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Portugal: The Running Order of the Semi-Finals of Festival da Canção 2025!

Earlier today, RTP, the public broadcaster of Portugal, announced the running order for the two semi-finals of this year’s Festival da Canção, via the official festival account on Facebook.

The running order of the 20 artists competing in the semi-finals of Festival da Canção 2025 is as follows:

First Semi-Final (February 22, 2025)

Second Semi-Final (March 1, 2025)

Festival da Canção 2025: From the 20 songs, ten artists will compete in each semi-final, while the Final will feature 10 songs, 5 from each semi-final. The result will be determined equally (50%) by a jury and the television audience, with the jury having the final say in case of a tie regarding the fifth qualifier from each semi-final.

The green room host will be Inês Lopes Gonçalves, while the main presenters of the Festival da Canção 2025 Grand Final will be Filomena Cautela & Vasco Palmeirim for the sixth consecutive year.

We remind you that the semi-finals of Festival da Canção 2025 will take place on February 22 and March 1, and the Grand Final, where we will find out Portugal’s representative for Eurovision 2025, will take place on March 8.

Stay tuned to Eurovisionfun for all the latest updates regarding Portugal’s participation in Eurovision 2025!

Source: festivaldacancao

San Marino: The final allocation of artists to the semifinals of the San Marino Song Contest 2025!

The public broadcaster of San Marino, RTV, has announced the final allocation of artists to the semifinals of the San Marino Song Contest 2025.

The artists who will compete in the semifinals of the San Marino Song Contest 2025 are:

First Semifinal

  1. Alis Ray
  2. Alessio’s Mind
  3. Atwood
  4. BARAK
  5. Carson Coma
  6. Catch the Giant!
  7. Cecilia Herrera
  8. Chazza
  9. Cristina Macchiavelli (feat. Nymos)
  10. Dramalove
  11. Edea
  12. Effemme
  13. Evdokia Moisidou
  14. Fabio Imperatrice feat. Cambra
  15. Galen Borson
  16. Il Solito Dandy
  17. IUNA
  18. Jannike
  19. Joanna
  20. Justine Mayer
  21. KiNG FOO
  22. Kian Butler
  23. Latente
  24. LeBlond
  25. Lenni-Kalle Taipale & Andrea Brosio
  26. Marco Urbinati
  27. Max Lain
  28. NARBERA
  29. Natalia
  30. TIMO
  31. The Leaf
  32. The Unknown Voices
  33. Timea
  34. VALIS & POLCZI
  35. Vimoksha
  36. Vincenzo Bles

Second Semifinal

  1. Alexis Strum
  2. Aniel
  3. Artemiz
  4. Artemis
  5. Astrid Nicole
  6. Asia
  7. Beatriz Gouveia
  8. Blitz Union
  9. Claudia F
  10. CuRLi
  11. Davide
  12. DENEB
  13. DIMA
  14. Erisu
  15. Giovanni Brugnoli
  16. Giulia De Sisti
  17. Giuliette Kris
  18. IBLA
  19. Ines
  20. Jack Costanzo
  21. LD (Le Distanze)
  22. Léon The Singer
  23. Leonor
  24. Libra
  25. Mhora
  26. Miguel Escobar
  27. Myky
  28. Phera
  29. Romeo Zaharia
  30. SALVA ORTEGA
  31. Sergio Gómez
  32. Snap-Out
  33. Sofia Zaros
  34. Sonia Nawri
  35. TADENI
  36. Unico

