Poland: Watch the live on tape video of “River”

The live on-tape performance of the Polish entry for Eurovision 2022 has been released !

During the Jaka To Melodia? last week, the live on-tape performance of Krystian Ochman’sRiver” was shown. This appearance was essentially a backup and would be presented if Ochman or the Polish delegation did not manage to attend Eurovision in Turin.

https://www.youtube.com/watch?v=yYuUInkdWUc

This appearance was recorded at TVP Studios in Warsaw

Ochman finished in 12th place for Poland in the Eurovision grand final with the song “River”. This is the best result for Poland in the competition since 2016 when Michał Szpak finished 8th in Stockholm.

Check out Poland’s appearance in the Eurovision 2022 grand final:

https://www.youtube.com/watch?v=jRVDZ6446eM

What exactly is live on tape video?

According to what was announced, all participating broadcasters were asked to record a live performance of their participation. This recording will be delivered before the competition and will take place in a studio. The recording will take place in real time (as it would be in the Competition) without making any changes to the vocals or any part of the performance itself after the recording. There will be freedom for the delegations to present their entries as they see fit, but instructions will have been given to ensure the fairness and integrity of the competition. There will be no audience and the recording should be unique and not published before the event in May. Delegations are allowed to use similar technical capabilities and dimensions that would be available on stage in Turin, but they are also free to choose a more limited production facility. Video recordings must not contain augmented or virtual reality, overlays, confetti, drone shots, water, color use or green screen. It is the second year that live on tape videos are required from all participants. This video will be used instead of a live performance on the stage in Turin, in case that a delegation cannot travel in May or a member of the delegation falls ill with coronavirus and the first rehearsal has not taken place.

Source: Eurovoix

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Ukraine: Kalush Orchestra sell the Eurovision trophy for $900,000!

Kalush Orchestra announced through their Facebook profile that they sell their Eurovision trophy through auction for $900,000. The buyer of the trophy is the company WhiteBit, from which came the eventual winning bid.

The owners of the company are Vladimir Nosov and Oleg Kayin, from Estonia and Ukraine respectively. The company is specialised in the trade of cryptocurrency and their target is to expand the cryptocurrency community and create a safe way for blockchain trading to spread.

In the post, Kalush Orchestra share their appreciation for everyone who has taken part in the auction

In their Facebook post, Kalush Orchestra say:

Friends, you are incredible!

We are grateful to each and every one of you who has donated to this auction – especially to the WhiteBit Team who have bought the trophy for $900,000 and have since become the owners of the trophy. 🏆

Subscribe to them, they really deserve it 💪

Glory to Ukraine! Glory to the Armed Forces 🇺🇦

The funded money will go to Serhiy Prytula, according to NEXTA. Serhiy Prytula is an Ukrainian army volunteer who also coordinated the auction of the Eurovision trophy. In his self-titled foundation, he raises funds to support the Ukrainian army wherever they need help.

NEXTA also reports that the funds will be used to purchase drones for the Armed Forces of Ukraine. Kalush Orchestra also sold copies of the pink fisherman’s hat Oleh Psiuk has been wearing during the contest. The hats were for sale at $5 each, but it isn’t know how many copies are sold yet.

Source: ESCXTRA

Stay tuned to Eurovisionfun for all the news!

 

United Kingdom: Sam Ryder reaches number 2 in the UK charts!

Sam Ryder, the 2022 Eurovision representative, has reached the top of the UK’s charts with his Eurovision entry ‘Space Man’ which is currently charting at #2.

Space Man‘ has thus become the highest charting British Eurovision entry since 1996 when Gina G topped the British charts with her Eurovision entry ‘Ooh Aah Just A Little Bit‘.

Sam Ryder‘s  ESC song has become the most dowloaded song of the week in the UK this week.

Sam Ryder says:

We wanted to take on this negative Eurovision stigma in the UK – this habitual loop of cynicism and telling ourselves Europe doesn’t like the UK.

That was absolutely not the case, we don’t subscribe to that narrative whatsoever. The result gives strength to that idea. We’ve stripped away at the negativity and shone a bit of light in its place. Eurovision is my favourite thing in the world – I’m so stoked that I got to be a part of this story with my friends and my team.

Who else charted?

Meanwhile there is chart success for Ukraine’s Eurovision winners Kalush Orchestra. Their entry debuts on the UK chart at number 38. Therefore marking the second appearance of Ukrainian in the chart since Verka Serduchka in 2007 with ‘Dancing Lasha Tumbai’, peaking at number 28.

