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EBU: The Catalan broadcaster application to enter EBU was rejected

TV3’s request to become a member of EBU was rejected. The local broadcaster had applied for membership in order to be able to participate in the European Song Contest as an independent broadcaster.

In a letter from the CCMA (Catalonian Corporation of Visual Media) to EBU Vice President Núria Llorach i Boladeras, was declared:

“As you know, the Board of Directors of May 2018 (as decided by the EBU General Assembly in June 2018) concluded that the CCMA does not meet the requirements to become a member of the EBU, since it is not neither a member of the International Telecommunication Union nor a member of the Council of Europe as defined in Article 3.3 of the EBU. The CCMA is a local Spanish broadcaster, failing to comply with Article 3.4, in relation to the “national character and importance” of the EBU Statute “

In its request, the Catalan broadcaster cites several reasons to be taken into account, including references to other broadcasters, such as RTBF (the Belgian-speaking broadcaster) and S4C (the UK-based broadcaster), in which the EBU replied:

“When a country has two or more linguistic areas, the EBU Regulation on detailed eligibility criteria refers to each region separately. The ARD in Germany, the SRG SSR in Switzerland, the VRT and RTBF in Belgium and the S4C in Wales support the territorial characteristics of their respective countries and all comply with the principles stated by the EBU “

EBU also added a number of arguments for each of the members mentioned and provided additional information on the political structure of Spain. In essence, Spain’s administrative division, which is not structured as federations / confederations, blocks the entry of the CCMA into the EBU.

 

Eurovision 2020: The contest so far or “The Good EurovisionFun’s Calendar”

With 160 days left for the biggest celebration of music, less than half a year, the interest in the entire european continent begins to peak. It also contributes to this, in addition to breaking the 12-month mark as we are already halfway through, the fact that as December is moving forward,the first national final,that of Albania is going to take place which means that we can officially talk about the beginning of the key processes: artist and song!

Across the European continent, the participating countries and their public broadcasters are preparing feverishly for the finding of the best act and the most impressive appearance in general.

ESC 2020, as is well known, will take place on 11-16 May 2020 in Rotterdam, the Netherlands with the two semifinals taking place on 12 and 14 May,respectively and the grand final on Saturday 16 May at Ahoy Stadium. We also recently learned about this year’s Euroclub venue, which will be Maassilo. Our slogan for this year is “Open Up” and this year’s logo is as below:

Image result for open up eurovision

In addition, the first pictures of the stage were released as well as details of its construction and the event’s setting up while the creative team that will lift the burden of this year’s semi-finals and grand final was announced. The stage was designed by Florian Wieder and the composition of the creative team is as follows:

  • Eric van TijnMusical Director 
  • Gerald van WindtChoreographer
  • Natasja Lammers–  Choreographer
  • Sietse Bakker-Head of Show
  • Twan van NieuwenhuijzenHead of Contest
  • Marnix Kaart–  Show Director
  • Marc PosShow Director
  • Florian Wieder- Designer

-Participating countries

Although the deadline for broadcasters’ submitting applications  – substantially, countries  – has expired in October, EBU only in mid of November, released the official list of participating countries. So, 41 countries,will parade on Ahoy’s stage this year and more specifically, :

  1. Albania (RTSH)
  2. Armenia (AMPTV)
  3. Australia (SBS)
  4. Austria (ORF)
  5. Azerbaijan (ICTIMAI)
  6. Belarus (BTRC)
  7. Belgium (VRT)
  8. Bulgaria (BNT)
  9. Croatia (HRT)
  10. Cyprus (CYBC)
  11. Czech Rep. (CT)
  12. Denmark (DR)
  13. Estonia (ERR)
  14. Finland (YLE)
  15. France (FT)
  16. Germany (ARD/NDR)
  17. Georgia (GPB)
  18. Greece (ERT)
  19. Ireland  (RUV)
  20. Iceland (RTE)
  21. Israel (IPBC/KAN)
  22. Italy (RAI)
  23. Latvia (LTV)
  24. Lithuania (LRT)
  25. Malta (PBS)
  26. Moldova (TRM)
  27. Netherlands (AVROTROS)
  28. North Macedonia (MKRTV)
  29. Norway (NRK)
  30. Poland (TVP)
  31. Portugal (RTP)
  32. Romania (TVR)
  33. Russia (Channel One)
  34. San Marino (RTV)
  35. Serbia (RTS)
  36. Slovenia (RTVSLO)
  37. Spain (TVE)
  38. Sweden (SVT)
  39. Switzerland (SRG SSR)
  40. Ukraine (UA:PBC)
  41. United Kingdom (BBC)

