EBU Reference Group Chair Reflects on Eurovision 2024
Bakel Walden, the Chair of the Eurovision Song Contest Reference Group, recently shared his insights into the happenings of Eurovision 2024.
This year’s contest, held in Malmö, Sweden, was not just about music. Despite Switzerland‘s victory with Nemo‘s groundbreaking win for “The Code“, Eurovision encountered various controversies, including Joost Klein‘s disqualification and debates over Israel‘s involvement.
Walden, leading the Eurovision Song Contest Reference Group, oversees a vital committee responsible for shaping the Eurovision Song Contest’s direction. This committee approves contest formats, secures funding, and supervises host broadcasters’ preparations.
In an interview with Swiss news outlet 20 minuten, Walden, also a member of SRG’s Board of Directors, shared his thoughts on this year’s Eurovision. He will play a role in Eurovision 2025 as it returns to Switzerland.
Reflecting on Eurovision 2024, Walden acknowledged its challenges:
“As my first year as chairman, I lack a broad comparison. Yet, many experienced individuals deemed this ESC historically difficult, a sentiment I share after recent weeks and days.”
Despite difficulties, Walden highlighted the contest’s positive impact, noting the shows’ ability to “enthral millions”:
“The preparation was intense, with many highlights and significant pressure. However, the overwhelming joy and gratitude from this year’s ESC, captivating millions, stand out.”
During the winner’s press conference, Walden bestowed upon Nemo and Switzerland the opportunity to host Eurovision 2025. This task typically falls to the Executive Supervisor, Martin Österdahl, who was absent.
Addressing controversy around Nemo’s display of a non-binary flag, Walden affirmed Nemo’s adherence to Eurovision’s guidelines:
“The non-binary flag, alongside participating countries’ flags and the rainbow flag, is permissible. Regrettably, there were some onsite implementation errors. Nevertheless, Nemo acted correctly.”
Responding to Nemo’s assertion that Eurovision “needs a little bit of fixing,” Walden acknowledged room for improvement:
“In our analysis, we must not only focus on Malmö’s positive experiences but also recognize the need for improvement.”
Regarding Joost Klein’s disqualification, Walden supported the EBU’s decision:
“Regrettably, we faced an additional crisis. However, the decision to disqualify Joost Klein was correct. Unacceptable behavior towards a production employee necessitated action.”
Looking ahead to Eurovision 2025, Walden expressed ongoing involvement in the contest’s production and preparations:
“Preparations for Eurovision 2025 are already underway, with many discussions ongoing. Our supervisory board will convene again shortly.”
Walden anticipates the announcement of Eurovision 2025’s host city during the summer, emphasizing the importance of a fair and well-prepared approach.
Eurovision 2025 marks Walden’s second engagement with the Eurovision Song Contest Reference Group.
Source: 20 minuten