Outside the Top 40 we also have several entries in the Top 100! These are as follows:

  • 47. 🇳🇴 Norway – Subwoolfer – ‘Give That Wolf A Banana’
  • 56. 🇪🇸 Spain – Chanel – ‘SloMo’
  • 59. 🇸🇪 Sweden – Cornelia Jakobs – ‘Hold Me Closer’

As well as this, last years’ winners Måneskin have charted at 43 with latest single, ‘SUPERMODEL’.

Sam Ryder represented the UK at the 2022 Eurovision Song Contest with his entry ‘Space Man’ achieving an honourable 2nd place in the Grand Final.

tay tuned on Eurovisionfun for all the news about Eurovision Song Contest!

Source: officialcharts.com

 

Eurovision 2022: 161 Million Viewers Across 34 Countries!

The numbers are in… 161 million viewers watched the 2022 Eurovision Song Contest on television, as online engagement soars to new heights.

Across the three live shows of the Eurovision Song Contest 2022 a total of 161 million viewers watched in 34 countries where the viewing audience in measured. The contest recorded a share during the final of 43.3% of audiences, up 3 percentage points from 2021. Interest from young viewers reached 56.2% for those aged 15-24, four times the average for the participating channels.

While the overall total audience for the contest is down on the 183 million recorded in 2021, last year 29 million watched in Ukraine and Russia, two countries where data was not measured in 2022. As a result in the 34 consistent measured markets from 2021, the audience grew up 7 million viewers.

Across Europe, in 13 out of the 34 countries over 50% of the viewing audience watched the Grand Final including Armenia, Denmark, the Netherlands and the United Kingdom, Iceland once again topped the share with 96.4% of the viewing audience.

On social media the contest also grew. On TikTok a total of 189 million views were recorded on the official Eurovision account, of which 3.3 million unique viewers watched the Grand Final live. Across the week of the live shows, 42.3 million unique viewers across 232 countries and territories watched content on the official YouTube channel.

Over 8 million Tweets about the Contest were sent during the event week, doubling the record total set in 2021. In total, videos on the 4 social channels were watched over 284 million times during the week of the event.

Additionally, between 1 and 15 May the Contest’s official social media accounts generated 22 million engagement actions on posts on Instagram, Facebook, Twitter and TikTok. Content on the official Facebook page reached 24 million people with a further 13.5 million people reached on Instagram where posts were seen over 255 million times.

Executive Supervisor of the Eurovision Song Contest Martin Österdahl said:

We couldn’t be happier to see the success of the Eurovision Song Contest across all our Members’ channels and on our digital platforms this year…Once again, we have seen the enormous popularity of the Contest among young audiences, some of whom are discovering the event for the first time. The Eurovision Song Contest truly has global appeal demonstrated by the millions watching in every territory on earth and millions more interacting on social media.

Ukraine’s Kalush Orchestra has won the Eurovision Song Contest 2022 in Turin, Italy. Here’s the winner’s performance:

Stay tuned on Eurovisionfun for all the news about Eurovision Song Contest!

Source: Eurovision.tv

Australia: Sheldon Riley wins the brand new “You’re a Vision” award!

Australia wins the new You’re A Vision Award! According to the Eurovision fans, participant Sheldon Riley wore the most remarkable outfit on the 2022 Eurovision stage. The You’re A Vision Award aims to celebrate the creativity and diversity that embody the Eurovision spirit.

Sheldon Riley finished 15th in the Grand Final of the Eurovision Song Contest in Turin. In his striking and remarkable white gown, which weighs 40 kgs, he performed his song “Not the Same”. According to the fans who voted, that was enough to win the new and positively spirited You’re A Vision Award. Australia had a big lead over numbers 2 and 3, Spain and Norway. San Marino just missed out on a place in the top 3.

https://www.youtube.com/watch?v=wosfFz2FJPU

The top 3:

  1. Australia
  2. Spain
  3. Norway

The new You’re A Vision Award was announced on April 29. Striking pantsuits, dresses, costumes and other creations will forever play a crucial part of the magic of Eurovision. As a participating artist, this occasionally means taking risks and standing out involuntarily, or standing in the spotlights with a dashing fashion choice. The You’re a Vision Award celebrates this inspiring diversity and creativity. Of course it is up to the real Eurovision fans to determine whose outfit was the most notable of them all.

Stay tuned on Eurovisionfun for all the news about Eurovision Song Contest!