Third Semifinal

  1. Angy – Angela Sciacqua
  2. Silver feat. Skorie
  3. mmara
  4. Kaotika
  5. mescalina
  6. Questo e Quello
  7. Magenta#9
  8. TAOMA
  9. XSKULL8
  10. Polarnova (On Line)
  11. Federico Martello
  12. TBO & Co.
  13. Adasat (On Line)
  14. Sick N’ Beautiful
  15. Alien Cut feat. Zighi
  16. EMHEART
  17. Francesca De Braco,
  18. Mr&Mrs
  19. SUPERGUEPARDO,
  20. Mario Nucci
  21. Nadine Randle (On Line)
  22. Nicky Mushin Soda
  23. Nike
  24. UBI
  25. Carlotta
  26. Vicky Navarro (On Line),
  27. Sopratenore
  28. STAVROS SALABASOPOULOS (On Line)
  29. Eleonora Gangi
  30. Space Particles
  31. Agnieszka śpiewa
  32. Aria
  33. Delma e Mary Wild,
  34. The Scurbats
  35. Milad Fatouleh (On Line)
  36. GiambattiSta
  37. Cucco (New)
  38. Ermal Demiri (New)

Fourth Semifinal

  1. Sara
  2. Gianluca Amore
  3. PLÅNET
  4. Araen
  5. Magadan (On line)
  6. MRTINA
  7. Maddalena (On Line)
  8. Ann & Dom (On Line)
  9. Aliens Agree (On Line)
  10. PierC
  11. Kophra
  12. VALLERIA
  13. il greco (On Line)
  14. Giorgina
  15. Timothy Cavicchini
  16. Lomas
  17. Eleonora Lorenzato
  18. Nexis (on line)
  19. Lowbrano
  20. Alexander Doghmani
  21. FLYZIR
  22. Marti Puerto (On Line)
  23. Francesca Pichierri
  24. ERIKA LETO
  25. Haymara
  26. Inciso
  27. ANDROMEDA
  28. nina blóm (On Line)
  29. Denny Music
  30. Romina Falconi
  31. Héctor Mira (on line)
  32. Elisa De Panicis
  33. Vee Jeck
  34. Stefano Ganci (On Line)
  35. andrea costa
  36. D’Amico (New)
  37. Mansutti (New)
  38. RUMORE (New)
  39. SIDE74 (New)

Fifth Semifinal

  1. ALMA
  2. Angy – Angelica De Carolis
  3. BESA
  4. Bradley Jay
  5. DANIELA FIORENTINO
  6. Delilah Earnshaw
  7. ELEKTROKARMA
  8. Emanuel
  9. FARMACY Ungheria
  10. Gaia Belletti
  11. Geisha
  12. Gerónimo Rauch
  13. GIACOMO VOLI
  14. GioGala
  15. Giorgia Pastori
  16. Giuliana
  17. Ida Elena
  18. JB
  19. LaRed
  20. LEONARDO AMOR
  21. Letizia crincoli
  22. Lorenzo Amore
  23. Luca Grillo Live Band
  24. Ludovica
  25. MACCLESFIELD
  26. Manuè
  27. Me gustas
  28. MI LA BAND
  29. NESHE
  30. PARK
  31. Rosetta
  32. Serafin
  33. Siriaz y Malo
  34. THE RUMPLED
  35. Zell
  36. Agata (New)
  37. Niscetas (New)
  38. Pep Miller (New)

Sixth Semifinal

  1. Allegra Italia
  2. Atle Pettersen 
  3. Beatriz Villar
  4. Ciro Maddaluno
  5. Dana
  6. Despaux
  7. Energia
  8. Erjona qellimi
  9. FRANCESCO SCAGLIARINI
  10. Gelida
  11. Golden Salt
  12. Grace George
  13. GRISANA
  14. Il Cremlino
  15. Ilenya
  16. JORGE DEL HIERRO
  17. JULIUSZ KAMIL
  18. Kyma
  19. leimannoia
  20. LUCA BREUZA
  21. Maidomo
  22. MARCO DI PINTO
  23. Mariva
  24. matilde
  25. Matteo De Angelis
  26. Mirjam
  27. Mynd
  28. Nush Unbrushed
  29. Olya V
  30. Onyra
  31. Paula Madero
  32. Ri-Style
  33. SEDONA
  34. Stad
  35. TESLENKO
  36. Sola Avis (New)

Seventh Semifinal for the residents of San Marino

  1. AlleBasi
  2. Folksonic
  3. KIDA
  4. KIKKA
  5. La Mafy
  6. Paco
  7. THE REAGENTS
  8. why xes

We remind you that the final of the San Marino Song Contest 2025 will take place on March 8th.

