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Spotify: “Tattoo” just surpassed Alexander Rybak’s Fairytale in streams! | It is now the 4th most-listened Eurovision song of all time!

Loreen is doing amazing at all streaming platforms, following her big success at the Eurovision Song Contest 2023, held in Liverpool, UK. Only three days after the release of her first post-Eurovision singleIs it Love“, her winning song “Tattoo” managed to surpass Alexander Rybak’sFairytale in streams, at the highly-popular streaming platform of Spotify.

As of Monday, October the 16th, “Tattoo” is the 4th most streamed Eurovision song of all time and has accumulated 307.971.675 streams in total, while Alexander Rybak’s Fairytale has accrued a tiny few less, 306.503.428 streams in total.

Top 10 – Most streamed Eurovision songs of all time (at the time of writing)

  1. ArcadeDuncan Laurence (1,039 Billion)
  2. SnapRosa Linn (816,3 Million)
  3. ZITTI E BUONIMåneskin (423,9 Million)
  4. TattooLoreen (306,8 Million)
  5. FairytaleAlexander Rybak (306,3 Million)
  6. WaterlooABBA (276,1 Million)
  7. EuphoriaLoreen (247,6 Million)
  8. SoldiMahmood (226,5 Million)
  9. HeroesMåns Zelmerlow (152,6 Million)
  10. BrividiMahmood, BLANCO (138,5 Million)

Loreen is only the second artist to be in this top 10 with two different songs (“Euphoria” and “Tattoo“) after Mahmood (“Soldi” and “Brividi“) and her success after her second Eurovision victory goes on.

Photo: Universal Sweden/Charli Ljung

How far do you think Loreen’s Tattoo can go? Will it manage to become the most-streamed Eurovision song of all times? 

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Alessandra Mele debuts on Spotify Charts in five countries!

Alessandra Mele has achieved an impressive achievement with her MGP song.  The singer is currently participating in MGP to represent Norway at the Eurovision Song Contest 

The song of Queen of Kings has reached to the Spotify Charts of five countries! Apart from her home country Norway, the song has reached the charts in Finland, Hungary, Sweden and Estonia. The song is also the first song of the current Eurovision season to received more than 2 million streams on Spotify.

Alessandra is one of the favorites to win this year’s MGP.  She competed in the first semi-final and has already qualified for the Grand Final.  The MGP final will take place next February 4th.

Listen to Queen of Kings:

Watch Alessandra’s interview for Eurovisionfun

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Spotify: Snap has surpassed Alexander Rybak’s Fairytale, becoming the 3rd most-streamed Eurovision song of all times!

We have already talked about the fascinating story of Rosa Linn’s Snap, which despite its mediocre success in ESC, is doing great on the streaming platforms. As of today, Snap is not only the most popular Eurovision 2022 song on Spotify, but has also managed to become the 3rd most streamed song of ESC, surpassing Alexander Rybak’s Fairytale. 

Snap has managed to muster 218 million streams, a few streams more than the ESC 2009’s winning song, and the former’s run doesn’t seem to be stopping there. The table below illustrates the dynamics of the song, which is now in the 18th position of the Global Spotify Chart, being on said Chart for more than 87 days.

How far do you think Rosa Linn’s Snap can go? Will it manage to become the most-streamed Eurovision song of all times? 

Spotify: Snap surpassed Måns Zelmerlöw’s Heroes, continuing its wild run!

We have already reported the fascinating story of Rosa Linn’s Snap, which despite its mediocre success in ESC, is doing great on the streaming platforms. For two days now, Snap is not only the most popular Eurovision 2022 song on Spotify, but has also managed to become the 7th most streamed song of the Contest, surpassing Måns Zelmerlöw’s Heroes.

Today, Snap has managed to muster 147 million streams, 4,5 million more than the ESC 2015’s winning song, and the former’s run doesn’t seem to be stopping there. The table below illustrates the dynamics of the song, which is now in the 18th position of the Global Spotify Chart, being on said Chart for more than 60 days.

Therefore, and despite the admittedly small loss of momentum on the platform (38,607 less streams compared to the previous week), it is almost certain that the Armenia’s song in ESC 2022, is threatening more popular Eurovision songs on Spotify.

And while the two most popular Eurovision songs (Arcade and Zitti e buoni) are considered a rather unattainable goal, the same cannot be said for Soldi, which has 207 million streams, 60 million more than Snap. By rough calculations, and provided that Rosa Linn’s song won’t lose much of its momentum, Snap is likely to surpass Soldi and become the 3rd most popular Eurovision song within the next two months.

Billboard Hot 100

Two weeks ago Snap managed to be placed in the 97th position on the Billboard Hot 100, becoming only the second Eurovision song in the 21st century (after Arcade) to do so. Unfortunately for Rosa Linn, her song’s run on the Hot 100 didn’t last for more than a week. The entrance into Hot 100, as well as its ranking, is dependent on the number of streams through streaming platforms, sales, and airplay in the US.

Worldwide iTunes Song Chart

Despite maintaining momentum on Spotify, Snap appears to be losing ground on iTunes. And while a week ago the song had reached the 7th position on the Worldwide iTunes Song Charts, today it’s ranked 13th, having a slightly downward trend.

The dynamics of TikTok

Snap’s success seems to be related to the even greater singer’s success on TikTok. Prior to the Competition, Rosa Linn had, on her personal TikTok account, 5k followers and 85k likes. Today, her followers amount to 555k and her likes to 9.5 million!

