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San Marino: Artists show remarkable interest for Una Voce per San Marino!

As we have already reported in our previous article, this year San Marino is following an almost identical course of action to last year’s selection process for its representative in Eurovision 2023, namely through the Competition titled Una Voce per San Marino. And while the application period for said Competition opened just 10 days ago, 80 singers (from all over the world) have already submitted their applications. 

It is reminded that submissions are accepted until January the 20th (with variations in prices depending on the time of submission) as follows:

  • Applications until September 29 will cost 100 euros
  • Applications from October 1 to January 20 will cost 150 euros
  • Applications from San Marino artists will cost 50 euros, but before December the 3rd

It should also be noted that Una Voce per San Marino 2023 is open to citizens from all over the world, regardless of their country of residence and/or citizenship. Last year’s edition of Una Voce Per San Marino attracted the interest of 585 artists, including Achille Lauro, who eventually represented the country in Turin without, however, making it to the ESC Final.

https://www.youtube.com/watch?v=vCmX64N_sXM&ab_channel=EurovisionSongContest

Stay tuned for all the updates about national finals, internal procedures and selections on the path of Eurovision 2023!

Romania: TVR insists on the lawsuit regarding national jury’s vote cancellation!

Despite the fact the TVR, the national broadcaster of Romania, confirmed the participation of the country in the upcoming Eurovision Song Contest 2023 in the United Kingdom, the issue of the lawsuit is still lingering.

In particular, the Administration Council decided that it will contact legal firms in Switzerland to assess TVR’s chances in the dispute with the EBU on the issue of the cancellation of the vote of the country’s national jury in the Eurovision Song Contest 2022 in Turin, Italy.

Stay tuned on Eurovision Fun for the latest updates regarding Romania and their presence in the Eurovision Song Contest.

Source: Eurovoix

Romania: More than 320,000 € for Eurovision 2022!

More than 320,000 € TVR spent on Eurovision Song Contest 2o22.

According to Main News the National Broadcaster of Romania spent 1,572,789 lei ( approximately 320,000 € ) for Eurovision 2022 in Turin, Italy. The total budget allocated as per below:

  • Production and broadcast of national selection – 380,567 lei (~78,000 Euro)
  • Eurovision participation fee – 782,860 lei (~160,000 Euro)

The rest of the total budget was spent on accommodation, travel and staging for WRS at the Eurovision Song Contest in Turin, Italy. The Main News also reported that the financial obligations of TVR towards EBU regarding the debt have been overpassed.

WRS represented Romania with “Llámame” finishing in 18th place with a total of 65 points, bringing the nation back to final after 2017.

https://youtu.be/nPpuwy79sHs

Source: Eurovoix

Stay tuned on Eurovision Fun for all the developments regarding the Eurovision Song Contest.

Israel: Noa has confirmed her participation in Eurovision 2023!

It might have taken about a month, but now it’s official! Noa Kirel will represent Israel at Eurovision 2023, as it was officially announced hours ago in a press conference held in Tel Aviv.

Noa Kirel scores for Israel

The superstar of Israel’s pop music scene noted that her fans were one of the main reasons she accepted the offer by the country’s Public Broadcaster to participate in Eurovision 2023.

I think I said everything I had to say about my excitement, the weight on my shoulders and the pride I feel. Thank you for all the love you have given me, the immense support you have provided me with, since I was selected, as well as for the privilege of representing my country (in ESC).

The Israeli Eurovision Committee, consisting of ten experts from KAN radio and Galats, chose Kirel from among 78 renowned artists and gave her the right to be the first one to either refuse or accept said offer. Kirel accepted the offer, after protracted discussions over the past few weeks.

On Monday, Noa revealed in an  interview with  Bequest 12 that she has made specific demands regarding her participation, including being involved in writing and choosing the song, as well as in the direction of the performance at Eurovision stage in May.

 

View this post on Instagram

 

A post shared by Noa Kirel (@noakirel)

Who is Noa Kirel?

Her birth-name was  Noya, but after she was diagnosed with a severe kidney disease when she was three months old, a rabbi suggested her parents to change her name to  Noa, so she could heal and walk. The rabbi also predicted that she would become a dancer. 

In March 2020, she enlisted in the Israel Defense Forces (IDF) and served in a military band. In February 2022, Kirel completed her service in the IDF.

She is Israel’s biggest pop star of recent years, dominating the country’s charts since the release of her #1 hit ‘Killer’ when she was just 14 years old. He was a judge on the X Factor for years, while she stars in dozens of commercials, series and movies, making her one of the most popular celebrities in the country. Noa belongs to Atlantic Records and has released 41 singles.