Stay tuned to Eurovisionfun for all the updates related to San Marino in Eurovision 2025!

Source: San Marino RTV

Österdahl: ‘new’ qualifier announcement system not an improvement

The Executive Supervisor of the Eurovision Song Contest, Master Österdahl reflected about the proposed changes to the qualifier announcement system.  The qualifier announcement for the Eurovision Song Contest 2023 would have changed according to a proposal.

During the first Dress rehearsal, the competing acts had to stand on stage.  After that the presenters announced the names of the candidates who would have qualified for the Grand Final.  This would have been a big change in the rules.  Before the candidates waited with their teams in the Green room for the qualifiers announcement.

However, the proposal was finally dismissed just two hours before the preview show.  Österdahl has reflected in the aftermath of this failed proposal.  The executive producer explained that it is a part of Eurovision to try new things every year to keep the show relevant:

“I think it’s really important to keep the show contemporary and keep it relevant. We usually say that we want to tweak 10% [of the show] every year (…) The BBC are great producers. They’ve done so many great shows. They’ve got some great ideas and have made a lot of great improvements already (…) We felt when we tried this out that it was not an improvement, so the decision was not to do it.”

The change in the announcement system was not well received among fans and even some of the member delegations.  According to The Euro Trip, a member of one country’s delegation in the First Semi-Final said the new announcement system was “like the Hunger Games”.

100% Televote for the Grand Final?

Nevertheless, there is one big change for this year Eurovision.  For the first time since 2009, a 100% televote made the result of the Semi-Finals.  In addition to this we saw for the first time a “Rest Of the World” televote for the viewers outside the competing countries.

Moreover, Mr. Österdahl does not discard more changes in the voting system including a 100% televote for the Grand Final:

“We’ll see (…) I’d like to take it step by step. We always review the rules [and] the entire rule book of the Eurovision Song Contest on an annual basis (…) So if we try something one year, it doesn’t necessarily mean that it’s gonna be like that forever.”

Source: The Euro Trip

Do you like a return to the old qualifiers announcement system? Would you like to see a return to 100% Televote for the Grand Final?  Let us know in the comments!

Spain: The distribution of artists in the semi-finals of Benidorm Fest 2023!

Through a special press conference that took place a few minutes ago, it was revealed not only which artists will be in each semi-final but also various other information and surprises about the Benidorm Fest in general.

As a reminder, the two semi-finals will take place on 31 January and 2 February, with the Grand Final to follow on Saturday 4 February.

In the first, therefore, semi-final we will watch:

  1. Agoney
  2. Alice Wonder
  3. Aritz Aren
  4. Fusa Nocta
  5. Megara
  6. Meler
  7. Sharonne
  8. Sofia Martin
  9. Twin Melody

And, consequently, the second semi-final will be completed by:

  1. Alfred Garcia
  2. Blanca Paloma
  3. E’FEMME
  4. Famous
  5. Jose Otero
  6. Karmento
  7. Rakky Rapper
  8. Siderland
  9. Vicco

As for the surprises mentioned at the beginning of the article, RTVe‘s communications director announced that throughout the week of the festival there will be daily events around the city, as well as concerts with artists from the previous Benidorm Fest edition and several who did not make it to the final selection this year.

Furthermore, on Friday, February 3, from 9 to 12 pm, the Euroclub will be open where, among others, last year’s representatives of Albania and Romania, Ronela Hajati and WRS will be performing.

As if that weren’t enough, during this week there will also be a ‘tapafest’, the aim of which, according to the organisers, is to promote Spanish gastronomy, as 28 locals will compete in cooking and visitors to the city will be able “not only to taste this very Spanish dish, but also to pick the best one”.

Source: RTVe

Stay tuned to EurovisionFun for all the latest developments regarding Eurovision 2023!

Latvia: Miks Galvanovskis wins the online vote to compete at the Supernova 2022 Semi-Final with his song “I’m Just A Sinner”!

