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EBU: Proposal to abolish the Big 5 privilege from the contest!

The Swedish radio commentator for Eurovision , Carolina Norén , was invited as a guest on The Euro Trip Podcast. Norén shared her discussion with the Eurovision Executive Supervisor, Martin Österdahl, about a change on the Big 5 status in the contest.

The Swedish commentator, speaking to the Executive Supervisor of the Eurovision Song Contest, suggested that the EBU should not guarantee the Big 5 a direct place in the finals. Instead, the Big-5 ( France, Germany, United Kingdom, Italy and Spain ) shall be put to compete in the Semi-Finals, for a fairer result.

I think you should take away the Big Five. Let just the winner be qualified directly to the final and let everybody compete in the same way through the Semi Finals to the Final.

Although Martin Österdahl, seemed to be processing this idea, as it would be a special and big change, he nevertheless replied that at the moment there is no such possibility.

As it is known, France, Germany, the United Kingdom, Italy and Spain constitute the Big 5. The Big 5 are the most important financial contributors to the contest as well as countries with a big Eurovision background. In addition, they pay the highest participation fees to the EBU, so they do not have to compete in the Semi-Finals to earn a place in the Grand Final.

Do you agree on abolishing the Big 5 privilege? Stay tuned on EurovisionFun for all news!

Source: The Euro Trip

Romania: TVR on the country’s participation or not in the contest!

In the last few days, rumours have been circulating on the internet which claim that Romania will withdraw from the upcoming edition in Malmö, but this has never been confirmed by the responsible officials.

According to internet users, the main reasons why Romania will not participate are a lack of budget on the part of TVR and a general disappointment after last year’s result.

With the application period closing on 15 September, the only public response from the Romanian broadcaster was that “the matter is still under discussion”. Of course, broadcasters are not obliged to publicly declare their decision, as the EBU regulations allow them to withdraw their application without penalty until 11 October, after which date we will be in the clear of all participating countries.

Earlier today, members of the Romanian website Spectacola contacted TVR to understand the station’s intentions regarding the European Contest.

According to them, “TVR’s leaders are in discussions with the EBU, but the Eurovision issue has not been sufficiently examined to allow a definitive decision to be taken”.

It is therefore understood that a final decision on Romania’s participation in the Eurovision Song Contest 2024 has not yet been made, with TVR highlighting:

“At the moment, we are in contact with the organisers (EBU) and all options remain open!”

Do you think that the Romanian delegation will after all be in Malmö? Let us know in the comments below!

Source: Spectacola

Stay tuned to EurovisionFun for all the latest updates on Romania’s participation in Eurovision 2024!

Eurovision 2024: The goal is to shorten the Eurovision broadcast, Per Blankens confirms!

As we have previously reported, Christer Björkman returns as competition producer for Eurovision 2024, together with “American Idol” producer Per Blankens, completing now the Eurovision 2024 core team for Malmö.

As reported by Aftonbladet‘s Törbjorn Ek, Björkman is currently in Berlin for meetings with the EBU. On Tuesday, Björkman‘s and Blanken‘s new roles will be presented both to the reference group, which is the competition’s highest decision-making body, and to all the countries’ heads of delegation who are on site to participate in a workshop about the competition, according to the plans.

Back in June, we had reported reveals by Aftonbladet that the Swedish production, led by executive producer Ebba Adielsson, was planning to shorten the Eurovision broadcast by a full hour.

According to Per Blankens, speaking to Aftonbladet, the cut in the duration of the show is high on the agenda of 2024:

“There may be reasons why the competition is so long, you have to have time to collect and compile all the public votes. But it will be late for those who live in the east and also for us who live in central Europe, so the program has everything to gain from being made shorter, but without shredding or just tearing it off.”

Another rumor circulating among Eurovision fans is that SVT is thinking about introducing some form of Second Chance in the European competition as well.

Per Blankens comments:

“I haven’t heard of it at all so I can’t comment on it, it’s nothing I know about”

Christer Björkman laughs when he hears about the rumour:

“I don’t think that’s really what we’re aiming for. We have a format that is very good and alive and many of the big changes happened in 2013 and 2016 in tonality and with the voting. I don’t think a lot of adjustments are needed right now. What we have to work on is trying to make a tight broadcast, efficient good television that doesn’t take up too much time. That is our big goal.”

The 68th Eurovision Song Contest will take place in Malmö, Sweden in 7, 9 and 11th of May 2024, after the second win of Loreen in Liverpool, with her song Tattoo:

Stay tuned on Eurovisionfun for all the news regarding the Eurovision Song Contest 2024, in Malmö!