Listen to her biggest hit below:

Stay tuned on Eurovisionfun for all the developments!

Liechtenstein: 1 FL TV rejects applying for EBU membership!

1 FL TV, Liechtenstein-based broadcaster,  has confirmed that it is no longer aiming to apply for membership of the European Broadcasting Union.

Managing Director of the Liechtenstein’s broadcaster Sandra Woldt has confirmed that they are no longer have joining the European Broadcasting Union and so competing in Eurovision, as one of their aims. Sandra Woldt said in a statement that:

“We are no longer pursuing this goal, we are concentrating on our reporting in and for Liechtenstein.”

Liechtenstein, along with the Vatican and Kosovo, remain the only internationally recognised states within Europe to have never taken part in the Eurovision Song Contest. The country’s first attempt dates back to 1976  when Biggi Bachman tried to represent her country with the song “Little Cowboy”, but she could not perform due to lack of a broadcaster.

Since 1FLTV’s formation back in 2008, Eurovision has been a long-term aim for the broadcaster. In 2009 the broadcaster announced it was working towards a debut in the 2010 contest, but was unable to secure the funding needed for an EBU membership.

In 2017 1FLTV stated that they have applied for EBU membership and were currently in the process of complying with all requirements in order for their membership to be granted. The broadcaster had proposed a selection method to select their debut entry, if EBU membership was granted. Their debut was originally expected to coincide with the 300th anniversary of the formation of the principality by the Holy Roman Emperor in 2019. Sadly however due to the death of TV channel founder Peter Kölbel, the project was scrapped.

Source: eurovoix.com

Stefania Liberakakis has landed a new role as a Misfit girl!

Stefania Liberakakis, Greece’s representative in Eurovision 2021 in Rotterdam, has landed a role in the fourth Misfit film. The fourth installment in the Misfit series is called “Misfit: The Switch”.

The film’s plot

Stefania takes on the role of Noah, a girl who has only one dream, namely to participate in a major dance competition for schools. To make that happen, she secretly swaps school with her best friend. In doing so, she is labeled as an outsider at that new school where she faces new challenges and obstacles. It remains to be seen whether her dream will indeed come true. Other roles in the film include Bettina Holwerda, Timor Steffens, Anique Dreamon and Duncan Tromp.

 

View this post on Instagram

 

A post shared by Stefania (@stefania_)

“Misfit: The Switch” is directed by Erwin van den Elshof, who also directed the previous three Misfit films and Misfit: The Series, which is available on Netflix. The film is produced by NewBe in co-production with Splendid Film and it will be out in Dutch cinemas from 5 October.

Armenia 2022: Rosa Linn is the most unexpected “winner” of Eurovision!

Does it matter if Rosa Linn took the 20th place for Armenia in the Eurovision final, collecting only 61 points? Does it matter that her song, “Snap,” did not have any considerable success on streaming platforms before and during ESC? Maybe, it doesn’t. The representative of Armenia seems to be tasting a belated victory, with her song going viral on both Spotify and TikTok!

https://www.youtube.com/watch?v=DAJ6vfmD_ic&ab_channel=EurovisionSongContest

The “Snapping” of Chanel

Since June 26, Rosa Linn has taken the first place in streams among all year’s Eurovision entries, forcing Chanel, to retreat to the second place. And its run of success did not cease there; “Snap” has consistently been in first place for three consecutive weeks, having amassed more than 22 million streams to date.

The TikTok’s dynamics

The above success seems to be related to the even greater singer’s success on TikTok. Prior to the Competition, Rosa Linn had, on her personal TikTok account, 5k followers and 85k likes; today her followers amount to 133.2k and her likes to 3.1 mil.

@rosalinnmusic

What is striking is that what seems to attract attention is not the original version of the song, but an alternative version of it at a much faster tempo, which is used as a background sound for the videos posted by the users. Acting on that, Rosa Linn released this particular version of “Snap” on Spotify under the title “SNAP – HIGH AND FAST” .

It is not the first time that TikTok has been used as a springboard by Eurovision artists. The most typical example, perhaps, is Duncan Laurence’s “Arcade”, the winning song of ESC 2019, which, after its delayed success on TikTok, has today exceeded 900 mil. streams, becoming the most successful Eurovision song on Spotify.

