Spain: Will Cesar Sampson compose Famous’ song for Eurovision Gala?

Cesar Sampson the Austrian representative in the last Eurovision Song Contest, was asked from him fans, if he is interested in writing Famous’ song for the Eurovision Gala in Operacion Triunfo 2018 and as you will see in his answer did not rule it out … Read more

Sweden: Which artists are competing in Melodifestivalen 2019?

Even though Melodifestivalen‘s first semifinal is on February 2 in Gothenburg, Swedish media are already making their own predictions and estimations of the artists who are likely to or almost certain to compete and represent Sweden in Eurovision 2019. Read more

Russia: Dimitris Kontopoulos and “Dream Team” for Eurovision 2019

Dimitris Kontopoulos’s birthday was today and Philipp Kirkorov wished him on his Instagram page. Philipp Kirkorov in his post, confirmed that Dimitris Kontopoulos will be the composer of the Russian entry in Israel. Read more

Cyprus: Which artist, besides Tamta, is targered for Eurovision 2019?

Following the news that the local tv channel Alpha Cyprus revealed about CyBc’s interest in Tamta, today we reveal to you who other artist is in the target of Cypriot public television to represent the island of Aphrodite in Eurovision 2019. Read more

Greece: After the appointment of the new ERT’s CEO the decisions for Eurovision 2019

ERTis now without administration and has a board that can no longer meet and take decisions, because of the latests resignations. EurovisionFun asked ERT about the impact of all this situation on the Eurovision 2019 project and when we will have the official announcements for the method, the Greek broadcaster will use to select its entry for next year’s Song Contest. Read more

Russia: Confirmed participation for Eurovision 2019

Although there were no doubts for the opposite, the Russian broadcaster, VGTRK (RTR), confirmed it’s participation for Eurovision 2019. After Russia’s confirmation, only San Marino and Moldova have not confirmed their participation, from this year’s participating countries. Read more

Will we see Eleni Foureira in Eurovision 2019?

Greek magazine TV Ethnos reports today, that Eleni Foureira will appear as a guest at the next Eurovision Song Contest in Israel.

There are no more details, such as whether we will see her in the final or in one of the semifinals, or whether she will appear on her own or with an other artist.

The great success of Elena Foureira and Fuego, especially among the fans of the contest, seems to have prompted the organizers to make that decision. However, if we see Eleni Foureira at Eurovision 2019, this will be the first time that a host country calls as guest the runner up of the previous contest.

Eleni Foureira, in the past few days, has been in Madrid, performing at the Los 40 Music Awards. She sang a different version of Fuego, equally impressive as the original.

The popular Greek artist, received also a platinum record for the sales of Fuego in Spain.

Would you like to see Eleni Foureira again on the Eurovision stage as a guest?

Both ERT and CyBc proposed Tamta for Eurovision 2019 – Who is the composer of the Cypriot entry?

Αccording to Alpha Cyprus, a local tv channel, both Greece and Cyprus proposed Tamta to represent them at the forthcoming Eurovision Song Contest in Tel Aviv, yet the famous singer has given no reply to both of them.

A point of division between Greece and Cyprus

Both ERT and CyBc want Tamta to represent them at the contest, with the latest being silent at the moment. As the channel states, the following days will be crucial for CyBc to deal with one of the most lovable artists in both countries. Greek and Cypriot eurofans are willing to see Tamta stepping on the Eurovision stage, thus being the second year in a row for Cyprus to be represented by such a big artist.

We shall remind you that Tamta, as herself has stated, was asked to sing Fuego after Helena Paparizou’s rejection and before Eleni Foureira took the crown.

Exclusive – Who will compose the Cypriot entry?

Reading it from our site for the very first time, it is most certainly that Alex Papaconstantinou will be the composer of the Cypriot entry in 2019. This is the third time Alex Papaconstantinou collaborates with CyBc, after composing the Cypriot entry back in 2012 La La Love sang by Ivi Adamou, and in 2018 Fuego sang by Eleni Foureira.