Together with us in Rotterdam this year there will be two countries abducted last year (Bulgaria and Ukraine), while we will not see two others (Hungary and Montenegro) which travelled traveling to Tel Aviv last year.

Of these, 35 will split and compete in the two semifinals, with only ten of each semifinal qualifying for the grand final where they will meet the host countries and the Big 5 (France, Germany, Italy, Spain and the United Kingdom),as they qualify directly to the final. So in total we will see 26 countries claiming the grand prize.

Artist and song: The crucial choice

As time goes on, the key question, of course, that concerns all Eurofans across Europe is “who and what”! Who will represent each country and with what song? There are basically two options for this choice: internal selection (by the broadcaster) and national final (which includes active public participation). There is no EBU rule for this choice, and each country is free to choose, without necessarily having a regular method.

In view of the above, let’s have a  look in detail at the information available to us so that each of the 41 participating countries will choose to participate this year*:

        NATIONAL FINAL                      DIRECT ASSIGNMENT            NO INFORMATION
ALBANIA AUSTRIA AZERBAIJAN
ARMENIA BELGIUM BELARUS
AUSTRALIA BULGARIA NORTH MACEDONIA
CROATIA CYPRUS POLAND
DENMARK GERMANY SAN MARINO
ESTONIA IRELAND
FINLAND MOLDOVA
FRANCE** SWITZERLAND
GEORGIA GREECE
ICELAND NETHERLANDS
ISRAEL SPAIN
ITALY*** United Kingdom
LATVIA CZECH REP. (on-line voting)
LITHUANIA RUSSIA
MALTA
NORWAY
PORTUGAL
ROMANIA
SERBIA
SLOVENIA
UKRAINE
SWEDEN

 

So, it seems from the above table that:

-22 countries will hold national final

-14 will select internally and

– for 5 more we have no data

* Of course, it should be noted here that the above data can at any time change and some countries may change the designation for this year’s selection.

**France used the national final “Eurovision Destination” last year to select its representative and it looks like it will do the same this year. However, the information we receive from France 2 is ambiguous and there is a high likelihood of making an internal selection this year.

***Italy uses for the selection of its representative the famous San Remo festival, which is also the ancestor of ESC, but it is not compulsory the winner of this festival to represent the country in Eurovision as well.

To date, the artists we know are:

-Spain: Blas Cantó

-Belgium: Hooverphonic

-Cyprus: Sandro Nicolas

-Bulgaria: Victoria Georgieva

In the last hours, there are also rumors that Austria will choose Vincent Bueno.

Save the dates!!!!

But let’s look in detail now, especially as since December we are getting into full Eurovsion mood, the key dates by country regarding the selection procedures for this year’s contestants, so as not to miss any critical developments for your beloved country and our beloved contest.

Let’s start with the the countries that will choose through a national final:

1.Albania: 22 December- Final Fik 58 (traditionally, the first country with a national final which decides)

2.Armenia: 31 December- End of entries submission at “Depi Evratesil”

3.Australia: 8 February- Final “Eurovision: Australia Decides” 

4.Croatia: 29 February- Final “Dora”

5.Denmark: 7 MArch- Final “DMGP” (Dansk Melodi Grand Prix)

6.Estonia: 13 & 15 February-Semifinals “Eesti laul”

29 February-Final “Eesti Laul”

7.Finland: 21 January-Finalists announcement, UMK 2020 (Uuden Musiikin Kilpailu)