Source: Aftonbladet


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Eurovision 2024: Christer Björkman and Per Blankens are the last additions to the contest’s core team!

The Director’s Team for Eurovision 2024 was completed today, with the Swedish public broadcaster, adding two more core members. We are talking about the well-known Christer Björkmanand the experienced Per Blankens.

Christer Björkman has a really long journey in both Melodifestivalen and Eurovision Song Contest, while Pen Blankers, has worked in many music shows, like Melodifestivalen, Idol, American Idol and the song contest The Next for China’s Dragon TV in Shangai.

Christer Björkman stated:

“Eurovision’s values are more important than ever, where diversity and community are the foundation. Therefore, I am extremely proud to once again be one of the producers for this event –  it was impossible to say no”

Per Blankers added the following:

“I remember my years at Melodifestivalen as fantastic, but to be able to participate in the big Eurovision Song Contest party in this way is a dream come true. To be able to work so closely with Eurovision’s television elite will be an incredible adventure!”

Earlier this year, SVT presented the executive team that will be responsible for the 68th Eurovision Song Contest. The team consists of Ebba Adielsson, Christel Tholse Willers, Tobias Åberg and Johan Bernhagen. Other names that were later added to the production are David Wessén – Head of  Production Department, Mats Lindgren – Head of Legal Department, Madeleine Sinding-Larsen – Head of Media και Linnea Lopez – Executive Assistant.

The 68th Eurovision Song Contest will take place in Malmö, Sweden in 7, 9 and 11th of May 2024, after the second win of Loreen in Liverpool, with her song “Tattoo”:

https://youtu.be/BE2Fj0W4jP4

Stay tuned on Eurovisionfun for all the news regarding the Eurovision Song Contest 2024, in Malmö!

Source: eurovision.tv


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Monaco: TVMonaco is now eligible to participate in Eurovision!

As we have previously informed you, TVMonaco, Monaco’s new state broadcaster, has begun its operation a few days ago.

With the inaugural operation of TVMonaco, a reasonable question was posed among Eurovision fans, on whether will Monaco be eligible and eager to compete in the next Eurovision edition in Malmö. It is now confirmed that Monaco is eligible to participate in EBU events and shows, as TVMonaco is a part of MMD (Monaco Media Difussion), which is an EBU member.

What is the MMD?

MMD is an active member of the EBU and hence qualifies for the Eurovision event. Monaco Media Diffusion includes radio stations as well as the recently founded TVMonaco. It holds the sole broadcast radio and television license in Monaco. MCR is licensed to use all frequencies designated and allotted to Monaco by the International Telecommunication Union (ITU).

Since TVMonaco is now an eligible member, it is up to the state broadcaster to decide whether the microstate will take part in Eurovision again in 2024. If TVMonaco or MMD intends to compete in the next Eurovision in Sweden, it must submit its application by September 15, 2023.

In case, Monaco returns to Malmö, there will be two countries coming back after many years of absence, the other one being Luxembourg.

Monaco after being absent for 24 years, returned in 2004 and stepped back once more in 2007, not managing to qualify in none of its last attempts. The full list of participants will be revealed until the end of October, when we will certainly know whether or not Monaco will participate.

Stay tuned on EurovisionFun for all news!

Source: ESCToday

EBU: Eurovision Organizers debate on the A.I. exclusion from the Contest!

The banning of the Artificial Intelligence from the Eurovision Song Contest is on the table.

The organisers of the biggest music show in the world have just started discussing the possibility of excluding A.I. produced content from Eurovision.

Jean-Philip de Tender, Deputy Director General of the European Broadcasting Union, on an interview to Bloomberg at the Edinburgh TV Festival commented that:

“What if at the Eurovision Song Contest we suddenly get an AI-created song?”

The EBU is “reflecting on how we need this in the rulebook, that the creativity should come from humans and not from machines.”

“The competition should reward “people on stage, who have achieved
something in writing a song and performing a song.”

However, in the past, the Eurovision Song Contest inspired the A.I. experiments. In 2019, partially produced by Oracle Corp. algorithms analyzed numerous past participation in order to produce the lyrics and the melody of “Blue Jeans and Bloody Tears” a duet between the 1978 Israeli winner Izhar Cohen and a pink robot.

Has the Artificial Intelligence a place in the Contest or should it be banned from it? Let us know your thought in the comments below.

Source: Bloomberg

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Ireland: RTÉ unveils the cost of participating in Eurovision 2023!

RTÉ, Ireland’s public broadcaster, has revealed the cost of the country’s participation in Eurovision for the last four contests, namely from 2019 to 2023.