A while ago, the online vote for the selection of the 17th contestant of the semi-final of “Supernova 2022″ came to an end.

Miks Galvanovskis was ranked first, by earning approximately the 33% of the votes, with his song “I’m Just A Sinner”.

The jury of LTV had already selected the 16 contestants of the semi-final of Supernova 2022 and today the 17th contestant was added, after the online vote was completed.

Therefore, the 17 artists that will compete in the semi-final of the Latvian national selection process are the following:

  1. Bermudu Divstūris – Bad”
  2. Markus Riva – If You’re Gonna Love Me”
  3. Aminata – I’m Letting You Go”
  4. BUJĀNS – He, She, You & Me”
  5. Citi Zēni – Eat Your Salad”
  6. Inspo – A Happy Place”
  7. Miks Dukurs – First Love”
  8. Beatrise Heislere – On the way home”
  9. the COCO’NUTS – In and out of the dark”
  10. KATŌ – Promises”
  11. Elīna Gluzunova – Es pabiju tur”
  12. Mēs Jūs Mīlam – Rich Itch”
  13. Linda Rušeniece – Pay My Own Bills”
  14. RAUM – Plans”
  15. Zelma – How”
  16. Patriks Peterson – Can’t Get You Outta My Head”
  17. Miks Galvanovskis – “I’m Just A Sinner”

The schedule for Supernova 2022 is as follows:

  • Semi-Final – 5 February
  • Final – 12 February

In 2021 at Rotterdam, Latvia Participated with Samanta Tīna and the song The Moon is Rising, getting 14 points in the second Semi-Final

https://www.youtube.com/watch?v=btA_Tyiyfhc

Stay tuned at EurovisionFun, for all the latest developments regarding the Latvian entry at the Eurovision Song Contest 2022!

Source: LTV

Eurovision Grand Final Running Order; Can the qualifying place plays a decisive factor?

From 2013 onwards, field experts, and being approved by the EBU, determine the running order both in the semifinals and the final.

Christen Bjorkman, the key man for the major changes that have been made to Eurovision in recent years – including defining the running order – states that the strongest factors allocating the countries is the genre of the song and its tempo, as well as the colours of the act, whether it is a male/female/band/solo/etc., even the language of the song, the emotion of each song, as well as the time it takes to prepare the props on stage used by the participants.

In this article, we will deal extensively with the Grand Final’s running order and our aim is to answer the question of whether the semi-final qualifying place of the countries is a decisive factor to allocate the countries in the Final.

At the same time, we will try to see if the running order can help countries succeed or fail in the final (excluding the BIG-5 countries and the host country) by combining the running order and the final place, and whether this is taken into account when allocating countries, but also which position has been the most successful in recent years.


How does the qualifying place in the semi-final correlate with the Final’s Running Order decision?

While the semi-final qualifying place at the Grand Final is unknown to us, the team knows the results in detail. When announcing which 20 countries qualify for the Grand Final (10 from each semi-final), the team is asked to allocate the countries how they will appear in the Grand Final.

By studying more closely the distribution of the countries in the Grand Final, we see that there is some correlation with their qualifying place. For a better understanding of the research, it is important to separate the running order. Specifically, we held both halves as the organisers (the first half positions 1-13 and the second half positions 14-26).

Picture 1: Grand Final running order (2013-2018)

Based on the above image, we see that there is a uniformity in the running order along with each country’s qualification place. That is, the first 4 places are countries that finished mainly in 3rd to 9th place in their semifinals.

At positions 5, 6 and 7 there are countries that have finished in the top five of the semifinals. It is worth noting that no semifinal winner appeared in the first 6 positions of the Grand Final.

In the 8th, 9th and 10th positions, countries finished from 7th to 10th, while positions 11 to 13 are the countries that finished either in the first two places of the semifinals or in places 6th to 8th.

For the second half, in the places 14-17 there are countries that finished in the semifinals between 4th and 10th, while from positions 18th to 22nd are countries that finished in the top5 of the semi-finals.