9 March- Final UMK 2020

8.Georgia: Final “Georgian Idol” in late December (if the last year’s nine-week format will be followed)

9. Iceland: January-Announcement of 10 finalists, Söngvakeppnin 2020

8 & 15 Februatry-Semifinals öngvakeppnin 2020

29 February-Final  Söngvakeppnin 2020

10.Israel: HaKokhav HaBa L’Eurovizion (Rising Star) is already being aired but no date for Final announced

11.Italy: 4 February-10 first Campioni present their entries at San Remo Festival

5 February- 10 next Campioni present their entries at San Remo Festival

6 February-Cover night for all 20 Campioni

7 February-2η Cover night

8 February-Final San Remo Festival

12.Latvia: 8 February-Final “Supernova 2020”

13. Lithuania: 8 December-End of entries submissions at Eurovizijos Atranka 2020

14. Malta: 8 February-Final “X Factor 2020”

15. Norway: 11 January- 1st Semi final “Melodi Grand Prix 2020”

18 January- 2nd Semi final “Melodi Grand Prix”

23 January- 3rd  Semi final “Melodi Grand Prix”

1 February- 4th  Semi final “Melodi Grand Prix”

8 February- 5th Semi final “Melodi Grand Prix”

15 February- Final “Melodi Grand Prix”

16. Portugal: 22 & 29 February- Semifinals Festival da Canção 2020

7 March- Final Festival da Canção 2020

17. Serbia: 9 December- End of entries submissions at Beovizija 2020

18. Sweden:  1 February- 1st Semifinal Melodifestivalen

8 February- 2nd Semifinal Melodifestivalen

15 February- 3rd Semifinal Melodifestivalen

22 February- 4th Semifinal Melodifestivalen

29 February- Second Chance Melodifestivalen

7 March- Final Melodifestivalen

19. Ukraine: 22 February- Final Vidbir

So far,we have no information on the course of their national finals from France, Romania and Slovenia.

As far as the countries that will internally select, we have the artist only from Belgium, Spain, Bulgaria and Cyprus.

The “good EurovisionFun” calendar!

MONTH                                        DAY                                   COUNTRY                                   EVENT
DECEMBER 9 Albania  Song release Festivali i Këngës
19 Albania 1st show Festivali i Këngës
20 Albania 2nd show Festivali i Këngës
22 Albania Final Festivali i Këngës
JANUARY 6 Czech Rep. Artists announcement for the internal selection 
11 Norway 1st show Melodi Grand Prix
13 Czech Rep. Songs release  for the internal selection
18 Norway 2nd show Melodi Grand Prix
21 Finland Artists announcement for UMK 2020
25 Norway 3rd show Melodi Grand Prix
28 ESC 2020 Tel Aviv Delivery Ceremony in Rotterdam
28 ESC 2020 Semifinals Draw
FEBRUARY 1 Sweden Α΄Semifinal Melodifestivalen
1 Norway 4th show Melodi Grand Prix
4 Italy 1st show San Remo Festival
5 Italy 2nd show San Remo Festival
6 Italy 3rd show San Remo Festival
7 Italy 4th show San Remo Festival
8 Australia Final Eurovision: Australia Decides
8 Sweden Β΄Semifinal Melodifestivalen
8 Norway 5th show Melodi Grand Prix
8 Iceland 1st Semifinal Söngvakeppnin
8 Ukraine 1st Semifinal Vidbir 2020
8 Malta Final X factor 2020
8 Italy Final San Remo Festival
8 Latvia Final Supernova 2020
13 Estonia Α΄ Semifinal Eesti Laul 2020
15 Sweden 3rd show Melodifestivalen
15 Estonia Β΄ Semifinal Eesti Laul 2020
15 Iceland 2nd Semifinal Söngvakeppnin
15 Ukraine  2nd Semifinal Vidbir 2020
15 Norway Τελικος Melodi Grand Prix
22 Sweden 4th  show Melodifestivalen
22 Portugal Α΄ Semifinal Festival da Canção 2020
22 Ukraine Final Vidbir 2020
29 Sweden “Second Chance” Melodifestivalen
29 Portugal Β΄ Semifinal Festival da Canção 2020
29 Croatia Final Dora 2020
29 Estonia Final Eesti Laul 2020
29 Iceland Final Söngvakeppnin 2020
MARCH 7 Denmark Final Melodi Grand Prix 2020
7 Sweden Final Melodifestivalen 2020
7 Portugal Final Festival da Canção 2020
7 Finland  Final Uuden Musiikin Kilpailu 2020
9 ESC 2020 End of deadline for songs submissions 
9 ESC 2020 Head of delegation Meeting
APRIL 4 ESC 2020 Eurovision in Concert, Amsterdam
10 ESC 2020 Eurovision Pre-Party, Madrid
27-16\5 ESC 2020 Stand-in Rehearsals
MAY 10 ESC 2020 Red Carpet Show
12 ESC 2020 A΄ Semifinal  ESC 2020
14 ESC 2020 B’ Semifinal ESC 2020
16 ESC 2020 Final ESC 2020

