon Riley – “Not the Same”

Time for the biggest nation of Oceanian continent. The most flamboyant entry among the finalists. At some point the sound stopped for seconds. A very dynamic and emotional performance, that could capitvate the juries.

A small brake until the UK staging is ready.

United Kingdom: Sam Ryder – “Space Man”

Sam Ryder is next on stage. With his cosmic staging, the UK is probably ready to take the trophy back home after 1997. An exceptional performance.

Poland: Ochman – “River”

23rd performer is Ochman from Poland. With a more casual outfit for this rehearsal, Ochman’s performance is good and vocally he is on point.

Serbia: Konstrakta – “In corpore sano”

Second to last in the Final is Konstrakta from Serbia. Even though the performance is very simple, the Serbian entry is really captivating. Being the only ex- Yugoslav nation in the final, Serbia is expecting to ddo well in the televoting.

Estonia: Stefan – “Hope”

The last performer of the Final is Stefan from Estonia. The second western atmospheric entry after Iceland, but with better chances for a better result. A very good rehearsal for Estonia

Following the 25 performances, the voting process starts by showing the recap of all the competing songs and their respective voting numbers appear on screen!

Interval Acts

Last year’s winners, Måneskin, get on stage to perform their song “Supermodel”

In the second interval act, the very first Italian winner in Eurovision 1964, Gigliola Cinquetti gets on stage to perform her winning entry “Non ho l’età” 

Another break after the first two interval acts

The last interval act of the show is a medley performed by Mika.

The Results

After the jury results have been announced, Martin Österdahl, the executive producer of Eurovision Song Contest 2022, declares that we now have a valid result!

The winner in the simulating scoreboard was the United Kingdom.

Later today, the Jury Rehearsal is going to take place, in which half of the results are going to be determined.

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Eurovision 2022: Check in which half the ten finalists of the second semi-final were drawn!

The second semi-final has just finished, with the last ten finalists being Australia, Azerbaijan, Belgium, Cyprus, Estonia, Finland, Poland, Russia, Serbia and Sweden!

Through the press conference that is currently taking place these ten countries will choose the half in which they will appear in the Grand Final on Saturday.

This is the half each qualifier drew:

  1. Belgium – 2nd half
  2. Czech Republic – 1st half
  3. Azerbaijan – 2nd half
  4. Poland – 2nd half
  5. Finland – 1st half
  6. Estonia – 2nd half
  7. Australia – 2nd half
  8. Sweden – 2nd half
  9. Romania – 1st half
  10. Serbia – 2nd half

The two halves of the grand-final are completed, this is the half each country drew. The final order will be released later tonight.

First Half

  • 09. Italy
  • Armenia
  • Czech Republic
  • Finland
  • France
  • Germany
  • Norway
  • Portugal
  • Romania
  • Spain
  • Switzerland
  • The Netherlands
  • Ukraine

Second Half

  • Australia
  • Azerbaijan
  • Belgium
  • Estonia
  • Greece
  • Iceland
  • Lithuania
  • Moldova
  • Poland
  • Serbia
  • Sweden
  • United Kingdom

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Eurovision 2022: The 10 finalists of the 2nd Semi-Final!

The 2nd Semi-Final of Eurovision Song Contest 2022 ended a few minutes ago, held Pala Olimpico in Turin, Italy.

The 10 countries that advanced to Saturday’s grand final are:

  • Belgium
  • Czech Republic
  • Azerbaijan
  • Poland
  • Finland
  • Estonia
  • Australia
  • Sweden
  • Romania
  • Serbia

The 2nd Semi- Final began with an opening act in which in one of the presenters Alessandro Cattelan danced with a group of dancers to the viral TikTok song “My name is Chiki”.

In total, 18 countries claimed the 10 tickets leading to the Final. Those were:

  1. Finland: The Rasmus – “Jezabel”
  2. Israel: Michael Ben David – “I.M.”
  3. Serbia: Konstrakta – “In Corpore Sano”
  4. Azerbaijan: Nadir Rustamli – “Fade to Black”
  5. Georgia: Circus Mircus – “Lock Me In”
  6. Malta: Emma Muscat – “I Am What I Am”
  7. San Marino: Achille Lauro – “Stripper”
  8. Australia: Sheldon Riley – “Not the Same”
  9. Cyprus: Andromache – “Ela”
  10. Ireland: Brooke – “That’s Rich”
  11. North Macedonia: Andrea – “Circles”
  12. Estonia: Stefan – “Hope”
  13. Romania: WRS – “Llámame”
  14. Poland: Ochman – “River”
  15. Montenegro: Vladana – “Breathe”
  16. Belgium: Jérémie Makiese  – “Miss You”
  17. Sweden: Cornelia Jakobs – “Hold Me Closer”
  18. Czech Republic: We Are Domi – “Lights Off”

Interval Acts

After the end of the competing part Mika along side with Laura Pausini performed exceptionally Sting’s Fragile, and Patti Smith’s People Have the Power, conveiyng an antiwar message.

Il Volo also got on stage to perform another version of their 2015 entry Grande Amore.

Spain, United Kingdom and Germany

Right before the announcement of the aforementioned finalists, we had the chance to see clips from the performances of Spain, United Kingdom and Germany, the member of the Big 5 who had the right to vote in this Semi – Final.

https://youtu.be/a6uq6oSP5MI

https://youtu.be/rbtPxZby4js

https://youtu.be/ohzfN-ueDZE

What do you think of the results? Let us know in the comments below!!

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North Macedonia: MRT considers withdrawing from Eurovision!

The North Macedonian broadcaster, MRT considers withdrawing North Macedonia from Eurovision 2023.

Following the incident at the Turquoise Carpet, during which Andrea threw North Macedonia’s on the floor. In the video we saw of the vocalist, it does not seem that the singer intended to show disrespect and just wanted to move the flag because of the photo-shoot with the press. However, showing disrespect to national symbols is a crime in North Macedonia, which means Andrea could face legal trouble for her action.

The broadcaster says it has made the decision to remain in the 2022 competition, stating that:

Such a step at a time when all the deadlines for withdrawal have passed would cause great financial damage and other sanctions that should not be neglected. In particular, the cancellation would jeopardize the participation and deviation of the television rights in all other events that MRT receives as a member of the European Broadcasting Network

The Macedonian Radio Television will take all legal decisions and disciplinary measures after the return of our delegation from Turin, after the members will submit reports on the events of the ceremony.

Due to the reporting on the incident within North Macedonia, the broadcaster is considering withdrawing from the event in 2023:

Due to the negative public image Eurovision has brought to the broadcaster, the MRT Editorial Board is considering the possibility that the Macedonian Radio Television will no longer compete in the Eurovision Song Contest from 2023.

Andrea will compete tomorrow in the 11th place of the second semi-final with her entry “Circles”, you can listen to her entry here:

https://www.youtube.com/watch?v=EzOpAduUlmo&feature=emb_title

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Image Source: EBU/Sarah Louise Bennett SourceMRT