EBU: New mandatory code of conduct for accredited individuals and other changes to the Eurovision Song Contest

The European Broadcasting Union (EBU) is introducing new initiatives and changes aimed at improving the experience of Eurovision Song Contest participants and reinforcing the values of community, respect, and equality. These changes seek to create a more positive and supportive environment and will be implemented for the first time at the 2025 contest in Basel.

Code of Conduct and Duty of Care Protocol

For the first time, adhering to a Code of Conduct will be mandatory for accreditation at the contest, fostering a culture of professionalism and respect. The Code will include compliance with local laws, a ban on political statements, and guidelines for responsible communication and behavior.

Additionally, the Duty of Care Protocol will ensure the safety and well-being of participating artists, encouraging collaboration between the EBU, the Host Broadcaster, and participating broadcasters to prevent unnecessary physical or emotional strain.

Changes to Event Organization and Participant Experience

To better support artists, the EBU has announced the following measures for Eurovision 2025:

• Camera-free zones in key artist preparation areas.
• More closed-door rehearsals to allow artists to focus without distractions.
• Optimized rehearsal schedules to provide artists with more time for rest and to explore the host city.
• Appointment of a Welfare Officer to act as a key point of contact for supporting artists and staff.

Commitment to Unity, Diversity, and Inclusion

The Eurovision Song Contest continues to stand as a symbol of unity and diversity. In 2025, the EBU will introduce the Eurovision Pledge, reaffirming its commitment to community, respect, and equality.

Statements from the Leadership

Martin Green, the new Director of the Contest, emphasized:

“We are united through music – and it is everyone’s responsibility to ensure the Contest remains an event that promotes unity, diversity, and inclusion. The changes we are introducing for Basel 2025 aim to offer the best possible experience for participants, staff, and audiences alike.”

Bakel Walden, Chair of the ESC Reference Group, added:

“The new measures to be implemented for Eurovision 2025 represent an important first step in the responsible development of this iconic music event, tailored to modern needs.”

The Catalyst for Change

The behavior of many accredited individuals during Eurovision 2024 appears to have been the tipping point that prompted the EBU to take these decisions. It is time for those attending the contest in a journalistic capacity to recognize that while they may also be fans, they are professionals within the press center and must act accordingly.

Stay tuned to Eurovisionfun for all the latest updates!

Source: EBU