 

Meantime, Eurovision  2020 Committee in Rotterdam unveiled  on Wednesday the three hosts of the shows, the presenters of the two semifinals and the grand final which are: Edsilia Rombley, Chantal Jansen and Jan Smit.

 

Finally, regarding the heads of national delegations, we should note here that we still have no information on the issue except from three resignations, that of Czech Jan Bors,Italian Nicola Caligiore and French Steven Clerima,with two of them having already been replaced (Czech Rep-Cyril Hirsch and France-Alexandra Redde). Also, the German Head of delegation had been replaced after his retirement and Alexandra Wolfslast took his place. Also, the first Meeting  of the Referrence Group has taken place on November 11-12, with two more meetings already scheduled for January 27 and March 8.

As far as the tickets concern, the first of three waves of tickets for the 65th edition of the Eurovision Song Contest will begin on Thursday, December 12th, 12:00 pm CET. The 2nd and 3rd wave will take place in late January and mid March respectively. Exact dates are expected to be announced at later time. Read all the details about the ticket HERE.

So slowly starting our long journey to Rotterdam, the situation is shaped as follows:

COUNTRY

            ARTIST

                 SONG    

SELECTION METHOD

Albania (RTSH) National Final

“Festivali i Këngës 2019”

Armenia (AMPTV) National Final

Depi Evratesil

Australia (SBS) National Final

Australia Decides

Austria (ORF) Internal Selection
Azerbaijan (ICTIMAI) ?
Belarus (BTRC) ?
Belgium (VRT) Hooverphonic Internal Selection
Bulgaria (BNT) Victoria Georgieva Internal Selection
Croatia (HRT) National Final

“Dora 2020”

Cyprus (CYBC) Sandro Nicolas Internal Selection
Czech Rep. (CT) On line voting
Denmark (DR) National Final

Dansk Melodi Grand Prix 2020

Estonia (ERR) National Final

Eesti Laul 2020

Finland (YLE) National Final

“Uuden Musiikin Kilpailu 2020”

France (FT) National Final?

Destination Eurovision”

Germany (ARD/NDR) Internal Selection
Georgia (GPB) National Final

“Georgian Idol 2019”

Greece (ERT) Internal Selection
Iceland (RUV) National Final

“Söngvakeppnin 2020”

Ireland (RTE) Internal Selection
Israel (IPBC/KAN) National Final

HaKokhan HaBa L’Eurovizion”

Italy (RAI) National Final (?)

“San Remo Festival”

Latvia (LTV) National Final

“Supernova 2020”

Lithuania (LRT) National Final

Eurovizijos Atranka”

Malta (PBS) National Final

X Factor”

Moldova (TRM) Internal Selection
Netherlands (AVROTROS) Internal Selection
North Macedonia (MKRTV) Internal Selection
Norway (NRK) National Final

“Melodi Grand Prix”

Poland (TVP) ?
Portugal (RTP) National Final

“Festival da Canção 2020 “

Romania (TVR) National Final (?)