If Tamta will be impressed by the suggested song and agrees to participate, will be known in the following days. The truth is, after two head members of the Greek broadcaster resigned from their positions (read more from our colleagues in escxtra) and the following steps of ERT being unknown, it seems easier for Tamta to choose the Cypriot proposal.

We shall stay calm as nothing is official yet, while the following days might not turn how we would like them.

Would you like to see Tamta in Eurovision? Which proposal seems better for Tamta to choose?

Eurovision Grand Final Running Order; Can the qualifying place plays a decisive factor?

From 2013 onwards, field experts, and being approved by the EBU, determine the running order both in the semifinals and the final.

Christen Bjorkman, the key man for the major changes that have been made to Eurovision in recent years – including defining the running order – states that the strongest factors allocating the countries is the genre of the song and its tempo, as well as the colours of the act, whether it is a male/female/band/solo/etc., even the language of the song, the emotion of each song, as well as the time it takes to prepare the props on stage used by the participants.

In this article, we will deal extensively with the Grand Final’s running order and our aim is to answer the question of whether the semi-final qualifying place of the countries is a decisive factor to allocate the countries in the Final.

At the same time, we will try to see if the running order can help countries succeed or fail in the final (excluding the BIG-5 countries and the host country) by combining the running order and the final place, and whether this is taken into account when allocating countries, but also which position has been the most successful in recent years.


How does the qualifying place in the semi-final correlate with the Final’s Running Order decision?

While the semi-final qualifying place at the Grand Final is unknown to us, the team knows the results in detail. When announcing which 20 countries qualify for the Grand Final (10 from each semi-final), the team is asked to allocate the countries how they will appear in the Grand Final.

By studying more closely the distribution of the countries in the Grand Final, we see that there is some correlation with their qualifying place. For a better understanding of the research, it is important to separate the running order. Specifically, we held both halves as the organisers (the first half positions 1-13 and the second half positions 14-26).

Picture 1: Grand Final running order (2013-2018)

Based on the above image, we see that there is a uniformity in the running order along with each country’s qualification place. That is, the first 4 places are countries that finished mainly in 3rd to 9th place in their semifinals.

At positions 5, 6 and 7 there are countries that have finished in the top five of the semifinals. It is worth noting that no semifinal winner appeared in the first 6 positions of the Grand Final.

In the 8th, 9th and 10th positions, countries finished from 7th to 10th, while positions 11 to 13 are the countries that finished either in the first two places of the semifinals or in places 6th to 8th.

For the second half, in the places 14-17 there are countries that finished in the semifinals between 4th and 10th, while from positions 18th to 22nd are countries that finished in the top5 of the semi-finals.

In the 23rd place, there are countries that finished outside the top3, while in the 24th and 25th positions are also countries that finished in the top5. Bad news for the countries that appear at the 26th and last position, as 2 out of the 3 countries have marginally passed the semi-finals (8th-10th place).

In the table below (Table 1) one can see the running order per year and the average qualifying place of each position.

Running Order

2018

2017

2016

2015

2014

2013

Average Qualifying Place

1

6

3

3

5

5

4.4

2

9

9

5

9

8

3

8

9

5

3

9

4

6.33

4

9

7

4

3

8

9

6.67

5

4

7

7

6

6

6

5

4

7

2

5

4.6

7

1

2

7

7

4

10

5.17

8

2

5

9

7

7

6

9

4

8

4

5.33

10

9

10

1

7

2

5.8

11

1

6

1

2.67

12

8

8

6

7

7.25

13

8

1

2

2

6

3.8

14

3

6

8

5

5.5

15

5

10

10

6

6

7.4

16

4

4

9

5.67

17

10

5

10

10

8

8.6

18

7

1

8

3

1

4

19

3

5

2

6

4

20

2

6

8

5

4

1

4.33

21

10

2

3

2

4.25

22

1

3

8

9

3

4.8

23

7

4

9

4

6

24

6

3

7

10

1

3

5

25

2

1

1

10

10

4.8

26

2

10

8

6.67

It is impressive that, while position 17th was the most lucky position after giving the victory to 3 countries from 2000 to 2012, we notice that from 2013 onwards, it has taken a slump and is considered the worst position based on the Average Qualifying Place (8.6), but at the same time being the second worst position in the Average Final Place (19.7).


