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EBU concerned over privatization of Israeli Public Broadcasting Corporation

The European Broadcasting Union (EBU), organizer of the Eurovision Song Contest, has sent a letter to lawmakers in Israel expressing “deep concern” about government plans to privatize the Israeli Public Broadcasting Corporation (IPBC).

“Such a move would not only threaten the media landscape in Israel but could also have serious implications for the democratic foundations of the country and its international reputation,” the letter to the Knesset’s Economic Affairs Committee states.

The EBU emphasizes that “shutting down the IPBC, government intervention, or reducing its budget would represent a departure from the standards upheld by democratic nations worldwide and could undermine both domestic trust and international credibility.”

The letter further notes that the broadcaster’s participation in the EBU offers significant benefits to Israel. These include participation in major international events, such as the Eurovision Song Contest – which was the most successful television program in Israel last year – and securing broadcasting rights for significant sports events, including the FIFA World Cup 2026, ensuring free access for all Israeli citizens. Additionally, it highlights Kan’s contribution to showcasing Israeli culture, talent, and innovation on a global stage.

The EBU warns that privatizing the IPBC could jeopardize this relationship, likely leading to Kan’s exclusion from the Union and limiting Israelis’ access to key events and content.

The letter also recalls Kan’s vital role in covering the Hamas attack on October 7, 2023, which was widely distributed through the EBU’s international news network.

“Weakening or dismantling this institution could create a vacuum in reliable news dissemination, both domestically and internationally,” the EBU warns.

Stay tuned to Eurovisionfun for all the latest updates!

Source: Times of Israel

Israel: All the highlights from the eighth episode of HaKokhav Haba!

The eighth episode of the highly anticipated Israeli selection process for Eurovision 2025, HaKokhav Haba, aired tonight. This competition, known in English as “The Next Star”, is the format used by Israel to choose its representative for the Eurovision Song Contest.

Since its debut in 2015, HaKokhav Haba has been the main selection method for Israel, excluding the years 2022 and 2023. The show has achieved significant success, notably securing Israel’s Eurovision victory with Netta in 2018.

Though filming for this season began on October 10 at Neve Ilan Studios, on November 10 the official broadcast commenced on Israeli television.

Hosts and Judging Panel

Returning to host the show are Rotem Sela and Assi Azar. Azar has been involved with HaKokhav Haba since its inaugural edition in 2013 and previously hosted the 2019 Eurovision Song Contest. Sela joined as a host in the second season and has been a presenter ever since.

The judging panel for this season includes a diverse group of music industry veterans:

  • Assaf Amdursky
  • Keren Peles
  • Shiri Maimon
  • Eden Hason
  • Ran Danker
  • Itay Levi

With their combined experience, the panel ensures a high level of competition, which promises to be even more intense than last season’s edition.

Contestants and Their Performances

In tonight’s episode, six more contestants took the stage, and five of them advanced to the next stage of the competition. Here’s a look at some of the standout performances:

Noah Feynman

The 17-year-old Noah Feynman hails from Rishon LeZion. She says she has been singing and dancing for as long as she can remember. Coming from a musical family, her father, Uri Feinman, participated in Israel’s national selection for Eurovision in 1991 and 1992. Noah performed “Arcade” by Duncan Laurence, dividing the judges. While Assaf Amdursky and Ran Danker voted against her, Noah advanced to the next round with a score of 72%.

Ido Amador

The 26-year-old from Alcana is a violinist. He performed “Stone Cold” by Demi Lovato, starting softly on the piano but reaching impressive vocal heights. By the end, all the judges voted in favor, and Ido advanced to the next round with a remarkable 91%.

Shira Knop

Shira, 26, from Jerusalem, performed “Don’t Be Afraid at All” by Ninet Tayeb. She showcased a steady voice and great confidence. Although Shira failed to raise the wall, Essi Rotem pressed the “SAVE” button, giving her a ticket to the next round after initially receiving 64% of the votes.

Roy Berger

The 24-year-old from Jerusalem is a vocal coach and singer. Passionate about music from a young age, Roy aspires to make people dance with his tunes. He chose to sing “Cosmic Girl” by Jamiroquai. While the song didn’t immediately captivate the audience, he secured a spot in the next round with 87% and unanimous support from the judges.

Hamsa Band

Hamsa is a band from Israel that enjoyed success from 2000 to 2004. They previously attempted to reach the Eurovision stage, participating in the national final in 2001. After disbanding in 2004, they reunited with a new single and are ready to compete for the country’s representation. Performing “Rakdi” by Yishai Levy, they displayed strong on-stage chemistry. Despite Assaf voting against them, the band advanced to the next round with 74%.

The next episode of HaKokhav Haba will be broadcast tonight.

The winner of HaKokhav Haba and therefore Israel’s representative in Eurovision 2024 was Eden Golan. Eden Golan performed her song “Hurricane“, finishing fifth overall.