Selectia Nationala 2020″

Russia (Channel One) Internal Selection
San Marino (RTV) ?
Serbia (RTS) National Final

“Beovizija 2020”

Slovenia (RTVSLO) National Final

“Evrovizijska Melodija 2020”

Spain (TVE) Blas Cantó Internal Selection
Sweden (SVT) National Final

“Melodifestivalen 2020”

Switzerland (SRG SSR) Internal Selection
Ukraine (UA:PBC) National Final

“Vidbir 2020”

United Kingdom (BBC) Internal Selection

Keep this table and watch it filling in !!!

That’s for now!!! Stay tuned for all the latest developments in each country but generally for our favorite Contest as well as for all the updates in the above information in order no to miss ANYTHING!

Eurovision 2020: 41 countries will travel to Rotterdam

For long time, we all were eagerly awaiting the official list of participating countries at the upcoming Eurovision in Rotterdam, as the deadline for the submissions has passed since October. Many countries since then have announced their participation or not, while there have been rumors of several others, which have not been confirmed.

Today, finally, the rumors and scenarios  have finally come to an end, with EBU officially announcing the countries that will take part in the Eurovision 2020 in Rotterdam. Their number has been finalized at 41 and are the following:

  • Albania (RTSH)
  • Armenia (AMPTV)
  • Australia (SBS)
  • Austria (ORF)
  • Azerbaijan (ICTIMAI)
  • Belarus (BTRC)
  • Belgium (VRT)
  • Bulgaria (BNT)
  • Croatia (HRT)
  • Cyprus (CYBC)
  • Czech Republic (CT)
  • Denmark (DR)
  • Estonia (ERR)
  • Finland (YLE)
  • France (FT)
  • Germany (ARD/NDR)
  • Georgia (GPB)
  • Greece (ERT)
  • Iceland (RUV)
  • Ireland (RTE)
  • Israel (IPBC/KAN)
  • Italy (RAI)
  • Latvia (LTV)
  • Lithuania (LRT)
  • Malta (PBS)
  • Moldova (TRM)
  • The Netherlands (AVROTROS)
  • North Macedonia (MKRTV)
  • Norway (NRK)
  • Poland (TVP)
  • Portugal (RTP)
  • Romania (TVR)
  • Russia (Channel One)
  • San Marino (RTV)
  • Serbia (RTS)
  • Slovenia (RTVSLO)
  • Spain (TVE)
  • Sweden (SVT)
  • Switzerland (SRG SSR)
  • Ukraine (UA:PBC)
  • United Kingdom (BBC)

35 of them will compete in the 2 semifinals with ten from each semifinal qualifying to the big final where they will meet the host country (The Netherlands) as well as the Big 5 (France, Germany, Italy, Spain and the United Kingdom) and a total of 26 will compete in the big final on May 16th. The draw for the  countries and the semifinal they will compete  will take place on 28 January in Rotterdam.

So, officially, we have two returns, after a year of absence, Ukraine and Bulgaria, while Hungary and Montenegro will not participate of this year. The query, also for Turkey,Russia and Moldova, was resolved as Turkey will be out and the two others will  compete normally.

Following that announcement, we also saw the reaction of Jon Ola Sand, Executive Supervisor of the Eurovision Song Contest, who stated:

“We can’t wait to “open up” to participants from 41 countries in Rotterdam next year. We are thrilled that so many public broadcasters will be presenting their nation’s best musical talent as we celebrate the 65th Eurovision Song Contest. The team from NPO, NOS and AVROTROS have 3 fantastic state-of-the-art shows planned and the excitement around the event in the Netherlands is incredible.”

Source: Eurovision.tv

EBU:”EBU discusses change of vote” as TVE’s entertainment director reveals

Toñi Prieto, director of entertainment programs on Spanish public broadcaster, TVE, reveals in an interview today that EBU is conducting a survey among its members – public service broadcasters, on changingthe voting system at the Eurovision Song Contest.

Will the 50-50 system change?

Since 2009, when the jury returned to the contest, having 50% of the final result, there have been few times that the voting system has been criticised.