How does the running order help countries to repeatt their success they had in the semi-finals?

Many times, we compare the results between semifinals and finals, seeing where a country ended up in the semi-final and how it ended up in the final’s scoreboard.

Sometimes we have seen countries that have done well in the semifinals, but have sank in the final, and we have seen countries that have barely qualified but had a very good place in the final.

How can the running order relate to this imbalance? Can the running order determine the success or the failure of a country in the final in relation to its qualifying place?

In order to detect this percentage, it was necessary to subtract the Final Place from the Qualifying Place, and based on the result, determine which point would be the point of success/failure from the equation.

For the present analysis, the point was -5, that is, any position with a deviation equal to or less than -5 would appear to be successful (=<-5) – e.g. One country qualified in 8th place and finished 15th, so the result is -7 and it is considered a failure. Thus, we have collected the most successful results every year and are as follows (where “-” it means that a BIG-5 country or the host country performed on that position and was not considered):

2018

2017

2016

2015

2014

2013

13

5/5

100%

25

4/5

80%

21

3/4

75%

24

4/6

66%

11

2/3

66%

16

2/3

66%

9

2/4

50%

12

2/4

50%

20

3/6

50%

5

2/4

50%

14

2/4

50%

6

2/5

40%

8

2/5

40%

10

2/5

40%

15

2/5

40%

17

2/5

40%

18

2/5

40%

22

2/5

40%

4

2/6

33%

7

2/6

33%

26

1/3

33%

19

1/3

33%

23

1/4

25%

1

1/5

20%

2

0/4

0%

3

0/6

0%

As we can see in the above table (Table 2), position 13 is the most successful position, since, in all the countries that passed the semi-final process, their final place was up to -5 places below their qualifying place. For example, if a country qualifies in 5th place and appears 13th, the worst place it could take is up to 5 places below, ie 10th.

On the other side, the first 3 positions are, based on statistical data, the most unsuccessful positions, while positions 2 and 3 gather 0% chance to achieve a place equal to or less than 5. For example, if a country qualifies in 8th place and appears in positions 2 and 3, it is certain that its final position will be 14th or below.

We can not ignore, of course, that there were cases where the deviation had a positive sign.

Position 11 retained the same Qualifying Place on the Finals Scoreboard twice (33% – on both occasions, they were winners of the Semi Finals that won the Final, 2014 and 2017). 2 times (33%) also the position 22, where in one case it retained the Qualifying Place (2013) and the other improved the Qualifying Place by 1 on the scoreboard (in 2016 where the country won the final), while the 5, 7, 8, 10, 18, 23 and 25 retained or improved the qualified place (16.6% each).

In fact, we notice that the positions above (5, 7, 8, 10, 11, 18, 22, 23 and 25) are the only positions that have, over the past 6 years, maintained and/or improved the outcome of the country in the Final Scoreboard even once.


Which position in the running order shows the smallest deviation of average qualifying place and final’s place?

In order to answer this question, we had to subtract the final place of each country from its qualifying place and then the average of each position to be taken out.