Stay tuned on Eurovisionfun for all the news regarding the Israeli participation at the Eurovision Song Contest 2025, in Basel!

Sourceeuromix.co.il

Israel: The public service status of KAN and the country’s participation in Eurovision at risk

The bill introduced by Communications Minister Shlomo Karai and Member of Knesset Tali Gottlieb aims to cut funding for Israel’s Public Broadcasting Corporation (KAN) from the state budget and transfer the management of television and radio to private hands. If the bill is approved, KAN will be sold to private entities and could be shut down by 2025, which could have serious consequences for Israel’s participation in the Eurovision Song Contest.

Reactions and Risks to Press Freedom

This proposal has sparked strong reactions from various groups, including legal institutions and human rights activists. Israeli Attorney General Gali Baharav-Miara has expressed concerns about the implications of this legislation, warning that it is a step that threatens press freedom and journalistic independence. She stated, “The proposal sends a serious message – broadcasts that do not align with the government’s agenda may lead to malicious actions against the media.”

The government, on the other hand, argues that transitioning the telecommunications and media sector to private hands will foster competition and reduce the waste of public funds. Shlomo Karai, the Communications Minister, claims that KAN has become an organization with controversial content and lacking the necessary oversight, which justifies its transfer to private ownership.

Implications for Israel’s Participation in Eurovision

If the proposed bill is passed and KAN is privatized, Israel may lose its right to participate in the Eurovision Song Contest from 2025 onwards. KAN is a member of the European Broadcasting Union (EBU), which is responsible for organizing the contest. According to EBU regulations, a member must have an independent public broadcaster that meets strict criteria for providing quality, independent content, such as news and cultural programming. With the closure of KAN, Israel may no longer meet the EBU’s requirements and could be excluded from the competition.

While a privately managed channel can join the EBU, the requirements for television services from private companies are stricter, demanding the adherence to high ethical standards and the provision of a variety of programming for the public. These requirements may be difficult to meet by existing private channels in Israel.

Support for and Reactions to KAN

On the other hand, KAN has been an important pillar for democracy in Israel, with many of its media outlets offering independent and objective content. The debate over transferring its management to private hands has raised concerns about journalistic independence and the impact such changes could have on the quality of information in Israeli society.

The government and its supporters argue that this change will enhance competitiveness and media freedom, while opponents warn of the risk of media manipulation and the weakening of democratic values in Israel.

EBU’s Response

The European Broadcasting Union (EBU) has expressed deep concern about the Israeli government’s push to pass legislation that could result in the closure of its Israeli member, KAN, and the shutdown of the country’s public service broadcasting. The bill aims to privatize the Israeli Public Broadcasting Institute by ending public funding and seeking a private buyer. If no buyer is found for its TV and radio networks, the public broadcaster could be shut down within two years.

EBU Director General Noel Curran said: “Public service broadcasting in Israel is under sustained political attack, facing threats that not only jeopardize its independence but also its very existence in the future.” Curran noted that the EBU shares the concerns of the Israeli Attorney General’s office, considering this political response from the government might be linked to KAN’s content. He said that the government either wants to take full control or shut down the broadcaster altogether.

Israel’s public broadcaster has been a member of the EBU since 1957, and as a member, it has access to news, sports, and music content from the broad network of European public service broadcasters.

Conclusion

The new privatization law for the Israeli Public Broadcasting Institute brings with it significant political, social, and cultural consequences for Israel. Reactions are strong, with concerns about maintaining journalistic freedom and the country’s participation in important international events like Eurovision. Particularly concerning is the potential risk to Israel’s future participation in the Eurovision contest if the public broadcaster is privatized, which could threaten the country’s position in the competition after 2025.

Israel has officially registered for Eurovision 2025, with its representative to be selected through the talent show HaKokhav Haba.

Stay tuned to Eurovisionfun for all updates!

Source: Euromix, EBU

Israel: A Christian, Arab-Origin singer to represent the country at Eurovision 2025?

Valerie Hamaty, a 25-year-old Arab-origin, Orthodox Christian singer, is rumored to be participating in the upcoming episode of HaKokhav Haba, the talent show through which Israel’s representative for Eurovision 2025 will be selected.

For the second time, Valerie Hamaty will try her luck on HaKokhav Haba, after already making a significant mark in Israel’s music scene. In 2022, she secured second place, although that year Israel’s Eurovision representative was chosen through a different talent show, X Factor. In addition to her singing career, Hamaty has also built a notable path in acting.

The possibility of Valerie Hamaty, an Arab-origin Orthodox Christian singer, representing Israel at Eurovision 2025 is highly symbolic and impactful. If it happens, it will signal a strong indication of social and cultural unity in a region with deep political and religious divisions. Although of Arab descent, Hamaty is part of Israeli society and represents the multiculturalism that defines Israel, a factor that could prove particularly significant on such an international stage as Eurovision.