Through the website Irish Mirror, the public broadcaster revealed that they paid €340,000 for the participation of Wild Youth in Liverpool, which includes €58,129 for the staging and €105,099 for the participation fee to EBU. This was the country’s highest cost in four years.

Below you can see Ireland’s cost of participating, from 2019 to 2023:

  • 2023 – €340,000 including participation fee 105.099€
  • 2022 – €315,161 – including participation fee 92,588€
  • 2021 – €330,000 – including participation fee 88,100€
  • 2019 – €336,000

As we can see from the figures, after the exclusion of Russia and Belarus from the EBU, the cost of participation has increased for all other participating broadcasters. Ireland’s participation fee has increased by €16,999 from 2021, an increase of 19.3%.

RTÉ has already announced that it will be competing in Eurovision 2024. Submissions are open for anyone wishing to represent Ireland at Eurovision 2024, as in early 2024, a shortlist of artists will perform their songs on television, from which the winner will be the representative of the country in the contest.

Wild Youth represented Ireland at the Eurovision Song Contest 2023.  Sadly, they did not qualify to the Grand Final.  Ireland has not qualified to the Grand Final since 2018

SourceIrish Mirror

Stay tuned at EurovisionFun for all the latest news about Ireland and the Eurovision Song Contest 2024!


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Liechtenstein: The channel 1 FL TV rules out debuting in Eurovision 2024!

As we can see, Liechtenstein will not be making its Eurovision Song Contest debut, not even in 2024, in Malmo, Sweden.

The country’s public broadcaster, 1 FL TV, confirmed a while ago to ESC Today, that they will not be participating this year either. Liechtenstein faces more problems than other countries in joining the Contest, as the channel must first become a member of the EBU.

The rules of the competition, as they currently stand, only allow members of the European Broadcasting Union to participate. As joining the Union would add additional costs to its participation, especially for a small country, Liechtenstein has not participated in the Contest so far.

In the early 2010s, Liechtenstein had shown interest in taking part in the Contest, as the then director of 1 FL TV, Peter Kolbel, wanted his country to join Eurovision. However, the whole process stopped when Kolbel passed away four years ago.

Managing Director of the Liechtenstein’s broadcaster Sandra Woldt has confirmed back in 2022, that they are no longer interested in joining the European Broadcasting Union and so competing in Eurovision, as one of their aims. Sandra Woldt said in a statement that:

“We are no longer pursuing this goal, we are concentrating on our reporting in and for Liechtenstein.”

This means that, based on the information we have so far, we will not see a new country making its debut in the competition this year either. The last country to debut was Australia, back in 2015.

Source: esctoday.com

EXCLUSIVE: Teleconference between ERT, RIK and EBU for the conflict solution!

The updates are rapid on the issue regarding the conflict between ERT and RIK because of the hosting of the Fame Story reality show by the latter, in collaboration with PANIK Records, STAR Channel and Barking Well Media. The gap remains open and for this reason, according to our exclusive information, a teleconference is about to be held by the EBU the coming days, in order the situation to be discussed by the two sides and a solution to be found.

The story

The conflict between the two public broadcasters emerged after RIK decided to collaborate with Barking Well Media company of Nikos Koklonis, the Star Channel (private broadcaster) and the PANIK RECORDS for the organisation of the reality show named Fame Story, which will be broadcast simultaneously in Greece by Star Channel and in Cyprus by RIK.

The relevant trailer of the aforementioned show, in which despite that Eurovision is not mentioned as the award but Europe’s biggest music contest, was the last straw for ERT, which considers that their exclusive rights on the competition in Greece are violated.

The EBU after the request of the current ERT’s administration by Mr Constantinos Zoulias proceed with an update of the regulations regarding the 2024 Eurovision Song Contest which were sent to all members.

Fame Story’s complicity?

The new regulations enacted by the EBU, after ERT’s intervention, impede the realization of the talent show, at least as far as the representation of Cyprus at the 68th Eurovision Song Contest as the award, just as it is implied by the relevant trailer still broadcast by the Star Channel.

EBU’s intervention

After the publication of the relevant trailer, the EBU, in a letter, asked RIK to clarify the details regarding Fame Story and whether the realization of this show in Greece, by a private television station, violates the above mentioned regulations of the upcoming music competition .

Of course, this intervention was not accidental at all, just like the revision of the competition regulations, but it came after the protests of ERT, whose exclusivity in the television and commercial exploitation of Eurovision in Greece is being violated, an exclusivity for which it spends approximately 360,000 Euro per year.

RIK “announces” national selection in Nicosia

As you first read from Eurovision Fun (here), RIK sent a reply letter to the EBU in which it claims that Fame Story is not a national final, but a talent show, which it will integrate into its entertainment program.