It is not the first time that TikTok has been used as a springboard by Eurovision artists. The most typical example, perhaps, is Duncan Laurence’s “Arcade”, the winning song of ESC 2019, which, after its delayed success on TikTok, has today exceeded 900 mil. streams, becoming the most successful Eurovision song on Spotify.

Thus, despite the (justified) reactions expressed this year by fans, journalists and correspondents of the ESC, the strategic partnership between the EBU and TikTok (with the latter taking on the role of “Official Entertainment Partner” for Eurovision 2022) does not appear to be an one-off collaboration.

How far do you think Rosa Linn’s Snap can go? Will it manage to overtake Soldi on Spotify or will it run out of gas somewhere along the way?

Armenia 2022: Rosa Linn is the most unexpected “winner” of Eurovision!

Does it matter if Rosa Linn took the 20th place for Armenia in the Eurovision final, collecting only 61 points? Does it matter that her song, “Snap,” did not have any considerable success on streaming platforms before and during ESC? Maybe, it doesn’t. The representative of Armenia seems to be tasting a belated victory, with her song going viral on both Spotify and TikTok!

https://www.youtube.com/watch?v=DAJ6vfmD_ic&ab_channel=EurovisionSongContest

The “Snapping” of Chanel

Since June 26, Rosa Linn has taken the first place in streams among all year’s Eurovision entries, forcing Chanel, to retreat to the second place. And its run of success did not cease there; “Snap” has consistently been in first place for three consecutive weeks, having amassed more than 22 million streams to date.

The TikTok’s dynamics

The above success seems to be related to the even greater singer’s success on TikTok. Prior to the Competition, Rosa Linn had, on her personal TikTok account, 5k followers and 85k likes; today her followers amount to 133.2k and her likes to 3.1 mil.

@rosalinnmusic

What is striking is that what seems to attract attention is not the original version of the song, but an alternative version of it at a much faster tempo, which is used as a background sound for the videos posted by the users. Acting on that, Rosa Linn released this particular version of “Snap” on Spotify under the title “SNAP – HIGH AND FAST” .

It is not the first time that TikTok has been used as a springboard by Eurovision artists. The most typical example, perhaps, is Duncan Laurence’s “Arcade”, the winning song of ESC 2019, which, after its delayed success on TikTok, has today exceeded 900 mil. streams, becoming the most successful Eurovision song on Spotify.

Thus, despite the (justified) reactions expressed this year by fans, journalists and correspondents of the ESC, the strategic partnership between the EBU and TikTok (with the latter taking on the role of “Official Entertainment Partner” for Eurovision 2022) does not appear to be an one-off collaboration.

The dominance of Italy in streams

It should be mentioned, for purposes of clarity, that despite “Snap’s” substantial success in recent weeks on Spotify, Armenia’s entry does not overtake in streams other entries in this year’s Eurovision, such as Italy’s “Brividi” (102 mil. streams), Spain’s “SloMo” (40 mil. streams), Sweden’s “Hold me Closer” (33 mil. streams), Ukraine’s “Stefania” (32 mil. streams), and the United Kingdom’s “Space Man” (30 mil. streams) .

What do you think is preferable? To do well in Eurovision or to have your song become a hit?

Greece: Streams Record for “Die Together” on Spotify!

Yesterday, on May 11, “Die Together” reached a recorf of streams of Spotify. Specifically, it surpassed 2.500.000 streams, of which yesterday’s streams reached 206.772!

More importantly, the 15.000 of those streams were from Greece. All of the above, of course, fill the Greek delegation with optimism, that the Greek song will have a high placment in the televoting as well.

Those who qualify for the fnal hae two more rehearsal tomorrow (press and jury rehearsal) and the Family Rehearsal on Saturday.

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Stay tuned to Eurovision Fun for daily updates on Press Poll 2022!

Italy: Record-breaking Spotify streams for Mahmood and Blanco!

A short while ago, Spotify‘s daily streams ranking for Italy was released. As expected, all 12 songs from the first night of Sanremo were at the top of the ranking. One song, however, set an incredible record.

More specifically, Brividi by Mahmood and Blanco, not only topped the chart, but also scored the highest number of streams ever for a song on the Italian Spotify with 3,384,192 streams!

In detail, the ranking is as follows:

  1. Mahmood & Blanco – Brividi – 3,384,192
  2. RKomi – Insuperabile – 954,842
  3. La rappresentante di lista – Ciao Ciao – 922,011
  4. Dargen D’Amico – Dove Si Balla – 714,766
  5. Achille Lauro – Domenica – 672,812
  6. Noemi – Ti amo non lo so dire – 568,019
  7. Michele Bravi – Inverno dei fiori – 520,547
  8. Ana Mena – Duecentomila ore – 417,176
  9. Gianni Morandi – Apri tutte le porte – 399,737
  10. Giusy Ferreri – Miele – 358,251

Yuman was in the14th place and Massimo Ranieri in the 16th one.

Mahmood & Blanco, however, with this record also managed to reach the 5th position on Spotify’s global chart.

Tomorrow we will see how the songs of the second night of Sanremo will do on Spotify. Certainly the festival is subversive as we have seen in other years, but this record is unlikely to be overturned, at least as far as televoting is concerned.

Image source: Spettacolo

Stay tuned to EurovisionFun for all the latest news regarding Sanremo 2022 and Italy’s participation in Eurovision 2022!