Running Order

2018

2017

2016

2015

2014

2013

Total Average of all years

13

-5

-1

-2

-1

-3

-2.4

24

-10

-2

-6

-2

-1

-1

-3.7

21

-11

1

-2

-4

-4.0

25

0

-1

-1

-14

-5

-4.2

9

-4

-6

-4

-4.7

11

0

-16

0

-5.3

8

-6

1

-1

-12

-9

-5.4

20

-5

-1

-7

-10

-9

-1

-5.5

12

-3

-6

-2

-11

-5.5

5

1

-11

-12

-2

-6.0

18

-7

-2

-15

-8

0

-6.4

14

-3

-3

-13

-8

-6.8

15

-4

-9

-8

-13

-1

-7.0

22

0

-9

-12

-14

0

-7.0

7

-14

-1

-7

-11

0

-10

-7.2

6

-3

-7

-9

-10

-7

-7.2

10

-10

-10

0

-13

-3

-7.2

23

-11

0

-11

-7

-7.3

16

-16

-5

-4

-8.3

4

-3

-9

-13

-4

-7

-15

-8.5

3

-14

-8

-6

-6

-13

-7

-9.0

19

-7

-16

-4

-11

-9.5

1

-11

-20

-7

-9

-1

-9.6

26

-5

-7

-18

-10.0

17

-15

-5

-13

-15

-2

-10.0

2

-13

-16

-11

-13

-13.3

Sorting the table (Table 3) based on the total average of all years per position and so the Final Place does not deviate too much from the Qualifying Place, we see that position 13 has a -2.4 variance (around 2 to 3 places). That is, if a country appears 13th, there is a probability that the final place will have a -2.4 deviation from its qualifying place.

For example, considering the Average qualifying place per position, if a country qualifies 4th and appears at position 13, it is likely that its final place will be as low as 6th or 7th. Based on Table 2, the chances of a country benefiting from the example above are 100% likely to achieve such result.

Instead, position 2 gives the highest Average qualifying place of all years, at -13.3 (around 13 places). That is, if a country qualifies in the 8th place and performs 2nd in the Final, it is highly probable that its final place will be around 13 places below (close to 21st). Based on Table 2, position 2 has a 0% probability of maintaining or improving a country’s qualifying place, then the chances of finishing around 13 positions below the qualifying place are extremely high, almost certain.


In conclusion, we can see that the qualifying place may eventually be an important factor in the running order, according to which the countries are evenly distributed in the Grand Final.

Countries that finished in the top five of the semifinals appear in the middle and towards the end of each half, while the countries that finished in the bottom five (6th-10th) are filling the gaps, while some countries, in a combination with their position, managed to repeat or even improve the result they achieved in the Semi-Final.

This may be partly justified by the fact that songs that are considered as “favorites”, but also countries that have impressed in the semifinals, do not appear one after another in case of a random allocation, but in different positions from the beginning to the end of the final, hence increasing the interest throughout the final night.

In an interview, Christen Bjorkman said efforts are being made to pop out a song and become the diamond it should be. However, we understand that the trophy can only be won by one country, and therefore, knowing in advance who has the strongest possible package to claim the victory, not to try to deprive it in case of a poor position in the Final – without meaning that they promote it to win.

Do you think these statistics are just random numbers and have nothing to do with reality? Is it important to know the statistics and act likewise? Tell us your opinion.

Eurovision 2019: Tender for the postcards has opened

In a recent post of Israel Hayom, it is said that tender process for the postcards of Eurovision 2019 in Tel Aviv has opened, while the deadline is on October 28th.

The winner, according to the newspaper, will have to research for each performing artist, select the appropriate locations and will be responsible about the makeup, outfits and hair.

In addition, the tender requires that senior staff, such as the director, the creative manager and the photographer will have experience with at least ten similar productions, and the producer must have produced at least 3 productions in the last three years, all with a minimum budget of about €1,200,000 (5,000,000 ILS).

If the pilots send to KAN and EBU get approved, shootings will take place between January and March, with the overall budget reaching up to €750,000 (3,000,000 ILS). The newspaper also states that KAN, besides the usual postcards, plans to create a 5-minute clip with all the artists.

What are the postcards?

Postcards are the short-length videos shown before each performance, which give the opportunity for technicians to prepare the stage, plus, to the commentators to provide information about the act that follows.

They usually show landmarks of the hosting countries or/and the representatives themselves visiting these landmarks. The increased interest shown by the fans for the postcards, has led the hosts to try, in any imaginative way, present them.

Also, the official account of the contest on Youtube publish each postcard for those who want to re-watch them, while many fans are ranking them from their least to most favourite postcards.

Source: Israel Hayom, eurovision.tv