In the 23rd place, there are countries that finished outside the top3, while in the 24th and 25th positions are also countries that finished in the top5. Bad news for the countries that appear at the 26th and last position, as 2 out of the 3 countries have marginally passed the semi-finals (8th-10th place).

In the table below (Table 1) one can see the running order per year and the average qualifying place of each position.

Running Order

2018

2017

2016

2015

2014

2013

Average Qualifying Place

1

6

3

3

5

5

4.4

2

9

9

5

9

8

3

8

9

5

3

9

4

6.33

4

9

7

4

3

8

9

6.67

5

4

7

7

6

6

6

5

4

7

2

5

4.6

7

1

2

7

7

4

10

5.17

8

2

5

9

7

7

6

9

4

8

4

5.33

10

9

10

1

7

2

5.8

11

1

6

1

2.67

12

8

8

6

7

7.25

13

8

1

2

2

6

3.8

14

3

6

8

5

5.5

15

5

10

10

6

6

7.4

16

4

4

9

5.67

17

10

5

10

10

8

8.6

18

7

1

8

3

1

4

19

3

5

2

6

4

20

2

6

8

5

4

1

4.33

21

10

2

3

2

4.25

22

1

3

8

9

3

4.8

23

7

4

9

4

6

24

6

3

7

10

1

3

5

25

2

1

1

10

10

4.8

26

2

10

8

6.67

It is impressive that, while position 17th was the most lucky position after giving the victory to 3 countries from 2000 to 2012, we notice that from 2013 onwards, it has taken a slump and is considered the worst position based on the Average Qualifying Place (8.6), but at the same time being the second worst position in the Average Final Place (19.7).


How does the running order help countries to repeatt their success they had in the semi-finals?

Many times, we compare the results between semifinals and finals, seeing where a country ended up in the semi-final and how it ended up in the final’s scoreboard.

Sometimes we have seen countries that have done well in the semifinals, but have sank in the final, and we have seen countries that have barely qualified but had a very good place in the final.

How can the running order relate to this imbalance? Can the running order determine the success or the failure of a country in the final in relation to its qualifying place?

In order to detect this percentage, it was necessary to subtract the Final Place from the Qualifying Place, and based on the result, determine which point would be the point of success/failure from the equation.

For the present analysis, the point was -5, that is, any position with a deviation equal to or less than -5 would appear to be successful (=<-5) – e.g. One country qualified in 8th place and finished 15th, so the result is -7 and it is considered a failure. Thus, we have collected the most successful results every year and are as follows (where “-” it means that a BIG-5 country or the host country performed on that position and was not considered):

2018

2017

2016

2015

2014

2013

13

5/5

100%

25

4/5

80%

21

3/4

75%

24

4/6

66%

11

2/3

66%

16

2/3

66%

9

2/4

50%

12

2/4

50%

20

3/6

50%

5

2/4

50%

14

2/4

50%

6

2/5

40%

8

2/5

40%

10

2/5

40%

15

2/5

40%

17

2/5

40%

18

2/5

40%

22

2/5

40%

4

2/6

33%

7

2/6

33%

26

1/3

33%

19

1/3

33%

23

1/4

25%

1

1/5

20%

2

0/4

0%

3

0/6

0%

As we can see in the above table (Table 2), position 13 is the most successful position, since, in all the countries that passed the semi-final process, their final place was up to -5 places below their qualifying place. For example, if a country qualifies in 5th place and appears 13th, the worst place it could take is up to 5 places below, ie 10th.

On the other side, the first 3 positions are, based on statistical data, the most unsuccessful positions, while positions 2 and 3 gather 0% chance to achieve a place equal to or less than 5. For example, if a country qualifies in 8th place and appears in positions 2 and 3, it is certain that its final position will be 14th or below.

We can not ignore, of course, that there were cases where the deviation had a positive sign.