We will, of course, have to wait until tonight to see if the rumors are confirmed, and whether Valerie Hamaty is among the contestants. Her potential participation will undoubtedly spark new discussions, with the symbolic weight of her possible representation of Israel in Basel being more than evident.

Stay tuned to Eurovisionfun for all the updates!

Israel: All the highlights from the second episode of HaKokhav Haba!

The highly anticipated Israeli selection process for Eurovision 2025 conitnued tonight with the second episode of HaKokhav Haba 2025. This competition, known in English as “The Next Star”, is the format used by Israel to choose its representative for the Eurovision Song Contest.

Read more

Israel: The artist for Eurovision 2025 will be selected through Hakokhav Haba!

Israel’s public television (KAN) continues the successful recipe of Hakokhav Haba (The Rising Star), the talent show through which it basically chooses the artist to represent the country in the Eurovision Song Contest. Read more

Israel: Everything ΚΑΝ said in the EBU’s independent investigation for Eurovision 2024

Israel Public Television confirms that an independent investigation has been carried out, on behalf of the EBU, in relation to everything that happened during Eurovision 2024.

The EBU’s external partner conducting the said investigation has already contacted a senior executive of the Israeli public television. According to what KAN reported to Euromix, it is pointed out:

A conversation took place between the management of the Israeli Public Broadcasting Corporation and an external examiner appointed by the EBU. The discussion was conducted in a very positive spirit, with the corporation’s team expressing and presenting their experiences and feelings about the Eurovision 2024 contest in Malmö in a full and transparent manner. During the conversation, the Israeli team also addressed the behavior of certain delegation members towards the Israeli delegation.

The EBU will use the results of this investigation to identify what mistakes happened that brought so much negative publicity, but also to learn lessons for the future.

Stay tuned to Eurovisionfun for all the updates!

Source: Euromix

Israel: Confirmed its participation for Eurovision 2025!

The country that was in the spotlight this year like no other, both before and during the contest, has confirmed its participation for Eurovision 2025, while in a short time it will announce details of the selection process that will follow.

Israel’s public television has confirmed to our colleagues at Euromix that it will participate in Eurovision 2025 next May in Switzerland. In fact, as pointed out, KAN is going to give more information in the next period of time on how to highlight the artist, as well as the song, that will represent the country in the next contest.

Although they haven’t settled on the selection method so far, they are most likely to continue the Hakokhav Haba (Rising Star) format, through which since 2015 whenever they have used it they have always qualified for the final, achieving one win in 2018 and two more top 10s. Of course, internal selection is not excluded either (as was done in the case of Noa Kirel). The possibility of a national final does not seem to gather any chance.

KAN hopes that Eurovision 2025 will be quieter and with less drama, hoping for a more peaceful season for everyone.

Israel is the 11th country so far to have expressed a desire to participate in Eurovision 2024, following Austria, Belgium, Denmark, Luxembourg, Malta, Spain, Portugal, Croatia, Germany and host Switzerland .

We remind you that Israel was represented this year by Eden Golan with Hurricane, which won fifth place.

Stay tuned to Eurovisionfun for all the updates!

Source: Euromix

Eurovision 2024: SVT will reportedly not censor sound from the audience in the arena tonight!

Eden Golan faced boos from the audience during a rehearsal, as you have read in one of our previous articles, the Israeli broadcaster Kan filed a formal complaint with the European Broadcasting Union (EBU) ahead of tonight’s broadcast.

During rehearsals, where the arena audience was limited, there was both imposed applause and a sound carpet added to the broadcast in the press center. This sound carpet created the illusion of a large audience in the arena, even though it wasn’t the case.

Eden Golan, Photo: Andreas Papagiannakis

Eden Golan, Photo: Andreas Papagiannakis

In previous years, Russian artists in the Eurovision contest experienced loud protests and boos during their performances. In 2015, the Austrian TV channel that produced Eurovision in Vienna chose to censor the boos by adding fake shouts during the broadcast.

Aftonbladet‘s Tobbe Ek reached out to SVT’s executive producer, Ebba Adielsson, with a detailed question and she clarified the situation:

As with any major TV production with an audience, we work with broadcast audio to level the playing field for the TV audience. It is only to get as balanced a soundscape as possible for the viewers, we do not censor sound from the audience in the arena. It’s the same principle for all competing entries, including opening and intermediate acts.

Let’s see what will happen at tonight’s Second Semi Final which is already on-air!

Source: Schlagerbloggen/Tobbe Ek/Aftonbladet

Stay tuned for more regarding this year’s Eurovision Song Contest that is held in Malmö Arena, in Malmö, Sweden.

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Stay tuned on Eurovisionfun for all the news regarding the Eurovision Song Contest 2024, in Malmö!

 

Israel: Eden Golan reveals more information about her staging!

Eden Golan, the Israeli representative in this year’s Eurovision, gave an interview to Israel Hayom, and revealed more information, regarding her staging in Malmö. Read more