Thus, despite the (justified) reactions expressed this year by fans, journalists and correspondents of the ESC, the strategic partnership between the EBU and TikTok (with the latter taking on the role of “Official Entertainment Partner” for Eurovision 2022) does not appear to be an one-off collaboration.

The dominance of Italy in streams

It should be mentioned, for purposes of clarity, that despite “Snap’s” substantial success in recent weeks on Spotify, Armenia’s entry does not overtake in streams other entries in this year’s Eurovision, such as Italy’s “Brividi” (102 mil. streams), Spain’s “SloMo” (40 mil. streams), Sweden’s “Hold me Closer” (33 mil. streams), Ukraine’s “Stefania” (32 mil. streams), and the United Kingdom’s “Space Man” (30 mil. streams) .

What do you think is preferable? To do well in Eurovision or to have your song become a hit?

Eurovision: The contest is heading to Latin America!

After the completion of the inaugural American Song Contest and the announcement that Eurovision Canada is in the making (here), the EBU posted on the Eurovision official Instagram account that the Song Contest is going to Latin America!

At the moment the format of the upcoming contest is unknown, while information regarding hosting and the participants is expected later this year.

What do you think about the new version of the Eurovision Song Contest? Will it take place or will it have the fait of the Asian version? Let us now your thought in the comments.

Stay tuned on EurovisionFun for all the updates regarding Eurovision Latin America!

“BoJo Goodbye” and Eurovision: The new scenarios for the Host City Bid Race

Political upheaval emerges in the United Kingdom after the resignation of the Prime Minister of United Kingdom, Boris Johnson, from the leadership of the ruling Conservative Party. The latter, succumbing to the pressures caused by the resignations of leading government officials in the previous days, declared that despite his resignation from the leadership of the party, he will remain in the prime minister’s position, until the upcoming elections within the Conservative Party.

Could this new development affect the host city bid race for the 67th Eurovision Song Contest? Could it also possibly affect the UK and Ukraine cooperation in co-hosting the Competition?

The history of a predetermined course

As it was previously reported, according to an announcement issued by the EBU, the latter is in negotiations with the BBC, so that the Competition can be (co)organised (jointly with Ukraine) within the UK. Despite the disapproval that have been officially expressed by the Ukrainian Minister of Culture, the decision appears to be final, with the debate now turning to the choice of the city, within the UK, which will host the event.

As we noted in our previous article, so far at least 15 cities have expressed their interest in hosting the Competition (in alphabetical order):

  • Aberdeen
  • Belfast
  • Birmingham
  • Brighton
  • Cardiff
  • Edinburgh
  • Glasgow
  • Leeds
  • Liverpool
  • London
  • Manchester
  • Prudhoe
  • Sheffield
  • Sunderland
  • Wolverhampton

A lot of digital ink has been spilled in relation to which of them is the most suitable to undertake this great challenge, always in view of the requirements established (!) by the EBU, which include inter alia:

  • a suitable (closed) space that can accommodate at least 10,000 spectators,
  • a suitable space for over 1,500 journalists and delegates,
  • suitable accommodation located in close proximity to the venue where the Competition is to be hosted,
  • international airport nearby or within the city.

The video below, in which Jon Ola Sand, Executive Supervisor of ESC until 2020, breaks down the process and the factors that are considered in the host city bid.

Glasgow as the preferred choice

Out of the cities that have expressed interest, several of them meet the aforementioned criteria, with the participation of Glasgow, however, being rumoured, as the prevalent choice. Glasgow, the most populous city in Scotland and the third most populous in the entire United Kingdom, seems like an ideal choice. The 14,300-capacity OVO Hydro Arena (which the Scottish First Minister seems to suggest as the best choice in her tweet) is in a great location, being just an eight-minute walk from BBC Scotland (the BBC’s Scottish branch). In addition, a conference center is located just near the OVO Hydro Arena, which could be utilised as a press center. More information on the scenario of Glasgow’s selection as a host city can be found here.

Right to Left: the OVO Hydro Arena, and the SEC Armadillo (auditorium). A third venue known as SEC Centre (not shown on the picture), together with OVO Hydro Arena and SEC Armadillo make up the Scottish Event Campus.

The resounding message of the Welsh Parliament

In a recent development, beyond Scotland, Wales (with Cardiff being the leading candidate host city), appears to also be a strong competitor. Specifically, on July 29, the Plenary Session of the Welsh Assembly (Senedd), after expressing its regret for Ukraine’s inability to organise the Competition, officially called on the Welsh Government to take the matter of the organisation of ESC on Welsh soil more seriously, and to engage EBU and BBC in discussions towards this direction.