Position 11 retained the same Qualifying Place on the Finals Scoreboard twice (33% – on both occasions, they were winners of the Semi Finals that won the Final, 2014 and 2017). 2 times (33%) also the position 22, where in one case it retained the Qualifying Place (2013) and the other improved the Qualifying Place by 1 on the scoreboard (in 2016 where the country won the final), while the 5, 7, 8, 10, 18, 23 and 25 retained or improved the qualified place (16.6% each).

In fact, we notice that the positions above (5, 7, 8, 10, 11, 18, 22, 23 and 25) are the only positions that have, over the past 6 years, maintained and/or improved the outcome of the country in the Final Scoreboard even once.


Which position in the running order shows the smallest deviation of average qualifying place and final’s place?

In order to answer this question, we had to subtract the final place of each country from its qualifying place and then the average of each position to be taken out.

Running Order

2018

2017

2016

2015

2014

2013

Total Average of all years

13

-5

-1

-2

-1

-3

-2.4

24

-10

-2

-6

-2

-1

-1

-3.7

21

-11

1

-2

-4

-4.0

25

0

-1

-1

-14

-5

-4.2

9

-4

-6

-4

-4.7

11

0

-16

0

-5.3

8

-6

1

-1

-12

-9

-5.4

20

-5

-1

-7

-10

-9

-1

-5.5

12

-3

-6

-2

-11

-5.5

5

1

-11

-12

-2

-6.0

18

-7

-2

-15

-8

0

-6.4

14

-3

-3

-13

-8

-6.8

15

-4

-9

-8

-13

-1

-7.0

22

0

-9

-12

-14

0

-7.0

7

-14

-1

-7

-11

0

-10

-7.2

6

-3

-7

-9

-10

-7

-7.2

10

-10

-10

0

-13

-3

-7.2

23

-11

0

-11

-7

-7.3

16

-16

-5

-4

-8.3

4

-3

-9

-13

-4

-7

-15

-8.5

3

-14

-8

-6

-6

-13

-7

-9.0

19

-7

-16

-4

-11

-9.5

1

-11

-20

-7

-9

-1

-9.6

26

-5

-7

-18

-10.0

17

-15

-5

-13

-15

-2

-10.0

2

-13

-16

-11

-13

-13.3

Sorting the table (Table 3) based on the total average of all years per position and so the Final Place does not deviate too much from the Qualifying Place, we see that position 13 has a -2.4 variance (around 2 to 3 places). That is, if a country appears 13th, there is a probability that the final place will have a -2.4 deviation from its qualifying place.

For example, considering the Average qualifying place per position, if a country qualifies 4th and appears at position 13, it is likely that its final place will be as low as 6th or 7th. Based on Table 2, the chances of a country benefiting from the example above are 100% likely to achieve such result.

Instead, position 2 gives the highest Average qualifying place of all years, at -13.3 (around 13 places). That is, if a country qualifies in the 8th place and performs 2nd in the Final, it is highly probable that its final place will be around 13 places below (close to 21st). Based on Table 2, position 2 has a 0% probability of maintaining or improving a country’s qualifying place, then the chances of finishing around 13 positions below the qualifying place are extremely high, almost certain.


In conclusion, we can see that the qualifying place may eventually be an important factor in the running order, according to which the countries are evenly distributed in the Grand Final.

Countries that finished in the top five of the semifinals appear in the middle and towards the end of each half, while the countries that finished in the bottom five (6th-10th) are filling the gaps, while some countries, in a combination with their position, managed to repeat or even improve the result they achieved in the Semi-Final.

This may be partly justified by the fact that songs that are considered as “favorites”, but also countries that have impressed in the semifinals, do not appear one after another in case of a random allocation, but in different positions from the beginning to the end of the final, hence increasing the interest throughout the final night.

In an interview, Christen Bjorkman said efforts are being made to pop out a song and become the diamond it should be. However, we understand that the trophy can only be won by one country, and therefore, knowing in advance who has the strongest possible package to claim the victory, not to try to deprive it in case of a poor position in the Final – without meaning that they promote it to win.

Do you think these statistics are just random numbers and have nothing to do with reality? Is it important to know the statistics and act likewise? Tell us your opinion.