On the one hand, it is those who believe that five people from every country, even if they are music professionals, cannot have the same say in the outcome, as the rest of the public, who vote by tele-voting. On the contrary, those who claim that the level of songs have gone up since 2009, so-called joke entries (see Ireland 2008, Iceland 2006 etc) have disappeared, with all countries making sure to send good voices, hoping this will be appreciated. from the jury.

What has been active since 2009 with some minor variations is that public and jury have 50% of the final results, both in the final and in the two semifinals.

Toñi Prieto: “The EBU is discussing the change of vote in Eurovision!”
In an interview with Vertele, TVE’s entertainment director Toñi Prieto, among others, says that EBU is in discussions with public television stations to find out what the best voting system is.

The EBU is thinking of turning a vote. They think and discuss with the delegations to find out how we see it. If there is to be a jury, only a jury or only the television audience.

Toñi Prieto, TVE’s entertainment director

EBU: Eurovision Executive Supervisor Wanted | The qualifications required and the responsibilities

Through the official EBU website, the vacancy of Eurovision Executive Supervisor o has been announced, as Jon Ola Sand is known that completes his term in May at Eurovision 2020, which will take place in Rotterdam.

Applications must be submitted by 14 November

The deadline for applicants who want to succeed Jon Ola Sand in the position of Executive Supervisor of Eurovision events expires on 14 November.

Applications will not be accepted after this date, and the EBU will only contact those with the necessary qualifications. Applications are only made electronically through the EBU website.

What are the qualifications of an Executive Supervisor?

The qualifications an executive supervisor must have are varied and multidimensional, as he must be communicative, knowledgeable in political situations, linguistic, ready for many trips and work on vacations and weekends. Of course, he or she must have a television experience of organizing big events, but also be able to manage organized sets and find the right partners. In particular, the notice states:

-The executive supervisor must have a background as a high level media professional. Full experience in complex television entertainment productions, events, digital development and storytelling.
-He must be able to work in an international environment and have strong cultural and political understanding, being able to mitigate intense conflict in the field.
-He\she must have senior management experience, with extensive knowledge of the role of Project Manager.
-He\she must have a strong sense of communication with fluent English and preferably French.
-He\she must be a strong team player capable of working in changing environments and different working conditions.
-He\she must be able fro frequent visits and meetings at EBU headquarters throughout the year. Presence in Geneva (EBU headquarters) about 4 weeks before the start of Eurovision events. Short trips and work during the evenings, weekends and holidays.
-8+ years of experience in the broadcasting environment.
-5+ years of experience in human management (proven track record)

The salary is not mentioned, but it is stressed that it is competitive!

What are the duties of the Executive Supervisor?

If you still have questions about the duties of the Executive Supervisor of Eurovision events, the notice states them in more detail:

-The executive supervisor is the person who, on behalf of the EBU, has overall responsibility for the ESC mark. This includes the areas of member relations, content, production, broadcasting, financing, legal, logistics, security and communication and public relations.

-As the Eurovision Contest is an apolitical event but with a possible political impact, the general and political management of stakeholders is a key role for the Executive Supervisor.

-He\she is responsible for gathering all relevant information on the development and progress of Eurovision each year, in addition to general related matters that may be of great importance or may damage the reputation of the ESC and the EBU.

-He\she is the main responsible for ensuring that Participating Broadcasters (PBs) participating in the competition comply with the EBU Rules.

-He\she maintains extensive contact with all public service broadcasters and is available for advice, consultation and support throughout the year, also by visiting PBs at their preferred location.

-He\she  is responsible for the long-term strategic development of the Eurovision Contest, its brand and brand initiatives.