It is also reported that for Eurovision 2024 RIK will choose its representative through internal selection, as it has been doing in recent years. The artist selection will be done through new talent that will emerge from both Fame Story and other young and talented artists.

Finally, it is emphasized in this letter, that the final selection of the song will take place in January 2024 through a televised show, which will take place in Nicosia. All of this, of course, as you understand, contradicts what Nikos Koklonis revealed on air, in his various interviews, and is also included in the Fame Story promo trailer.

In this way, the RIK considers that it can overcome the legal issue that has arisen after the update of the Eurovision 2024 regulations, and now they are awaiting the EBU’s response.

Teleconference for a solution

All the same there is still hope for a possible solution. Representatives of ERT and RIK will meet in a teleconference organized by the EBU in order to discuss the essence of the dispute and to seek some point of contact.

The above means that at least by the time of writing of this very article, both sides are sticking to their positions. The possible representation of Cyprus by the winner or an artist from Fame Story and the refusal of ERT to accept the television and commercial exploitation of the competition by a private television station in Greece.

The aforementioned teleconference is expected within the next days.

Stay tuned on the Eurovision Fun for all the updates around the conflict between ERT and RIK!

 

ERT Vs RIK: The Eurovision controversy continues | RIK’s response to EBU!

The “civil war” that has broken out between ERT and RIK on the occasion of the Fame Story, which will be broadcast on STAR Channel in Greece and through which Cyprus intends to choose its representative for Eurovision 2024 continues, without defusing the crisis at least so far.

What has happened.

RIK’s decision to collaborate with Nikos Koklonis’ Barking Well Media, STAR Channel and PANIK Records for the production of Fame Story, which will be broadcast simultaneously in Greece (by STAR) and Cyprus (by RIK), has brought the two public broadcasters into conflict.

The trailer of the talent show, which although the word Eurovision is not mentioned as a trophy, but Europe’s biggest music competition, was the straw that broke the camel’s back for ERT, which believes that the exclusive rights to exploit the contest, which it has in Greece, are being violated.

Thus, according to what is reported today in the newspaper PARON, the EBU, at the request of ERT’s administration and Mr. Constantinos Zoulas, the EBU has proceeded to update the Eurovision 2024 regulations, sending them to all its members.

Fame Story controversy?

These new regulations, which seem to have been introduced by the EBU, after ERT’s intervention, bring obstacles to the talent show, at least having as its trophy the representation of Cyprus in the 67th Eurovision Song Contest, as it is implied in the relevant trailer, which continues to play on STAR’s frequency.

The new Eurovision 2024 rules

The new regulations state the following:

The organisation of the national selection of each EBU member must not violate the exclusivity of the rights of the participants of the other participating broadcasters of the other countries. Each national selection of a representative for Eurovision should be undertaken and organised under the exclusive control of each participating broadcaster. The organisation and production may not be subcontracted, except with the prior approval of the EBU. The national selections must be organised and televised nationally in the participating broadcaster’s country and on the participating broadcaster’s own EBU member channel.

EBU intervention

Following the publication of the trailer, the EBU wrote to RIK asking it to clarify the details of Fame Story and whether the production of this show in Greece by a private TV station violates the above mentioned regulations of the upcoming music competition.

This intervention was of course not at all accidental, as was the revision of the contest’s regulations, but came after ERT complained that it was violating its exclusive TV and commercial exploitation of Eurovision in Greece, an exclusivity for which it spends around 360,000 euros per year.

The letter from RIK to the EBU

According to information available to Eurovisionfun, RIK has sent a letter of reply to the EBU in which it claims that Fame Story is not a national final, but a talent show which will be included in its entertainment programme.

It is also stated that for Eurovision 2024, RIK will select its representative for Eurovision 2024 by direct award, as it has done in recent years. The artist will be selected from new talent that will emerge from both Fame Story and other young and talented artists.

Finally, it is emphasized in this letter that the final selection will take place in January 2024 through a TV show, which will be held in Nicosia. All of this of course as you can understand is contrary to what Nikos Koklonis (producer of Fame Story) revealed on air, in various interviews, and also included in the promo trailer of Fame Story.

Pending the EBU’s final decision

We now await with interest the final settlement of the issue by the EBU and whether or not it will finally allow, after the explanations of RIK, to be used as a method of selecting the artist that will represent Cyprus in Eurovision 2024. However, according to what has seen the light of publicity in the previous days, in any case, the people of RIK have prepared an alternative plan, since in no case they do not wish to disturb their relations with the EBU, but also to endanger the Cypriot participation in the contest.

Stay tuned to Eurovision for all the latest news!

Sources: Eurovisionfun, Paron, Real News