During the session, the minutes of which can be found here, it was pointed out that Wales has never hosted the Contest, and the possibility of Eurovision being held in Wales would bring a large amount of tourism to boost the country’s economy. Surprisingly, another matter that was raised during the session, is the Conservative party’s 2021 call for Wales to participate in the contest separate from the UK, which cannot happen as long as the BBC holds broadcasting rights or Wales remains as part of the UK.

Although the prospect of hosting the ESC at the 74,500-seat Cardiff Principality Venue sounds extremely interesting, as this would result in the largest on-site audience to date, significant concerns have also been expressed as to whether Cardiff (or any other city in the Wales) could meet the conditions set by the EBU, and more specifically whether it could accommodate such a number of visitors, given the insufficient availability of accommodation within the city.

Political factors that will potentially influence the choice

It can be assumed that the 67th ESC will not be hosted on English soil, and the political instability that has emerged in the country, in light of the resignation of Boris Johnson, plays a certain role in this outcome (although impossible to assess the exact degree). Despite the fact that the resignation of the Prime Minister of the United Kingdom inevitably affects all the constituent countries of the United Kingdom (England, Scotland, Wales, Northern Ireland), the local governments in the latter three tend de facto to significantly facilitate the absorption of any political shocks caused therein.

Furthermore, with Northern Ireland currently being a hot potato for United Kingdom, the Scottish and Welsh bids seem to be the most likely host cities. Of course, one should not fail to take into account another factor, which rather tilts the tide towards Glasgow’s bid, namely the pro-European approach adopted by the Scottish Government in recent years. The latter’s outlook, coupled with its repeated attempts to differentiate itself from the government of Boris Johnson, especially in everything that has to do with Brexit and the relevant agreement signed between the European Union and the United Kingdom, has led Scotland to be portrayed in very good light within Europe.

UK-Ukraine relationship with a view to a joint event

A final parameter worth talking about is the close relationship between the United Kingdom and Ukraine. Admittedly, UK is one of the most important allies of Ukraine today, with Boris Johnson having, in fact, expressed a few weeks ago his opinion that EBU should reconsider organising the Competition in Ukraine, despite EBU’s relevant decision. Obviously, such a thing is not possible given the current circumstances.

What seems to be the most plausible scenario, according to a Downing Street representative, is for the ESC to be held in UK, in an event which will highlight the rich culture, tradition and creativity of Ukraine and in which, at the same time, emphasis will be given to the strong ties between the two countries.

It therefore follows that some degree of co-operation between Ukrainian and UK broadcasters will be required. In this context, Boris Johnson’s approach would certainly have ensured the two broadcasters’ harmonious cooperation (in the run-up to the event). Besides, in a poll conducted in Ukraine, Boris Johnson was found to be by far the most popular among foreign leaders, being only three percentage points below the Prime Minister of Ukraine, Volodymyr Zelensky. Nevertheless, and despite the removal of the Ukrainians’ second favourite out of the picture, it doesn’t look like the parties will have to go back to the drawing board.

And this is because the change in the leadership of the Conservatives, with the consequent change in prime ministership, does not seem to affect the relations between the United Kingdom and Ukraine, nor the support of the former for the latter. As a recent poll has shown, the pro-Ukraine mandate is not a peculiar characteristic of Boris Johnson, but a commonplace in UK politics, spanning throughout the full spectrum of the British politics.

Australia: Confident of staying in Eurovision

Next year is the last in which Australia is guaranteed a place in the Eurovision Song Contest.

The largest country on the continent of Oceania was invited to participate for the first time in 2015 through SBS, which is an associated member of the European Broadcasting Union (EBU), and in 2019 their participation was extended until 2023.

But Paul Clarke, Creative Director of Eurovision: Australia Decides and Director of Blink TV is convinced Australia has proven it belongs on the stage.

A week ago in Turin, Paul Clarke said:

“Another part (of being here) is doing a little bit of lobbying. Working around the soft political power. The embers are always burning at Eurovision. I’m really confident that will be extended. I think they like our sense of a irreverence and we’ll have a crack with some wild prop. The Kate Miller-Heidke performance is remembered as one of the absolute greatest moments of props they’ve ever seen!”

Would you like Australia to participate in the Competition indefinitely? What do you think will be the fate of the country? Tell us your opinion in the comments.

Stay tuned to EurovisionFun for all developments around Australia’s participation in the contest.

Source: TVTonight