Source: songfestival.be

Romanian broadcaster launches online poll about the future of the country in the contest

As we previously reported, Romanian national broadcaster TVR is considering to withdraw from the contest after the announcement of EBU regarding irregular voting patterns of 6 national juries in the semi-final, including the Romanian jury.

As part of the show which TVR will broadcast tonight called Referéndum, the broadcaster has launched an online poll, asking audience to vote if they want Romania to participate again in Eurovision.

 

As of the time these lines are written, more than 5800 have voted and the results so far are:

YES – 53%

NO – 38%

DONT KNOW/DONT CARE – 7%

 

The poll and whether Romania should participate in Eurovision 2023 will be discussed on Monday 23rd of May at 9Pm on TVR 1. You can watch the show live through the video below:

 

Do you think Romania will take part in Eurovision 2023? Tell us in the comments!

Cyprus: Lowest audience in over a decade for Eurovision 2022

RIK saw a “record” of low viewing figures in Cyprus for this year’s Eurovision Song Contest, with the lowest numbers in over a decade.

Less than 100,000 viewers tuned in to the second semifinal, in which Cyprus participated, but also to the Grand Final. Specifically, 81,080 viewers watched the second semifinal, from which Cyprus failed to qualify, 27.1% less than the corresponding semifinal last year. Similar numbers were recorded in the Final, with 80,430 viewers tuning in and with the huge 53.8% decrease from last year’s Final.

The previous lowest percentage of viewers for a Eurovision Grand Final was recorded in 2013, with 125,000 viewers.

Andromache with the song Ela represented Cyprus in Eurovision 2022, failing to qualify to Saturday’s Grand Final and finishing in the 12th place in the second semifinal.

https://youtu.be/W2IUdTl-gAI

Source: AGB Cyprus

President and CEO of TV Romania: I will support not to participate in Eurovision and the option of suing EBU!

The President and CEO of TVR announced on Friday evening that he will support the TVR’s governing bodies to stop public television from participating in Eurovision. Dan Cristian Turturică is also considering the option of suing EBU and claiming damages for image damage.

The reaction of the president-general director of TVR comes after this year’s Eurovision scandal: EBU claims that there would have been voting irregularities in the case of six countries, including Romania.

TVR disapproves of the way in which EBU handled the situation generated by the votes cast by the national juries, on the occasion of the semifinals and final of the Eurovision 2022 contest.

In his personal profile at social media mr Dan Cristian Turturica, posted the following photos of the jury voting of three more countries, in order to prove that more countries voted in a strange way:

You can read the latest statements from each of the broadcasters at the links below:

Source: TVR

Romania: Threatens to withdraw from Eurovision Song Contest after response to juries voting irregularities

TVR is threatening to withdraw from the Eurovision Song Contest, after the EBU’s response to irregular voting patterns from six juries in the second semi final of Eurovision 2022, including Romania.

The Romanian broadcaster is threatening to withdraw from the Eurovision Song Contest due to the damage that the EBU’s response to jury voting at the Eurovision Song Contest 2022. The Romanian public broadcaster is also stating it is considering legal actions against the European Broadcasting Union!

The Romanian broadcaster joins other broadcasters in arguing that Sweden, Australia and Belgium also voted for each other, the full examples cited can be seen on the TVR website.

The three countries cited voted as follows:

  • Sweden awarded: 12 points to Australia, 8 points to Belgium
  • Australia awarded: 12 points to Sweden, 8 points to Belgium
  • Belgium awarded: 10 points to Sweden, 8 points to Australia

TVR disapproves of the way in which the European Broadcasting Union (EBU) handled the situation generated by the votes of the national juries during the semifinals and the final of the Eurovision 2022 competition votes were divided in a way that raised suspicions.

While some countries have been penalized, the jurors’ grades have been replaced by EBU grades – through a so-called non-transparent “algorithm”, which in turn raises suspicions – for others no sanctions have been applied. Worse, they received additional points, directed by the EBU on behalf of the penalized countries (details at the end of the press release).

The impact of these suspicions on the competition and on the reputation of the sanctioned televisions could have been completely eliminated if the EBU had communicated its concerns to the parties involved as soon as they were observed, ie on Wednesday, 11 May, after the second semi-final for the jury.

Had the EBU communicated to the delegations the notes given by the jurors of the six countries the day after the vote and convincingly explained the existence of an “irregular voting pattern,” TVR would have had time to react to promptly investigate the allegations and correct the situation, if any.

In this way, on Thursday, May 12, we could eliminate any suspicion that hovered over the votes given by the jurors during the second semifinal, and during the gala, for the public, the finalists could be announced based on the notes of the jurors, not on those generated by the “algorithm.”