The 13th Executive Supervisor of the Competition

The new Executive Supervisor to be appointed will be the 13th in the history of the institution, with one remaining unknown until now, according to the official list published on the contest’s website:

1956-1957: Rolf Liebermann (2)
1958-1963: Unknown (6)
1964-1965: Miroslav Vilček (2)
1966-1977: Clifford Brown (12)
1978-1992: Frank Naef (15)
1993-1995: Christian Clausen (3)
1996 and 1998-2002: Christine Marchal-Ortiz (6)
1997: Marie-Claire Vionnet (1)
2003: Sarah Yuen (1)
2004-2010: Svante Stockselius (7)
2011-2020: Jon Ola Sand
2021:;

As we mentioned in our recent article, a glance at the list is enough to notice that in the 65-year history of the competition, only Miroslav Vilček came from Southern Europe (he was Croatian). All others were from central and northern Europe, with Scandinavia in recent years holding this position exclusively.

So if you think you are qualified to claim the position of Executive Supervisor, its your chance  to apply. You will certainly not have Christer Bjorkman as an opponent, since, based on what he has clarified, he is not interested in that position!

So, take it away!

Editorial: “Eurovision Executive Supervisor”; a role for the Northern Europeans only | Is it time for the south?

Jon Ola Sand’s earlier announcement that he is stepping down the role of the Executive Supervisor of the Eurovision Song Contest in May 2020 after the contest in the Netherlands ends, has prematurely started the debate about who is going to replace him.

A quick glance at his predecessors, it is more than enough for someone to realize that, out of the 65 years of existence of the contest, 63 of them were under the leadership of northern Europeans only.

Is it time for the south to take control? And if so, is there any public broadcaster from the countries of the south that can claim this position?


A privilege for the few

Observing the list of the Executive Supervisors of the competition since 1956, as published on the official website, we can see that the only time, in which one of the countries of the South was in this position, was back in 1964-1965 with Miroslav Vilček, from Tito’s powerful then-united Yugoslavia. Let’s see the list in detail:

1956-1957: Rolf Liebermann (2 contests) – Swiss
1958-1963: Unknown (6 contests)
1964-1965: Miroslav Vilček (2 contests) – Yugoslavia (Croatian)
1966-1977: Clifford Brown (12 contests) – British
1978-1992: Frank Naef (15 contests) – Swiss
1993-1995: Christian Clausen (3 contests) – Danish
1996 and 1998-2002: Christine Marchal-Ortiz (6 contests) – French
1997: Marie-Claire Vionnet (1 competition) – French
2003: Sarah Yuen (1 contest) – British
2004-2010: Svante Stockselius (7 contests) – Swedish
2011-2020: Jon Ola Sand (10 competitions) – Norwegian
2021: ?

In the 65 years of the Eurovision Song Contest, ten different EBU executives have been assigned as Executive Supervisors of the contest. Their countries of origin were seven (Switzerland, United Kingdom, France, Yugoslavia, Sweden, Denmark and Norway) and out of these – as we have mentioned above – only one country was part of the south, with a term of office of only two years.

Is the role of the Executive Supervisor an exclusive right of the countries of the North? Shouldn’t there be a provision for a proportional and rotational system in senior positions of the EBU  which will cover all of Europe’s geographical corners? This need is now more urgent than ever, since we can clearly say that the EBU is run exclusively by Northern Europeans! Current EBU’s president is Irish, president of the Reference Group is German and Executive Supervisor is Norwegian.

Besides, EBU members and subscriptions cover the whole spectrum of the European continent.

Is the South capable?

Here comes the question, of course, whether the public broadcasters of the countries of the South have an executive who could take on this neuralgic position? Is there anyone with the knowledge, experience, but also the disposition to do so?

Personally I think yes there are! Besides, in the south there are some colossi in the field of television such as RAI and TVE, in Italy and Spain respectively. Two very big TV stations, with great productions, executives with know-how, and history in the competition.

Now we go to our own neighborhood. ERT may not have been willing to claim this role as shown in recent years, but CyBC does!

Cyprus public television competes equally local private television stations, often ending first on the daily television chart. It has a very commercial program and can boast of having a strong presence in social media, successfully making the transition to the new era.

Share of all the above, except of course its worthy staff, is credited to Michalis Maratheftis, who is the general manager of CyBC since 2017.