However, this would have been possible only if the EBU had treated TVR as a real partner and had taken into account the fact that the Eurovision Regulation is the one that gives full independence to national juries and that televisions can neither find out nor influence the scores. granted by jurors, than long after they were sent to the EBU. Thus, TVR did not find out until after the final the way in which the Romanian jurors voted in the semifinals.

Unfortunately, because the EBU decided to send us the relevant information only after seven days, all we could do was ask the Romanian jury for official explanations, “post-factum,” on the vote in the second semifinal. Even in this context, in which we have already been tried and sanctioned, without being given the opportunity to defend ourselves, TVR will collaborate with all other sanctioned televisions to find out if the reported irregularities were the result of an attempted fraud.

Another point to note is that the EBU has prevention and control mechanisms. When there is a suspicion of a jury, it may send observers to oversee the voting process. This is what happened this year when the EBU decided to send observers to two of the six sanctioned countries.

The conclusion of the observers was that the vote was regular and they did not report any misconduct or attempted fraud. This is one of the reasons why at the beginning of the final audition for the public, the EBU representative announced that all the votes cast by the jurors are valid.

In the case of these countries, the organizers did not report “irregular voting patterns.” Moreover, they were given the most points awarded, by “algorithm”, from the countries sanctioned for voting among themselves. Of the six countries accused of having an onerous deal to reach the final, only three succeeded. Of the three countries that received points by “algorithm” from sanctioned countries, all managed to enter the final.

The incomprehensible attitude of the EBU towards TVR, a traditional member of this organization, which deserves to be treated with respect, is also underlined by the fact that the Eurovision organizers chose to lie during the transmission of the final results of the competition. When it was Romania’s turn to announce the result of the jury’s vote, the organizers invoked a non-existent technical problem to present the notes provided by the “algorithm.”

We reiterate what we said in our first statement: there was no technical problem! Eda Marcus was ready to go live, and the connection worked perfectly. The only reason we were forbidden to announce the vote of the Romanian jury, which had awarded 12 points to Moldova, was that we refused to accept the score imposed by the EBU.

Following the situation created and the image damage brought to the public television, the TVR representatives consider the withdrawal of Romania from the future editions of Eurovision and the action in court of the event organizers.

The full statement can be read here.

The six countries whose jury votes were removed from the contest and replaced by the EBU with results based on previous voting patterns are: Azerbaijan, Georgia, Montenegro, Poland, Romania and San Marino.

You can read the latest statements from each of the broadcasters at the links below:

Source: TVR

San Marino: SMRTV’s press release on the alleged irregularity in the judges’ vote!

A few moments ago, San Marino’s broadcaster SMRTV issued a press release on yesterday’s EBU announcement on the irregularity in the voting of the six-countries jury. SMRTV is the sixth and last broadcaster from the countries involved to react to the cancellation of its jury vote.

SMRTV’s press release states the following:

EBU changes the vote of San Marino which had given 12 points to Italy.

As for the EBU press release on the alleged voting irregularities that would have occurred during the Eurovision just ended, San Marino RTV specifies that it has always remained in contact with EBU and considered EBU the only interlocutor until yesterday’s release in the late afternoon.

The statement was not shared despite the fact that RTV – and the other 5 countries involved – are active members of the consortium. It is important to underline this because the way in which EBU has moved in this affair seems in our opinion a bit authoritarian rather than inspired by the associations that instead guide and regulate the relations between EBU members. We have already pointed out to EBU our disappointment with the way and we are not referring to just the press release that has just come out.

When asked if EBU believed the suspicions of voting irregularities to be 100% founded, the answer was no. When asked if EBU had noticed that a group of countries in the second semifinal would apparently have exchanged 12, 10, 8, 7 and 6, the answer was no. When asked why the canceled votes of San Marino and the other 5 suspected countries were all given to Sweden (who were given 72 points) and Australia (60 points for her) the answer was because “they had the best songs.”.

Nothing makes us think our jurors voted for something they didn’t like. Their – and ours – 12 to Italy was replaced by EBU with a 12 to Spain. We asked how this new vote was “calculated” but we have not been given a precise answer. We know Eurovision and have been collaborating with them for years, we continue to believe in institutions and in the competition and we cheer for the best, even if it doesn’t always have the best song.

Achille Lauro represented San Marino in Eurovision 2022 and with “Stripper” he came in 14th place in the second semi-final. You can listen to his entry here:

https://www.youtube.com/watch?v=vCmX64N_sXM

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SourceSMRTV