One of his achievements is the impressive track record of Cyprus in recent years in the Eurovision Song Contest, with entries that stand out and are still being discussed today. His greater goal is to win, which will not be long if he and his team continue with the same stubbornness and enthusiasm.

The time until May 2020 is long enough and the candidates to appear are many, but the case of Michalis Marathethis seems to be worth a look at the EBU headquarters in Geneva!

We Greeks have proven that we can handle whatever role we are assigned to, so why not to this as well?

Eurovision 2020: NPO to visit the two candidate cities

Just yesterday, following a thorough examination of the candidates’ bids for the organization of the next Eurovision contest, as we had mentioned in our previous article, the responsible  committee of the Dutch broadcaster NPO announced officially that only two cities of five candidates meet the EBU’s criteria for hosting the next Eurovision: Maastricht and Rotterdam.
As expected, and without losing time, NPO executives have begun today the  visits to the two cities to see and discuss in detail everything that each city has in its  bid as well as to look closely at the structures that will host the music contest.
Their first stop is Maastricht, where they will mainly inspect the Maastricht MESC, with a capacity of 20,000 spectators proposed by the city to host the contest, as well as the other necessary structures such as accommodation and easy transfer of delegation  and fans. Significant weight is also given to the other venues and location  of the side events such as Euroclub, Eurovision Village, Opening Ceremony, Red Carpet, Press Center, Delegation Bubble etc.
Tomorrow,  NPO travels to Rotterdam, heading mainly to Rotterdam Ahoy, the venue proposed for the contest, and the other locations proposed for all the side events.
In both cases, NPO  will also have meetings with officials from the two cities involved in organizing the event to gain a fuller picture of the potential of cities based on the files they have submitted and to inform EBU afterwards.

It is worth mentioning that Rotterdam strongly wants to host  the event, which is apparent from the intention of the Southern Holland province to boost the city with an extra 1 million euros if it takes over the organization. At the same time,Rotterdam claims  as its strong point a very good network as well as its excellent connection with most European cities through two airports (Schiphol International Airport and Rotterdam-The Hague Airport), a point that is lagging behind Maastricht.
Whatever the case, the on-the-spot review is in progress and we expect any information from these inspects.

Eurovision 2020: Rotterdam and Maastricht to be the official finalists for ESC 2020 hosting

EBU,through its official website for the contest, announced a while ago what the Dutch media, but also what we had written a few days ago.  Rotterdam and Maastricht are the two remaining cities to claim Eurovision 2020 hosting.

This two cities had the most completed nomination bid and thus continue the fight for claiming Eurovision 2020. Next month, a team of the Dutch public broadcaster as well as EBU experts will visit the two cities in order to see and get up-to-date  , everything suggested by Maastricht and Rotterdam to organize the next contest.

« All cities and venues have made a great effort in their candidacies.  They impressed us with all their suggestions and I would like to thank all those involved so far for their positive contribution and commitment.  We are convinced that Maastricht and Rotterdam offer everything that a host city requires.  We hope the other cities will keep their enthusiasm for the song contest.  We would like to discuss the coming months how we can engage them in next year’s Eurovision. »

(Sietse Beker, executive producer of Eurovision 2020).

The cities that were considered inappropriate and had submitted a candidacy bid were Arnhem, Den Bos and Utrecht.

The final decision on the city that will host Eurovision 2020 will be announced at the end of August.

Kosovo reacts to the negative outcome of the EBU general assembly

Kosovo’s public broadcaster failed to become a full member of the EBU, as the union’s general assembly did not approve the required changes to the statute. The “country’s” public broadcaster, as expected through its CEO, Ngadhnjim Kastrati, has reacted to this negative development, which will not allow Kosovo to participate in the Eurovision Song Contest but also in other EBU’s events. Read more

Changes in the EBU statutes have not been aprooved – Kosovo can’t apply for full membership of EBU

The vote at the EBU General Assembly, held in Oslo, was just completed. Changes in the statute that would help Kosovo joining the union have not been accepted, and so they will have to wait more time to make their debut in the Eurovision Song Contest. Read more